In the Tim Winton’s novel ‘Lands Edge’ and the 2009 film ‘Australia,' varying images of Australia are explored, through the illustration of the landscape as a result of the descriptive language used and also through the use of visual techniques used in the film ‘Australia’. Tim Winton’s ‘Lands Edge’ depicts various images of the costal, remote costal and suburban life of Australia throughout his life. In contrast in the film ‘Australia’ portrays images of the remote rural desert Australia landscape and also Australia's wetland. In Addition, throughout both texts there are varying images of Australia to emphasis the different8 connections Australians have to the land which then generates a greater understanding to the reader by depicting the…
In this response, I intend to discuss Arthur Streeton’s Fire’s On, a 183.8 x 122.5cm oil on canvas painting, produced in the Blue Mountains of New South Wales, Australia in 1891, after “nationalistic sentiment” had taken its toll with the centennial of the European settlement. Fire’s On depicts the steep “walls of rock” “crowned” with “bronze green” “gums” and the “crest mouth” that he encountered on his journey through the Blue Mountains. Streeton created this painting to justly portray the rough, “glor[ious]”, unsung landscape of Australia, namely its “great, gold plains” and “hot, trying winds”. Thus, Streeton defied the inaccurate depictions of Australian landscape produced in the early nineteenth century by early immigrants, showing “green…
John Marsden and Shaun Tan’s ‘The Rabbits’ is an enthralling allegorical picture book which depicts the story of the colonisation of Australia. The message of the text shows that when the European people who are referred to as ‘the Rabbits’ came to Australia, the Indigenous Australians are soon overrun and invaded by them. This story is intended to symbolise the fight between the Indigenous Australians and the Outsiders. There is an emotional depth to both Marsden and Tan’s work that strongly affects the audience. The use of very simple text and evocative pictures help to convey Marsden’s and Tan’s point of view.…
A stunning adventure involving Nazis, nukes, fighting, failure, and everyday heroes, from the author of the award-winning The Nazi Hunters. Neal Bascomb delivers another nail-biting work of nonfiction for young adults in this incredible true story of spies and survival. The invasion begins at night, with German cruisers slipping to harbor. Then planes roar over the mountains, and soon the Nazis occupy all of Norway. They station soldiers throughout the country. They institute martial rule. And at Vemork, an industrial fortress high above a dizzying gorge, they gain access to an essential ingredient for the weapon that could end the war: Hitler’s very own nuclear bomb.…
Australian history has been tied to British history since its discovery by James cook in 1778, and its colonial occupation, this creates issues of identity for Australians reading their history. To an 18th…
Demographic transformations in the Australian populace guaranteed that, for the first time, Australians born in Australia outstripped persons born abroad. Satisfactorily than condescending the colonist scene and existence, as had the migrant generation as “relocated Englishmen”20, the endeavor was sort out throughout the 1890s to institute a exclusively Australian national identity, demonstrating Australian qualities without turning in a “servile imitation of England”21. Contradictory action to the national recoil earlier, the originators were mainly authors and illustrators aware of their place in the crusade. Their philosophical anxieties distorted into props of an Australian spirit: patriotism and race predisposition. Evidently resulting from the working-class and distinctive understandings of the Australian wilderness, this macho fabricated character of fairness, collectivism, and mateship offered the bushman as the perfect character signifying Australia and its morals, which categorically comprised a ‘White Australia’.…
Animals, as most children learn in their childhood, can be a man’s best friend. Robert Ross, however, experiences a much closer relationship to animals than most people through out The Wars by Timothy Findley. We get some very solid emotions emanating from Robert when he’s on the ship and has to kill the horse. Pure fear courses through out both Robert and the horse and jumps out at the reader while reading through the scene. Robert and the horse are both terrified: Robert is scared because he doesn’t have the slightest clue how to kill a horse and the horse is probably scared because there’s nothing it can do to get up (in addition, it must be in agonizing pain from its broken leg). Neither the horse nor Robert can command their bodies—Robert can’t shoot the horse and he tries multiple times before he gets it behind the ear and the horse can’t stand up and gain control of its footing. They are similar in their fear and their lack of control.…
