as the image of the divine. Byzantine influence is seen in the iconographic themes in the Dome of the Rock, as reflected in the mosaics of crowns and jewels of that mosque, which Grabar (1973) believed were emulating Byzantine symbols of power. These decorations were symbols of holiness, power and sovereignty in Byzantine art. Islamic conquests, the Byzantine and Sasanian lands newly absorbed within the Muslim commonwealth had their own indigenous artistic traditions. It seems likely that the art of the preceding period persisted for a time, as artists who had lately worked under Byzantine or Sasanian patronage initially continued to follow preexisting conventions, but under Muslim patronage.
as the image of the divine. Byzantine influence is seen in the iconographic themes in the Dome of the Rock, as reflected in the mosaics of crowns and jewels of that mosque, which Grabar (1973) believed were emulating Byzantine symbols of power. These decorations were symbols of holiness, power and sovereignty in Byzantine art. Islamic conquests, the Byzantine and Sasanian lands newly absorbed within the Muslim commonwealth had their own indigenous artistic traditions. It seems likely that the art of the preceding period persisted for a time, as artists who had lately worked under Byzantine or Sasanian patronage initially continued to follow preexisting conventions, but under Muslim patronage.