Dorian Gray’s characterization illustrates the theme throughout the story. At the beginning he is a charming, innocent young man who does not care so much about his looks. He then meets Lord Henry Wotton who severely influences his views and outlook on life. Lord Henry explains to Dorian that his looks are everything. Once he loses them, he will be and have nothing. Lord Henry tells him to live life to its fullest now and do things that pleasure him because once he has lost his looks, he will no longer have the opportunity. As Dorian examines the finished portrait of himself he realizes that Lord Henry is right about his looks and becomes resentful of the painting, angry that it will continue to look youthful while he slowly deteriorates. He pledges to sell his soul in order to stay beautiful while the painting takes on his altering features. Dorian then begins to…
The painting itself is an overarching, ever-present symbol in The Picture of Dorian Gray, not just in the text but to nearly all of its characters. Though physically it is nothing more than a two-dimensional object, it becomes the main antagonist of their lives and has such far-reaching and powerful influences that it seems almost to be more alive than Dorian himself. It represents beauty, mortality, time, and art, all the major themes of the book, and its degradation literally presents to us the dangers inherent in these…
Throughout Oscar Wilde’s The Picture of Dorian Gray, the sinful actions of Dorian cause Dorian himself as well as the portrait of Dorian to diminish. The portrait Basil paints of Dorian depicts an innocent, beautiful young boy who has yet to be corrupted by the influence of the world. However, as Dorian grows older he becomes debased by the thoughts of others and his own experiences. As the novel progresses, the reader loses sight of the innocent, pure Dorian and sees the cruel, corrupted Dorian. After Sibyl killed herself Dorian illustrates his corruption by claiming, “when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow” (96). Dorian no…
In Oscar Wilde’s only novel The Picture of Dorian Gray, many influences are at play throughout the book. The relationships between the characters are all about the influence they have on each other’s life. However, out of them all, one of the characters stands out as a more detached figure who has mastered the art of influencing without being influenced by others himself: Lord Henry Wotton. To study the different forms of influences in the book, we shall first focus on the link between art and influence before turning to the study of the influence of Lord Henry and Basil on Dorian, to finally discuss the effect of all the influences on Dorian and debate over whether Dorian can be considered as an evil character at the end of the book.…
Dorian Gray, after he is supposedly gifted with forever youth, is able to perform evil without his physical immaculacy being polluted. However, selfishness becomes the motivation for all his actions, rendering him unable to remain content as Lord Henry. Dorian ignores his moral turmoil for a period of time, but as the sins’ severity increases, so does the tension between his new philosophy and the remainder of his conscience. In order to ignore this tension within him, he distracts himself with pleasure and drugs, only increasing his inner turmoil. As time continues and he physically is unchanged, his portrait becomes darker and more evil, weighing on Dorian as evidence that there are and will be consequences for his actions. With time to process his situation, the horrifying truth that his fate will be everlasting pain and suffering terrifies Dorian, keeping the turmoil his moral ambiguity causes alive. With great assistance from fear of fate, Dorian’s inner goodness keeps him aware of his impure actions and looming consequences.…
finds himself easily manipulated and this fault will ultimately lead him to failure. Dorian has his picture…
The Picture of Dorian Gray is a novel written by Oscar Wilde in 1890. The book was written during the Victorian era, a period of time that brought Britain several changes concerning technology, science, culture, religion and others. The Picture of Dorian Gray talks about a character called Dorian Gray, who is a young and handsome man that owned a portrait of himself. An artist and friend called Basil Hallward painted it. The artwork was different from a normal painting. It showed Dorian’s physical changes through years while his physical aspects in real life were always the same without any change. Every time Dorian saw the painting, he saw his true self rather than the one he showed to society. Basil introduced Dorian to Lord Henry Wotton,…
. As a potential ‘reincarnation’ of Narcissus, Dorian Gray embodies both tendencies in a poisonous, self-negating confluence signifying madness. He is potentially the greatest of all the satires in Wilde’s novel. He is arguably the most obsessed with outward appearances in the whole novel. Indeed as Wilde writes, ‘beauty, real beauty ends where an intellectual expression begins’. This stays true to his original declaration in the Preface that ‘all art is at once surface and symbol’. In this allegory about art, Wilde's book and its producer are themselves a part of this illusion.…
