In “The Yellow Wallpaper”, it is understood that the narrator is a woman who has a mental illness but cannot overcome it due to her husband’s controlling ways. Charlotte Perkins Gilman illustrates the ideological victimization of many women of the early 19th century through a gothic tale of humor where women suffering from post-partum depression is isolated.…
The “The Yellow Wallpaper” story started off with a small family that moved into a new summer home to spend some time away. The narrator’s husband is her own physician, and he tells her that she needs rest away from people to recover from her mental illness. The main character’s favorite hobby is to write thoughts and ideas down on paper. She is also a mother, but she doesn’t mention her child that often due to the fact that she wasn’t able to take care of her baby. The narrator is a young woman, sometimes referred to as “Jane” who is suffering from severe mental illness; not being able to have freedom caused the narrator's health to fall into a worse pattern.…
In the story, the narrator has just given birth to a child and is experiencing, what we call today, Post Partum Depression. With this in mind, her husband has decided to put her to rest for the summer. He confines her to a room that resembles more of a jail cell than a bedroom, and refuses to allow her to work for, " with my imaginative power and habit of story making, a nervous weakness like mine is sure to lead to all manner of excited fancies " (Gilman, Par 61) Though this is meant to alleviate the condition and help the narrator to return to the role of mother and wife, it quickly becomes worse than the disease itself.…
Though Charlotte Perkins “Gilman did not become a creeping lunatic” like the narrator in the story, she was a “survivor who unlocked the door of the madwomen in the attic, and lived to tell about it.” Let “The Yellow Wallpaper” be a window into the notion and treatment of mental illnesses in the late 1800’s and a “moral lesson [to not] put women with [postpartum] depression into solitary…
The woman explains that she is very sick and that she suffers from a “nervous depression.” She is always tiered and groggy and spends most of her time in the nursery, a large upstairs bedroom.…
“The Yellow Wallpaper” by Charlotte Perkins Gilman is a short story about a new mother attempting to overcome her diagnosis of depression by being cooped up in a room without normal human interaction as prescribed by a top-rated male psychologist. The gender role expected of the nineteeth century woman was not ideal to the main character. The story goes on to critique the treatment plan set forth by her husband and psychologist. This in turn critiques the entire belief system in the nineteeth century that women should not be working outside the home. Gilman reveals in “Why I Wrote ‘The Yellow Wallpaper’?” that the story parallels one of her own, with exaggeration (Gilman “Why I Wrote” 804). Through research and an analytical reading, I will demonstrate how Charlotte Perkins Gilman’s “The Yellow Wallpaper” contradicts the gender roles that were placed on American women in the nineteenth century.…
The most obvious conflict the narrator has to deal with is living in the room with the yellow wallpaper and differentiating creativity from reality. The narrator becomes fond of the wallpaper and feels an excessive need to figure out the pattern. She says, “I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry, or anything else that I have ever heard of” (Gilman 224). Her days become preoccupied with the wallpaper and she feels a distinct connection to it. While she tries to decode the wallpaper’s pattern, her creativity allows her to see a face in the wallpaper. She says, “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (Gilman 223). As she continues to study the wallpaper, she comes to believe that she sees a woman creeping in the chaotic wallpaper who is trapped behind it: “The front pattern does- and no wonder! The woman behind shakes it!” (Gilman 227). She begins to have a bond with this woman and can relate to her. The woman in the wallpaper is essentially the narrator. They are similar in the sense that they are both trapped and unable to escape. Towards the end of the story, the narrator reaches a state of insanity where she can no longer differentiate herself from the figure she sees in the wallpaper. She tells us, “I suppose I shall have to get back behind the pattern when it comes night, and that is…
Charlotte Perkins Gilman is known by readers of literature and students across the globe for her most famous piece “The Yellow Wallpaper.” The famous story follows a woman who suffers from mental illness and her growing infatuation with the yellow wallpaper in her bedroom. It touches on the responsibility of women in the late 1800’s and the narrator’s inability to fulfill the duties of a housewife. At the end of the short story, the narrator’s illness takes over her mind and body as she believes she has seen a woman in the wallpaper, eventually putting herself in the wallpaper as well. When readers look deeper into the text, it is apparent…
