In “The Metamorphosis” by Franz Kafka, the style enhances the nightmarish quality of the work. The text states, “It took just as much effort to get back to where he had been earlier, but when he lay there sighing, and was once more watching his legs as they struggled against each other even harder than before, it that was possible, he could think of no way of bringing peace and order to this chaos,” (Kafka 12). This is interesting because the situation that Gregor is in is extremely scary and unusual, and the calm language used makes the event seem like a normal occurrence. Although one would think that Kafka would use chilling and disturbing language to describe these events, that is not what he did. The emotionless tone of the story confuses…
The nightmarish quality of “The Metamorphosis,” by Franz Kafka, is enhanced by the straight forward -almost academic- nature of the writing. One such example of this occurs on page 93, reading, ““What’s happened to me?” [Gregor] thought. It wasn’t a dream. His room, a proper human room, although a little too small, lay peacefully between its four familiar walls.”(Kafka) From thereon, he abandons the description of his transformation to describe the room and previous night. As the audience reads this, they are thrown by the sudden shift of topic, still wondering what has happened. The fact that most works put an emphasis on the “why?” makes the reader expect an answer, developing their panic as it becomes less and less likely that there will…
As with any great literary work, there must be a purpose behind the story. Kafka’s short story was written for a few main reasons. He wanted to exemplify the absurdity of life, show that there is often a disconnect between the mind and body, and that there are limits to society’s affection for its servants. I found that all points appeared to be both relevant and accurate while maintaining the fantastical appeal of the strangeness of Gregor’s sudden transformation. I believe this contributes to why “The Metamorphosis” has made a lasting impact across the globe.…
He is often worried how his family would take him in his hideous state, he often wondered, would they accept him? “They were cleaning out his room, taking away from him everything he cherished; they had already dragged out the chest of drawers in which the fret saw and other tools were kept, and they were now loosening the writing desk which was fixed tight to the floor, the desk on which he, as a business student, a school student, indeed even as an elementary school student, had written out his assignments… He squatted on his picture and did not hand it over.” (Kafka 57, 58) As a result, even though he knows he would feel more physically comfortable if his room were emptied of furniture, allowing him to crawl anywhere he pleased, Gregor panics when Grete and his mother are taking out the furniture, such as the writing desk he remembers doing all his assignments at as a boy. In a desperate attempt to hold onto the few reminders he has of his humanity, he clings to the picture of the woman muffled in fur so that no one will take it away.…
Dracula and The Metamorphosis give us two characters that constitute the head of household. Each character serves as a fatherly figure that takes charge when the situation arises. However, the difference between the two is striking. Dracula’s Van Helsing is a man that takes his place among strangers and brings them together. In The Metamorphosis, Gregor’s father holds a title of honor, yet his contentment with the work being done by his son makes the reader lose respect for him. When faced with unimaginable horrors, the mind protects itself by taking action. The action taken by these two characters determined the outcome of the monster they faced.…
The quote is about how Gregor’s lifeless body was found and how his family reacted to it. “Dead?’ said Mrs. Samsa and looked inquiringly at the cleaning woman, although she could scrutinize everything for herself and could recognize the truth even without scrutiny. ‘I’ll say,’ said the cleaning woman, and to prove it she pushed Gregor’s corpse with her broom a good distance sideways. Mrs. Samsa made a movement as if to hold the broom back but did not do it. ‘Well,’ said Mr. Samsa, ‘now we can thank God!’ He crossed himself, and the three women followed his example.”(Kafka 52). His alienation during his life before and after his metamorphosis ultimatley led to his death.…
Gregor's transformation absurdly exaggerates his shape, voice, and senses to exemplify how his physical mutation into a vermin and inarticulate struggles represent his alienation from society. "When Gregor Samsa woke up, [...] he found himself changed in his bed into a monstrous vermin" (Kafka 2). Because Gregor perceives himself of having the lowest form of life, it becomes appropriate for him to transform into a mammoth insect, instead of any other animal. Gregor's "painful and uncontrollable squeaking mixed in with the words could be made out at first but then there was a sort of echo which made them unclear, leaving the hearer unsure whether he had heard properly or not" (Kafka 4). His inability to communicate with the family does not allow him to express any of his own personal needs and thus leaving him to fail in living his own life. Gregor "perceived things with less clarity, even those a short distance away: the hospital across the street [...]was not visible anymore" (Kafka 21). His range of vision literally becomes smaller and his new and more suitable state as an insect allows his one track minded nature of only perceiving what is necessary for his family more appropriate. Although Gregor's human form represents the norm, his selfless mentality and meaningless existence isolates him physically from society.…
