Antonio's second dream is also very important. Antonio is dreaming of his three brothers. They are all describing different parts of their father's dream and hope to travel and build. It is obvious that Antonio's brothers share the Marez blood with their father, but in his dream they also tell Antonio that he is a Luna (his mother's side of the family). Then his brothers become scared when they hear the cry of the river, and they say that it is the soul of Lupito calling to them so they ran away. However, Antonio shouts after them saying it is just the soul of the river. His brothers then call him for his help, so Antonio asks the river to grant his brothers their wish: to leave and build their castle on the hill. At the end of the dream Antonio's mother cries as she realizes that Antonia is growing older. Antonio has already seen the future with this dream. However, at this point in the novel his brothers have not even returned home from the war, but he knows that they will leave again right when they get home. He has also seen that there is a power in the river, and most people would consider it harmful. However, he realized that it may be a helpful power. He already feels his…
The last example of loss of innocence can be seen in “ 5 Chimneys”. When Olga Lengyel first arrived at Auschwitz she didn’t know much about what was going to happen to her next. This shows the innocence that she had, as she lived in Auschwitz she quickly realized that the rumors she had heard about were true. This quote shows that: “I already knew that a selection meant the gas chamber,” (Lengyel 65). Olga knew that at all times she was at risk of being selected. This life she lived in constant fear showed a loss of innocence. At this time she became aware of death in the camp and now thought of it at all times. At some times she even gave into the idea that she had no chance and that by working hard in the camp was just prolonging the inevitable……
| 1. When I was younger, if I had lost an arrow, I would shoot another one in the same direction and follow it to find the first. In the same way, give me more money and it will lead me to get you back all the money I owe.2. Pleading; vying for second chances. Shakespeare introduces Bassanio’s character as one who feels strongly for the influence of second chances. He uses persuasive and self-denouncing diction to influence Antonio’s decision on how to deal with his debt, comparing himself to “a willful youth” in order to display that his character was out of the norm when he lost the first batch of money. By degrading himself, that will prove that he does not usually act that way and deserves a second chance to prove his true character. The author’s use of desperation on Bassanio's part enhances the reader’s eagerness to read on and discover whether he will make do on his promises, seeing that he did not the first time.2. Metaphor: a direct comparison between two things. Shakespeare’s direct relation of the situation of finding the first arrow through the shooting of the second to the lending of more money in order to “rest debtor for the first” serves to intensify Bassanio's pride that the plan will ensue successfully. The point of the story is to calm Antonio’s worries of Bassanio’s plan, and to give Antonio no…
He didn’t believe in gods work. Florence felt as though God made him suffer and put him on earth only to suffer and not enjoy life. Antonio did everything in his nature to help Florence believe but it was no use because during confession Antonio saw that Florence thought he hadn’t committed any sins.…
(R) Antonio’s thoughts reflect the responsibility which he feels to live up to his mother’s expectations, even amidst the struggles of a desensitizing experience as he witnesses Lupito’s death. He displays a high level of maturity and experience as he thinks not just of the horror of the event, but also of the consequences and repercussions of this death.…
Blood becomes the river. The human race dies and only the "she-goats and the he-goats" remain (176). The lake "cracked with laughter of madness" and the "ghosts stood and walked upon the shore" (120). Who dares dream such gruesome images? Only Antonio Marez. He argues with God and the Virgin Mary. He commutes with the dead; the dead asks him for blessings. Just who is this Tony person! You might not believe that this is only a seven year old kid, but he is the hero of Rudolfo Anaya's Bless Me, Ultima. Tony is valiant, and this courage sometimes reflects his curiously precocious nature. Precocious he is, he still is in constant mental ambivalence.<br><br>When I say Tony is brave, I don't mean that he fights demons or kill dragons, but rather that he stands for what he believe is right and he is not afraid to go to extreme measures to protect the people he love. He shows that he is a "man of the llano" when he "does[n't] run from a fight" even when confronted with Horse, the notorious bully (37). Tony also stands up against a mob for Florence; everyone wants to punish Florence for "not believing in God" (214) and Tony pushes the crowd away and refuses to give Florence the penance that Florence does not deserve. Although Tony knows that he will be given the "Indian torture" (214), he still speaks up for his friend. Anaya often presents Tony as a dependent character, never wanting to "be away from the protection of [his] mother" (51); in fact, he's so close to his mother that it seems that he's going through Oedipus's Complex. Anaya actually does this to increase the impact of Tony's bravery. One might expect Tony to stay in his undercover bushes when Tenorio is standing so close; however, when Tony hears that Tenorio knows the way to kill Ultima, the thought to warn Ultima supercedes his fear and encourages his legs to pick up and run home (255). At trying times, he "stood by Ultima" and "would have slashed out to protect Ultima" (138).<br><br>Oftentimes, Tony's…