I am here today to discuss the two Poems, ‘If I was the son of an Englishmen’ and ‘the man from Snowy River’ and their different representations and stereotypical aspects in both poems about Australia and Australians are fair and accurate or if they are exaggerated and inaccurate. The author Komninos Zervos wrote the poem ‘If I was the son of an Englishman’ in 1985, and later wrote the poem ‘Nobody calls me a Wog anymore’ in 1990. And the author Banjo Patterson the writer of ‘The man from Snowy River’ in 1890 with his other notable poems ‘Waltzing Matilda’ (1895) and ‘Clancy of the Overflow’ (1889). ‘If I was the son of an Englishmen’ expresses a stereotypical representation of Australia and Australians as racists and drunks who destroys the kangaroo, and ‘the man from Snowy River’ expresses a more romanticised feel for the true blue, bush life of Australia. The two poems show exaggerations wither as a warm fuzzy feeling about the bush or a feeling of disgust through racist jokes described in the poem ‘If I was the son of an Englishmen’.…
At the start of the First World War there were no officially recorded war artists in Australia. It wasn’t until 1917 at the request and advice of John Treloar and Charles Bean that the Australian government recognised the need for and establish the Official War Art Scheme based on a similar structure of the British and Canadian governments.…
In this cartoon the Indigenous Australians are portrayed as the authoritative and powerful group, enhanced by their stance and show of solidarity, while John Howard and his colleagues represent the refugees attempting to settle into Australia. This helps the intended audience to view John Howard as weak and form negative thoughts on the Liberal party’s refugee policies.…
Although aspects of a distinct Australian identity had been forming, by federation in 1901, it had not yet fully emerged. There were many reasons for this, mainly because of the ‘crimson thread of kinship’ with Britain.…
By way of a varied use of descriptive language the short stories of Lawson and poetry of Mackellar show that it is true that distinctively visual texts allow the reader to vividly imagine and gain insights into the characters, relationships and settings. Lonely drover’s wives, Bushmen and fettlers, as well as the setting of a sunburnt Australian landscape are brought to life and into unique relationship, in the visual imagery of Henry Lawson and Dorothea Mackellar’s compositions. Henry Lawson created a strong image of the uniquely Australian bush and the hardships of the people who have lived and worked there. The two important stories which reveal Lawson’s vision are, ‘In a Dry Season’ and ‘The Drover’s Wife’. He draws on the tradition of oral storytelling to make the bush come alive through colloquial language and idiom. Lawson uses a dry, sardonic humor to entertain and provoke empathy for his characters. His descriptions of the various settings are blunt but precise with illustrative adjectives and nouns of a “horrible” land. Contrastingly, the related text, Dorothea Mackellar’s poem, ‘My Country’, expresses a vivid and memorable panorama of place, drawing on a kaleidoscope palette of nouns, rhyme and first person perspective to ingrain in the reader’s imagination her passionate vision of the land and “love for her country, Australia.…
If we were to base Australia’s modern identity off these ideas of the beautiful, romanticised outback, and Chris Hemsworth-like bush rangers, it would be a hugely inaccurate reflection of who we truly are. So what ideas and text would reflect a diverse Australian voice? Henry Lawson and Les Murray are authors whose…
Good morning teachers and students. Though our national identity is an evolving one, aspects of our identity are constant. Some of these aspects include the iconic sporting legend, mateship, the notion of the underdog and the Aussie battler. This is conveyed in a number of texts in a variety of ways. The texts we will be discussing today include “The Man from Snowy River” by Banjo Paterson and an episode from “My Place” by Nadia Wheatly. The two texts thoroughly present the evolution of the Australian identity from the time of the Bush culture to more recent times. The ideas are conveyed with the use of various poetic, cinematic and language techniques.…
The poem “The Unknown Citizen”, by W.H. Auden, is about the ideal person that the government wants in their society. The man does everything the right way and always agrees with the government, whether they are at war or they are at peace. Although the man is a perfect citizen to the government, they do not even know what his name is. At the top of the poem, they refer to the man as “JS/07/M/378”(343) and do not even bother to learn what his name is. To the government, this man was nothing but a number and this shows how little they actually value the people of their society. When this poem was written, it was during the time of World War II, when people…