Initially the fact that Gregor Samsa, the main character, has become a human-sized pest is confusing in and of itself. What caused his transformation? Why is he a human-sized pest and not a regular sized pest? Instead of thinking about his current situation along with the complications it will bring (like I was), Gregor starts to think about how much he dislikes the job he has. "Gregor's first thought upon waking up as a creature are not even related to his new physical form, but to his state of affairs in his life" (Kafka, pg. 14).…
Helmut Richter analyzed the plot of The Metamorphosis in his essay. He depicts the main plot of the story to be Gregor's failure at his work, which leads to his death. The climax of the story starts off early in the book. When Gregor wakes up one morning, he realizes that he has turned into a giant insect. Gregor was a salesman and his job required that he was very determined in his work. Kafka proves to us that Gregor did not do a good job as a salesman by transforming into a bug: a strong work force. Kafka's use of this metaphor stresses the poor work that Gregor does as a salesman.…
To separate themselves, his family lock Gregor in his room and only his sister, Grete, is allowed in to clean and feed Gregor. Gregor is physically and literally isolated from mankind, as he is imprisoned and is in fact, no longer human. Gregor’s new life as a repulsive insect is immediately and heavily induced with isolation and alienation. However, as Gregor reflects on his life as traveling salesman, he notices how superficial his relationships with others have become.…
In the book “Metamorphosis” Franz Kafka, the author, used many different symbols throughout the book, such as the couch and blanket to symbolize events in the book that are a mirror into the events in Kafka's life. In this book, Kafka combines a realistic situation with another situation that is impossible. All of his writings have at least one thing in common, there is at least one window that gives you a look into what happened in Kafka's real life, and the problems he faced. Kafka used Gregor's metamorphosis to represent himself, and through him he uses the couch and the blanket to show how Gregor wanted to shield his family from himself, just as Kafka did. Kafka was born into a Jewish family but his father forced them to learn and act as Germans to avoid trials and prosecutions that were brought upon Jews during a period of time when people thought they were dirty and worthless.…
One of the saddest aspects of Kafka’s The Metamorphosis is the fact that young Gregor genuinely cares about his family. From the opening of the story, he is shown to be a person who works hard to support his family, even though they do little for themselves. When Gregor morphs into a cockroach, however, the limits of familial loyalty and empathy are tested. Gregor is an existentialist character who mutates into a giant bug without reason and no longer has any control over his life. He becomes completely uninvolved in the way that he does not talk or have any interaction with anyone inside or outside of the family.…
Reading through “Metamorphosis” was truly frustrating as the main character, Gregor, was entirely relatable through his attitude and financial struggle. Gregor changed from a man who financially supported his family, his parents and sister, to an insect overnight, and lost all ability to be a supporter or have his own independence. What happens when the roles are flipped- when one man goes from supporting three people to three people supporting one man? The family means wells at first and attempts support, though poor Gregor is rendered to nothing more but a burden. Symbolically Gregor's sealed fate could be justified in the form of his transformation being figuratively self induced; perhaps he became lethargic and uncaring. He feigned or only thought out his attempts to fixing everything and rescuing his career with his boss. This fixes the tension of unresolved morality when our hero inevitably fades to death, though without that tension what would this story be? Kafka seems to weave this tale in order to provoke these questions and thoughts on the family's righteousness throughout their acts and decisions regarding Gregor. They simply accepted his state of being and accommodated it poorly. Gregor, if not symbolically uncaring and lethargic, is trapped in his role…
In terms of Gregor’s role in the family he is useless. He is a 0 profit machine as he will only eat food and sleep in the house without contributing anything. So in the sense of social household class he is useless hence why he is now no longer suitable for sacrifice. Even though he still has a working mind and a soul, this is not considered important therefore is unfit to sacrifice himself (relating to ungeizheifer) and is ultimately killed. This is very much an emphasis on the alienating cycle of capitalism as the purpose of being is only to produce and follow the system instead of provoking new and free thinking.…
This transformation disgusts Gregor’s family. Over time, it turns them against him, even though everything Gregor does in his life seems to be centered around the happiness and comfortability of his family. He works as a traveling salesman to pay off the debts of his parents, and had even planned to send his sister away to perfect her skills at playing the violin. Eventually his entire family grows to resent him, even his sister whom he cared so deeply for, and who takes care of Gregor when he first changes. She eventually even goes as far as to say that the family “must try to get rid of [Gregor]” (51). With total disregard to all of the things he has done for them, his family leaves him virtually abandoned.…