This technique is not quite as naturalistic and realistic as European art of this time, but it is drastically more naturalistic than the traditional indigenous art. Figures depicted in native indian art were solid, bright colors with harsh black outlines, creating an almost cartoonish effect. Additionally, indigenous artists had different conceptions and depictions of the human profile; often times the directions that different body parts were facing would form a composite profile that was not physically accurate. This depiction of profiles and figures is more anatomically correct than most original indigenous works. The dark coloring of the painting reveals indigenous roots, and allows for lighter parts of the piece to become the focal point. In this work, the light shines primarily on the foreground of the painting and consequently the eye of the viewer is drawn to the figure in the…
Where sunlight is dusted of the countryside that, like chalked satin, is about to form wings, Fan Kuan drew that place. He drew a place that even the tallest souls, dwarfed by the mountains, were unable to reach, their temples still throbbing with the dismasked energy of a cloudy sky. In the foreground there are a total of four donkeys and one human traveler, possibly the artist himself, moving through mountainous terrain in China’s Shanxi Region. They resemble the shadows of a similar procession moving somewhere out of sight, the shadows of their souls traveling beside them unseen yet wholly more solid than the material world. The perspective of this painting puts the viewer in the eye of a deity, something bigger than the sum of its parts gazed down at its own beauty, the living earth looking into perfect enlightenment. The lack of pigment making up the mists at the base of the background and the streams in the middle ground imply that nothingness and oneness are at the heart of this sublime natural scene. The black ink used in this painting, the lack of ink used to create certain elements in this painting, and the perspective of this painting, which puts the viewer in a god-like position, reflect the beauty of nature and the values of the glorious marriage between Nature and Buddhism called the Tao.…
Since Buddhism was established some 2500 years ago, much has changed and much has stayed the same.…
When it came down to me finding out where I wanted to do my site visitation for this class, it was actually a lot harder than I thought. I grew up in a household that had Hindu morals and values, however, my parents’ view on religion were quite vague. Growing up we never attended church (temple) and the only time we celebrated any religious holiday is when our grandparents came around. My parents believed in allowing my little sister and I to grow into our own religious beliefs. At first I considered practicing Christianity because most of my friends are Christian and I figured it would give me an opportunity to learn more about them. I ended up attended a service at a Baptist Church called New Birth Baptist Church located in North Miami, but when I sat down to write the paper I had nothing interesting to write about. I started researching different religions and finally came across a Buddhist temple called Wat Buddharangsi.…
This chapter introduces the student to China, the only continuing civilization that has its origins in the ancient world. This early period of China laid the foundation for many of the tenets followed by later generations of Chinese. The written language developed early and remained fairly static in its evolution. The development of the religious and philosophical systems of Daoism and Confucianism occurred very early in Chinese history and impacted not only China, but also other areas of Asia. China served as a conduit for the dissemination Buddhism throughout West Asia. Art forms and visual aesthetics developed during this early period as well. When answering the following questions consider three art historical thematic trends:…
In the novel “The Buddha in the Attic,” Julie Otsuka tells a story of Japanese women in a new country presented with struggles that many people may never experience but the outcome of their innocent offspring is severe. In the devastating final chapter, “A Disappearance,” the members of the towns are puzzled and confused about what happened to the Japanese while the offspring of the Japanese women are facing a dilemma that is unthinkable. As the children venture on the journey that has an imaginary path to it and the questions travels the mind constantly- What is the root to this uproar? Why are we being punished unknowingly?…
In Robert H. Sharf’s “On the Mummification of Cha’n Masters in Medieval China,” Sharf argues that the importance of the body in Chan’s buddhism is evident in the mortuary rituals like mummification. This ritual signifies the attainment of the fundamental goal of “nirvana” that manifests in the emptiness of form of the individual. Sharf substantiates his claim by drawing parallels onto similar Indian and Chinese mortuary rituals, and by referring to numerous historians who provide elaborate explanations on these rituals. This critique will demonstrate that Sharf does a good job backing up his claim by providing thorough explanations of these rituals through the insights of historians and by drawing parallels onto similar practices and rituals.…
