Brief Comparison Between Sacks In The Moment: Music And Amnesia

In Chapter 15: In the Moment: Music and Amnesia, Oliver Sacks describes the case of Clive Wearing, an eminent English musician, and musicologist who was struck by an overwhelming brain disease, a herpes encephalitis, that affected specifically the parts of his brain concerned with memory. Toward the start of his sickness, Clive would sometimes be perplexed at the odd things he encountered.
For instance, his wife, Deborah, observed how one day, she saw him having something in his hand, and over and over covering and revealing it with the other hand as though he were a performer perfecting a trick. He was holding a chocolate. He could sense the chocolate in his left palm, but every time he moved his hand it uncovered a new chocolate.
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Thereafter, be that as it may, then, seven years after his sickness, after enormous attempts made by Deborah, Clive was taken to a small country residence for the brain-injured, a great deal more suitable than the psychiatric hospital. Here, he was one of just a modest number of patients, and in steady contact with a committed staff who regarded him as an individual and that respected his knowledge and aptitudes. He was taken off a large portion of his substantial tranquilizers and appeared to make the most of his strolls around the town and gardens close to the home, the capaciousness, the good food.
To sum up, how, why, when he identified nobody else with any regularity, did Clive perceive Deborah? There are evidently numerous sorts of memory, and emotional memory is one of the most profound and least comprehended. A study by Oliver Turnbull et al. has demonstrated that individuals with amnesia can frame emotional transferences to an analyst, despite the fact that they hold no explicit memory of the analyst or their past