Donne’s poems are interesting in the way they often present an ongoing thought process, rather than a story with a distinct beginning and end. Donne being from the literary culture; many of his poems reflect this mid-way change of heart, as he is comfortable dealing in ongoing reflection and experience, rather than static facts. One of Donne’s love poems, ‘The Sunne Rising’ centres around Donne, in bed with his lover, annoyed at the sun for disturbing their slumber. “Busie old foole, unruly Sunne” he writes. Donne, in personifying the sun, and describing such a thing in paradox (“unruly sun”), supports the idea that literary culture places more emphasis on emotion and description than logical fact. The structure of ideas throughout the poem thereafter is fluid. Donne is initially annoyed at the sun for its punctuality, saying that a love like his knows no time, and the sun would be better off chastising late schoolboys. As the poem progresses, Donne goes from annoyance, to mocking the sun's supposed power (“Thy beames, so reverend… I could eclipse then with a winke”), to then feeling content, and almost bad for the sun. Donne writes “Thou sunne are halfe as happy’as wee, in that the world’s contracted thus”, in which he is stating that the poor, old sun must have an easier job shining down on him and his lover, as their entire world is confined to each other. It is this notion of fluidity of ideas that further reflects the literary culture of Donne’s poems. He uses his writings, not to record tangible fact and feeling, but to support the idea that both his thoughts, and the subjects of his writing, can easily be written flexibly, as they are both
Donne’s poems are interesting in the way they often present an ongoing thought process, rather than a story with a distinct beginning and end. Donne being from the literary culture; many of his poems reflect this mid-way change of heart, as he is comfortable dealing in ongoing reflection and experience, rather than static facts. One of Donne’s love poems, ‘The Sunne Rising’ centres around Donne, in bed with his lover, annoyed at the sun for disturbing their slumber. “Busie old foole, unruly Sunne” he writes. Donne, in personifying the sun, and describing such a thing in paradox (“unruly sun”), supports the idea that literary culture places more emphasis on emotion and description than logical fact. The structure of ideas throughout the poem thereafter is fluid. Donne is initially annoyed at the sun for its punctuality, saying that a love like his knows no time, and the sun would be better off chastising late schoolboys. As the poem progresses, Donne goes from annoyance, to mocking the sun's supposed power (“Thy beames, so reverend… I could eclipse then with a winke”), to then feeling content, and almost bad for the sun. Donne writes “Thou sunne are halfe as happy’as wee, in that the world’s contracted thus”, in which he is stating that the poor, old sun must have an easier job shining down on him and his lover, as their entire world is confined to each other. It is this notion of fluidity of ideas that further reflects the literary culture of Donne’s poems. He uses his writings, not to record tangible fact and feeling, but to support the idea that both his thoughts, and the subjects of his writing, can easily be written flexibly, as they are both