Many missionaries, travelers brought Buddhist sculptures in the luggages and wanderer who carried duplicate products of famous figures from India or Asia. These items had great effective with the Chinese architecture also, which were able to help to set up shrines building in the traditional Chinese style such as the temple became a palace with grarden and gallaries (Michael Sullivan, 113). These were venerated by most of the Chinese. They made a series of temple of Buddhism and enornous figures that were be a memorial of Buddhism. They carved the roakwall to make a huge image of Buddism. Moreover, the carving was more decorated and specific design in the caves. The most suprme example of Chinese buddhism art is sakyamuni and prahhutaratna because it represent the influence on sculpture of the seeping rhythms of the painter’s brush is very precise when the air of spiriturality is continuesly enhanced by the wonderful linear elegance (Michael Sullivan, 120). Buddist architecture, sculpture, and painting were all created by China and the experssion in linear rhythm and great synthesis produced the basis of all Buddhist scupture and painting in…
Yasumasa Morimura was born on the 11th of June 1951. Today he is a well-known Japanese artist whom appropriates famous images by incorporating himself into the images. He does so with the firm believe that “all people have a common desire for transformation”. Morimura’ artworks involve maintaining the original image of another place and/or person but replacing the face of a subject with his own. By doing so he is subtly demonstrating to the audience how everything is not as it seems as they begin to see his image within the artwork. Morimura is enchanted by the concept of seeing and creating an illusion between the eastern and western world. He aims for capturing the original image perfectly and placing it within his modern world. He invades the artworks like the western worlds popular culture icons had invaded his life.…
Buddha questioned the nature of self & how sensations & perceptions combine to form ideas…
Almost everybody I have ever met can recognize a Buddha statue, but few folks who I have ever associated with understand the meaning of the Buddha. Myself included was one of those folks blessed with such ignorance. When the term Buddha was brought up, all I thought about was the pudgy bellies of myself and fellow offensive lineman on my high school football team. Nirvana! Hey isn't that one of the great rock bands of the early nineties? Right? In this paper, I will explain who the Buddha was and the deep meaning of the message that Prince Guatama preached.…
Maia Rubin AH17 - Seated Buddha, dated 338, gilt bronze, h. 16” The Seated Buddha, dating back to the Three Kingdoms period, is the earliest known Buddha sculpture from China. Words are inscripted at the rear of the statue that indicate that it was created in the year 338. Today this seated Buddha is displayed at the Asian Art Museum in San Francisco, California. Taking into account the size of the statue and the spread of Buddhism through Central Asia and Mongolia, this Buddha could have belonged to a nomadic family.…
After reading the article “The Ontology of the Photographic Image” by Andre Bazin, it opens the discussion of the origin of painting and sculpting, whether it was started by an ancient Egypt religion or something else. The first two paragraphs of the article explains the ancient Egypt religion of preserving their dead by covering them in cloth in order to keep up their appearance after reality (in death). However, modern day society is not considered with their appearance/survival after death but, more of Bazin says “[…] the creation of an ideal world in the likeness of the real, with its own temporal destiny” (pg 160). Bazin explains that an image can be interpreted in different way leaving it to the individual who is viewing to decided its…
As Nichiren Buddhism mention,’Buddha’ is a term in Sanskrit words, which means the one who is awaken. Buddha has no fixed or essential appearance of how He look like and it become the reason why peoples should not idolize the Buddha and pray on it as what Buddhism in India does. To Nichiren Buddhism followers, they believe that Buddha exists inside everyone, and they seek for god inside their life. In fact, Life is Buddha, Buddha is life. (活即佛,佛即活).…
Art has been created by all people at all times; it lives because it is liked and enjoyed. Art involves personal experiences of an individual accompanied by some intensity of emotion. Art is made of man, no matter how close it is to nature. Although each work of art is evidently the expression of an artists’ personal thoughts and feelings it may be inferred that, like any other individual, he belongs to a million, and he cannot free himself from the influence of his social, economic, political, cultural, geographic, scientific, and technological environment.…