Cited: Barrett, Leonard. The Rastafarians: Sounds of Cultural Dissonance. Boston: Beacon, 1988. Booth, Mark. "The Art of Words in Songs." The Quarterly Journal of Speech 62 (1976): 242-49. Campbell, Horace. Rasta and Resistance: From Marcus Garvey to Walter Rodney. New Jersey: African World, 1987. Chaffee, Steven. "Popular Music and Communication Research." Communication Research 12 (1985): 413-24. Chesebro, James W., Davis A. Fougler, Jay E. Nachman and Andrew Yannelli. "Popular Music as a Mode of Communication, 1955-1982." Critical Studies in Mass Communication 2 (1985): 115-35. Davis, Stephen. Bob Marley: The Biography. London: Granada, 1983. Davis, Stephen. "Talking Drums, Sound Systems, and Reggae." Reggae International. Eds. Stephen Davis and Peter Simon. NY: GMBH, 1982: 33-34. Davis, Stephen and Peter Simon. Reggae Bloodlines. New York: Anchor, 1977. Davis, Stephen and Peter Simon, eds. Reggae International. NY: GMBH, 1982. Ehrlich, Lyle. "The Reggae Arrangement." Reggae International. Ed. Stephen Davis and Peter Simon. New York: GMBH, 1982. 52-55. Forsythe, Dennis. "West Indian Culture Through the Prism of Rastafarianism." Caribbean Quarterly 26: (1980): 62-81. Foss, Sonja K. Rhetorical Criticism: Exploration & Practice. Prospect Heights, IL: Waveland, 1989. Gibson, Dirk. "I & I Downpressor Man: Reggae as an Instrument of Social Change." Intercultural and International Communication Conference, Miami, Feb. 1990. Gonzalez, Alberto and John J. Makay. "Rhetorical Ascription and the Gospel According to Dylan." Quarterly Journal of Speech 69 (1983): 1-14. Grass, Randell. "Do the Reggay: Rock Steady Into Reggae." Reggae International. Eds. Stephen Davis and Peter Simon. New York: GMBH, 1982. 45-47. Holmberg, Carl B. "Toward the Rhetoric of Music: Dixie." The Southern Communication Journal 51 (1985): 71-82. Ivie, Robert L. "The Metaphor of Force in Prowar Discourse: The Case of 1812." Quarterly Journal of Speech 68 (1982): 240-53. Jennings, Nicholas. "The Hypnotic Pull of the Reggae Beat." MacLean 's. 27 Oct. 1986: 69. Jones, Simon S. Black Culture, White Youth. Houndsmills, NH: MacMillan, 1988. Knupp, Ralph E. "A Time for Every Purpose Under Heaven: Rhetorical Dimensions of Protest Music." The Southern Speech Communication Journal 46 (1981): 377-89. Lakoff, George and Mark Johnson. Metaphors We Live By. Chicago: U of Chicago P, 1980. Leff, Michael. "Topical Invention and Metaphoric Interaction." The Southern Speech Communication Journal 48 (1983): 214-29. Lull, James. "On the Communicative Properties of Music." Communication Research 12 (1985): 363-72. Marley, Bob, and The Wailers. Rec. Burnin '. Island Records, 1973. Marley, Bob, and The Wailers. Rec. Catch a Fire. Island Records, 1973. Marley, Bob, and The Wailers. Rec. Confrontation. Island Records, 1983. Marley, Bob, and The Wailers. Rec. Exodus. Island Records, 1977. Marley, Bob, and The Wailers. Rec. Kaya. Island Records, 1978. Marley, Bob, and The Wailers. Rec. Live! Bob Marley and the Wailers. Island Records, 1975. Marley, Bob, and The Wailers. Rec. Natty Dread. Island Records, 1975. Marley, Bob, and The Wailers. Rec. Rastaman Vibration. Island Records, 1976. Marley, Bob, and The Wailers. Rec. Survival. Island Records, 1979. Marley, Bob, and The Wailers. Rec. Uprising. Island Records, 1980. Morris, Ivor. Obeah, Christ and Rastaman: Jamaica and Its Religion. Cambridge, England: James Clark, 1982. Ong, Walter. Orality and literacy: The Technologizing of the Word. New York: Methuen, 1982. Reid, Hazel. "Bob Marley: Up from Babylon." Freedomways 21 (1981): 171-79. Rein, Irving J. and Craig M. Springer. "Where 's the Music? The Problems of Lyric Analysis." Critical Studies in Mass Communication 3 (1986): 252-56. Stewart, Charles, Craig Allen Smith and Robert E. Denton, Jr. Persuasion and Social Movements. 2nd ed. Prospect Heights, IL: Waveland, 1989.