Antonio shows a startling maturity. Psychologically, a typical six-year old will suffer serious mental agonies if he or she witnesses the death of four other people. Tony,…
His mother is worried, and his father is counting down the days. But no one seems to be giving him much of a choice. He will be educated, he will be a priest, he will be a farmer, he will be a Luna, he will be a Márez… “My man of learning!... My baby will be gone today,” she sobbed. “He will be all right,” Ultima said. “The sons must leave the sides of their mothers,” she said almost sternly and pulled my mother gently.” (53). Antonio is never allowed to be anything but a man of learning. Even in his times of struggle with the issue of becoming a man, Ultima is there to help him. She has no doubt that he will become a good man in time. At one point in the book, Antonio’s mother tells him it is a sin that he become a man, and yet she is also telling him that he must become a man. Her contradicting statements do not help Antonio with this struggle at all. His older brothers are also a bad influence. All they value is booze, money, and women, and they choose to go wander through foreign cities. Antonio sees the effect this has on everyone, and decides early on that he won’t be like…
All these people imprint so many different ideologies onto Tony and he has no idea what to believe in. On the other hand, Tony feels at home with his peers, Cico and Samuel. Cico, however, has the focus in this book. He explains to Tony the idea of the Golden Carp. Cico regards Tony as an equal and a partner in learning. The Golden Carp that Cico talks about also represents something deep inside Tony. The Carp is a symbol of new knowledge and information about the world. With the Carp and Cico, it’s a new outlook on how the Universe works. Later that night, Tony dreams. Ultima appears in that dream, and she says ‘You have seen only parts’, Ultima in the dream is vocalizing her thoughts about Tony’s perspective, ‘and not looking beyond the great cycle that binds us all’(121). Keep in mind Tony is still incredibly young. La Grande is telling him that he needs to stop having this perspective of everything operating in black and white, and to see the bigger picture. Later in the next chapter, Ultima gives Tony a gift. She tells Tony, ‘You’re a good boy, now come here. I have something for you. The…
Throughout the book Bless me, Ultima your understanding of her character progresses and changes according to her actions. Ultima is constantly displaying three universal traits throughout the book loving, kindness, and wisdom. She uses these traits to help others throughout the book, particularly Antonio. Ultima's wish is to make Antonio her spiritual heir, by that I mean that she wants him to carry on what she did on earth. That does not mean however that she limits her talents and gifts to Antonio, she helps anyone who asks.…
In that regard, the environment played a part in his future career choice and subsequent journey to accomplish it. This can be seen in that Tony was taking care of horses at the age of fourteen in anticipation of his future career as a jockey. As for biological factors that may have influenced his development, it seemed that there were very little that affected the course of Tony’s life. In 14UP, he is an adolescent, having grown both physically and mentally in the seven years since 7UP. Furthermore, in 21UP, Tony has matured even further, going past puberty in the years since he was fourteen. By the age of 42, Tony states that he has “…done the best he could” in his life and that “…anything that comes after is a bonus”. This quote demonstrates the general satisfaction he has with his life up to this point, something that many middle aged adults can also relate…
Witches usually appear in Halloween but also in a book. Bless me, Ultima written by Rudolfo Anaya. This book is about a boy, Antonio, who is choosing between his mother’s dream and his father’s dream. In the meantime, Ultima comes to live with them, and with Ultima’s help, Antonio chooses to combine his parents’ dreams both. But Tenorio, an evil person who has three witch daughters, tries to kill Ultima and Antonio. Ultima is a witch because she performs black magic and has an owl as her soul.…
Islam and Christianity share similar ideas as the abstract religion in the coming of age novel “Bless Me, Ultima” by Rudolfo Anaya. Islam and magic each have stigmas connected to them from personal assumptions. Pagan beliefs in the novel and Christianity share the same concept of afterlife and symbolism.…
Bless Me, Ultima tells the story of a young boy named Antonio and his loss of innocence, self-discovery, and the struggle to find enduring values. When Antonio Marez is six years old, his parents send for an old woman, Ultima, who stays with their family in a small village in post-war New Mexico where modern influence is starting to spread out from the cities. Ultima is a curandera who heals using herbs and magic and is often out casted because people believe she is a witch, but she inspires Antonio and shares her wisdom with him throughout the novel. Within his family, he is torn between his father’s riding ranch ancestors, his mother’s farm folk, and his personal calling as an altar boy. His world is forever changed by the appearance of Ultima, a healer who moves in with the family. Anaya, being a native of New Mexico, fills the seemingly empty plains and surrounding mountains with life and color. His mother’s ancestors had been farmers and his father was a vaquero. Anaya said that his grandmother, La Grande was special force in his life and that she was believed to be a curandera paralleling to Ultima.…
Antonio’s “looking glass self” is related to his answerability because he knows that he will be held accountable for the decisions. The role this has on his desire to change his behavior is because he realizes what he was doing is wrong.…