In The Picture of Dorian Gray, Oscar Wilde constructs a tale in which Dorian Gray’s desire to stay young forever becomes a Faustian pact. His journey begins when Basil insists on painting him even though Dorian resists this. It is possible he protests too much, but it is also possible he feels a bit embarrassed as well as flattered with the attention. One might consider this the gate into the garden (of Eden) where Sir Henry plays the part of the devil tempting Dorian to take youth and beauty serious when he says:…
Dorian Gray was a young man. He was found to be the most attractive young man around by males and females alike. Everyone within his social circle wanted to be enchanted by this Prince Charming. Although the person most enchanted by him, was Dorian himself. He was only a young man with good looks until he met the artist, Basil Hallward. He became a young man with an attitude, after he sat for the artist. A portrait painting like no other came from that sitting. It introduced a new type of arrogance to the young man. During the time he sat for Basil, he was introduced to Lord Henry Wotton. Lord Henry was compelled to induce this new arrogant behavior. The three men had a triangle of romance with the new piece of art right in the middle.…
Oscar Wilde, author of The Picture of Dorian Gray, was an Irish author who lived from October 16, 1854 until his death, at the age of 46, on November 30, 1900. He attended the Trinity College in Dublin, Ireland and the Magdalene College in Oxford, England. Mr. Wilde was an active member of the aestheticism literary movement, during his day, although he lived during the Victorian Era. In The Picture of Dorian Gray, there are many passages or episodes that hold key meanings in the book as a whole, and without them; a large amount of the underlying tones and themes would be lost. In chapter two, there is a very significant key passage that has to do with the roles of Lord Henry and Dorian Gray and how they are going to affect each other. The key passage pushes Lord Henry under the role of the victimizer and Dorian Gray as the victim.…
Artist Basil Hallward sees Dorian and decides he wants to paint a portrait of this stunning example of a man, and Dorian consents. While sitting for the portrait at Basil’s studio, Dorian meets Basil’s dear friend, the socialite/philosopher Lord Henry Wotton. Lord Henry is an aesthete who whiles away his time by attending parties, going to the Club, supping and other such frivolities. He is a man of charisma, intelligence, sharp wit and “wrong, fascinating, poisonous, delightful theories” (Wilde 56). Lord Henry is immediately taken with Dorian and quickly becomes infatuated. Over the course of time, Lord Henry begins to play a very sinister game with Dorian’s life—he seduces Dorian into leading the life of an aesthete, like himself. A life of debauchery and evil where the pursuit of happiness is paramount and comes at the expense of everything and everyone else—morality be damned. Lord Henry has no particular motive for doing this except to amuse himself and to play the game of creation. Dorian slowly begins to change; Dorian, the beauty on the outside becomes Dorian, the monster on the inside. He transforms into a selfish, hedonist. His disregard for others directly causes the suicide of his fiancée. He participates in immoral acts. He seeks personal gratification with abandon. His creator, Lord Henry, does nothing to intervene and stop Dorian’s progression from young, naïve man to loathsome monster. In…
Let start with Bali Hallward, who is meant to show us the good in the book. He is so optimistic and always look for the good in everyone. Once he sees Dorian for the first time he is so entranced by his innocence that he wants to capture it in his paintings to preserve it. We can tell he only wanted the best for Dorian and even after the 18 years go by he still thinks Dorian is the innocent, pure young man that he was when he first met him. The bad entity represented in this novel would be none other than Henry Wotton. Henry is the absolute opposite of Basil. Henry is charismatic, witty, and very manipulating. He represents all the unknown deeds that a good person wouldn't commit. Its no wonder why Dorian is attracted to him mentally. His curiosity got the best of him after just the first meeting. Throughout the whole novel, we see this constant back and forward between the two sides. Dorian is always going from one extreme to the other. At the end good did prevail and ultimately Dorian wanted to finally rid his soul of evil for good and in doing so he killed…
Dorian’s change in personality reinforces Oscar Wilde’s idea. This is because Dorian is living a double life, and in regards to the novel elements of his good and bad side is shown. This is shown with hints in the novel and shows the cautionary tale of the novel. As his friends, such as Lord Henry attempted to “spoil” his “beautiful nature” one of his closest friend Basil was cautious this was going to turn young Dorian from good to evil. Wilde does this to show how Dorian’s lifestyle can be corrupted morally and immorally, as things such as the painting make him accomplish the things he always wanted accepting pleasures moral or immorally. In spite of this, Lord Henry threatens Dorian’s fear of the…
"SparkNotes: The Picture of Dorian Gray: Themes, Motifs & Symbols." SparkNotes: Today 's Most Popular Study Guides. N.p., n.d. Web. 18 Jan. 2013. .…