Cited: Barrett, Leonard. The Rastafarians: Sounds of Cultural Dissonance. Boston: Beacon, 1988. Booth, Mark. "The Art of Words in Songs." The Quarterly Journal of Speech 62 (1976): 242-49. Campbell, Horace. Rasta and Resistance: From Marcus Garvey to Walter Rodney. New Jersey: African World, 1987. Chaffee, Steven. "Popular Music and Communication Research." Communication Research 12 (1985): 413-24. Chesebro, James W., Davis A. Fougler, Jay E. Nachman and Andrew Yannelli. "Popular Music as a Mode of Communication, 1955-1982." Critical Studies in Mass Communication 2 (1985): 115-35. Davis, Stephen. Bob Marley: The Biography. London: Granada, 1983. Davis, Stephen. "Talking Drums, Sound Systems, and Reggae." Reggae International. Eds. Stephen Davis and Peter Simon. NY: GMBH, 1982: 33-34. Davis, Stephen and Peter Simon. Reggae Bloodlines. New York: Anchor, 1977. Davis, Stephen and Peter Simon, eds. Reggae International. NY: GMBH, 1982. Ehrlich, Lyle. "The Reggae Arrangement." Reggae International. Ed. Stephen Davis and Peter Simon. New York: GMBH, 1982. 52-55. Forsythe, Dennis. "West Indian Culture Through the Prism of Rastafarianism." Caribbean Quarterly 26: (1980): 62-81. Foss, Sonja K. Rhetorical Criticism: Exploration & Practice. Prospect Heights, IL: Waveland, 1989. Gibson, Dirk. "I & I Downpressor Man: Reggae as an Instrument of Social Change." Intercultural and International Communication Conference, Miami, Feb. 1990. Gonzalez, Alberto and John J. Makay. "Rhetorical Ascription and the Gospel According to Dylan." Quarterly Journal of Speech 69 (1983): 1-14. Grass, Randell. "Do the Reggay: Rock Steady Into Reggae." Reggae International. Eds. Stephen Davis and Peter Simon. New York: GMBH, 1982. 45-47. Holmberg, Carl B. "Toward the Rhetoric of Music: Dixie." The Southern Communication Journal 51 (1985): 71-82. Ivie, Robert L. "The Metaphor of Force in Prowar Discourse: The Case of 1812." Quarterly Journal of Speech 68 (1982): 240-53. Jennings, Nicholas. "The Hypnotic Pull of the Reggae Beat." MacLean 's. 27 Oct. 1986: 69. Jones, Simon S. Black Culture, White Youth. Houndsmills, NH: MacMillan, 1988. Knupp, Ralph E. "A Time for Every Purpose Under Heaven: Rhetorical Dimensions of Protest Music." The Southern Speech Communication Journal 46 (1981): 377-89. Lakoff, George and Mark Johnson. Metaphors We Live By. Chicago: U of Chicago P, 1980. Leff, Michael. "Topical Invention and Metaphoric Interaction." The Southern Speech Communication Journal 48 (1983): 214-29. Lull, James. "On the Communicative Properties of Music." Communication Research 12 (1985): 363-72. Marley, Bob, and The Wailers. Rec. Burnin '. Island Records, 1973. Marley, Bob, and The Wailers. Rec. Catch a Fire. Island Records, 1973. Marley, Bob, and The Wailers. Rec. Confrontation. Island Records, 1983. Marley, Bob, and The Wailers. Rec. Exodus. Island Records, 1977. Marley, Bob, and The Wailers. Rec. Kaya. Island Records, 1978. Marley, Bob, and The Wailers. Rec. Live! Bob Marley and the Wailers. Island Records, 1975. Marley, Bob, and The Wailers. Rec. Natty Dread. Island Records, 1975. Marley, Bob, and The Wailers. Rec. Rastaman Vibration. Island Records, 1976. Marley, Bob, and The Wailers. Rec. Survival. Island Records, 1979. Marley, Bob, and The Wailers. Rec. Uprising. Island Records, 1980. Morris, Ivor. Obeah, Christ and Rastaman: Jamaica and Its Religion. Cambridge, England: James Clark, 1982. Ong, Walter. Orality and literacy: The Technologizing of the Word. New York: Methuen, 1982. Reid, Hazel. "Bob Marley: Up from Babylon." Freedomways 21 (1981): 171-79. Rein, Irving J. and Craig M. Springer. "Where 's the Music? The Problems of Lyric Analysis." Critical Studies in Mass Communication 3 (1986): 252-56. Stewart, Charles, Craig Allen Smith and Robert E. Denton, Jr. Persuasion and Social Movements. 2nd ed. Prospect Heights, IL: Waveland, 1989.