Title: A Book of Myths Author: Jean Lang Illustrator: Helen Stratton Release Date: September 21, 2007 [EBook #22693] Language: English Character …show more content…
It was a world of mystery, but mystery of which her great, adoring, simple Titan held the golden key. When she saw the coffer which never was opened, what then more natural than that she should ask Epimethus what it contained? But the contents were known only to the gods. Epimethus was unable to answer. Day by day, the curiosity of Pandora increased. To her the gods had never given anything but good. Surely there must be here gifts more precious still. What if the Olympians had destined her to be the one to open the casket, and had sent her to earth in order that she might bestow on this dear world, on the men who lived on it, [Pg 7] and on her own magnificent Titan, happiness and blessings which only the minds of gods could have conceived? Thus did there come a day when Pandora, unconscious instrument in the hands of a vengeful Olympian, in all faith, and with the courage that is born of faith and of love, opened the lid of the prison-house of evil. And as from coffers in the old Egyptian tombs, the live plague can still rush forth and slay, the long-imprisoned evils rushed forth upon the fair earth and on the human beings who lived on it—malignant, ruthless, fierce, treacherous, and cruel—poisoning, slaying, devouring. Plague and pestilence and murder, envy and malice and revenge and all viciousness—an ugly wolf-pack indeed was that one let loose by …show more content…
In the language of our own day, we should call him “wedded to his art.” In woman he only saw the bane of man. Women, he believed, lured men from the paths to which their destiny called them. While man walked alone, he walked free—he had given no “hostages to fortune.” Alone, man could live for his art, could combat every danger that beset him, could escape, unhampered, from every pitfall in life. But woman was the ivy that clings to the oak, and throttles the oak in the end. No woman, vowed Pygmalion, should ever hamper him. And so at length he came to hate women, and, free of heart and mind, his genius wrought such great things that he became a very perfect sculptor. He had one passion, a passion for his art, and that sufficed him. Out of great rough blocks of marble he would hew the most perfect semblance of men and of women, and of everything that seemed to him most beautiful and the most worth