She does not like when John or Jennie touch it, and is terrified that they may all see the same thing that she sees within the boundaries of the yellowed wallpaper: bars made of the darker parts of the wallpaper, trapping the woman in the lighter, peeled parts within the bars confines. Another symptom that would fall under having a serious mental disorder, is hallucinations. She may not see multiple beings within her hallucinations, but it is made very prominent throughout the story, that she does see the woman trapped behind the darker wallpaper on many occasions. “Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over”(page 10). Not only does she see the the woman in the wallpaper, but, eventually, she believes that she has become the woman within the wallpaper. “I suppose I shall have to get back behind the pattern when it comes night, and that is hard! It is so pleasant to be out in this great room and creep around as I please!”(page…
The Yellow Wallpaper written by Charlotte Perkins Gilman explores the oppression of women in the nineteenth century and how this led to the limitation of freedom, leading to confinement of many women during this time. It illustrates the male superiority over the female and the elimination of a voice and a say for these women regarding their own lives. The short story is structured to appear a bit creepy and horrific, but within this method the author created a strong female character who, even though is slowly deteriorating psychologically, is trying to fight the pressure that society in the nineteenth century is placing on her and also the pressure of her own husband. The style that the author was trying to create is clear through her use…
Cathedral by Raymond Carver initiates with a narrator that shows fear and prejudice towards the blind, he is a husband of an unnamed wife who so happens to be a close friend of a blind man. After the wife hears the tragic news about her friend’s loss she invites him over to her house for a time of reconciliation and comfort. The narrator’s stereotype of the blind slowly begins falling away slowly after his observation and time he gets to spend with this distinguished man, which alters his views. The short story uses a narrative point-of-view which helps give the story its meaning.…
"You can NEVER tell a book by it's cover," said Edwin Rolfe. That means that you are never able to judge someone or something from their physical appearance alone. Most individuals judge other people before actually knowing their true identity. In the short story "Cathedral" by Raymond Carver, it shows how a narrator can judge a male friend name Robert by the way he is seen in the public eye. I will explain why the narrator doesn't trust his wife around Robert, why she spends more time communicating with Robert, and why she becomes irritated when the narrator make comments about Robert.…
The narrator provides evidence that classifies the figure she sees as a real being: “I see her in that long shaded lane, creeping up and down.” This quote reveals how close the narrator is to completely being insane. When the narrator tears down the wallpaper in an attempt to free the trapped figure she states, “I’ve got out at last,’… ‘in spite of you and Jane? And I've pulled off most of the paper, so you can't put me back!”. At this moment, the narrator has been completely consumed by her own reality. She names the figure Jane and states that she is Jane. The figure behind the wallpaper symbolizes the narrator. The figure is trapped behind the wallpaper as the narrator is trapped in her own reality and in the nursery by her husband. Jane’s “temporary nervous depression” is at its peak at this point because she cannot distinguish her own reality from actual…
Charlotte Perkins Gilman's The Yellow Wallpaper is a short story that deals with many different issues that woman in the 19th century had to deal with on a daily basis. Some of these issues were within their control, but many of them were outside of the realm of control for women. The main point that I will focus on is how restricted societal roles can cause insanity. I will do this by deciphering the meaning of the "yellow wallpaper" and its symbolism. In my opinion, I believe that once we get a better understanding of the author's interest in this subject area and get a feel for life in the 19th century, then we will have a better understanding of the story.…
Women in the 19th century didn’t have the amount of privileges as women today. During the 19th century, women couldn’t own property, have a career, or create their own choices, for the men of the household overruled any women. Women were characterized as weak, domestic creatures that lived dependent on their male counterparts for all necessities. Women lived most of their adult lives as trapped prisoners going through their day cooking and cleaning without a choice. The character in “The Yellow Wallpaper” is a perfect analogy of how women lived in the 19th century. Trapped behind closed doors with no right of say on how to live her life, the author showed how women in those times were treated, especially if they had a mental illness.…