chapter in miguel street

Miguel Street by V.S. Naipaul

The History of Trinidad
Trinidad was inhabited by Carib and Arawak people long before Christopher Columbus arrived, but the recorded history of Trinidad and Tobago begins with the settlements of the islands by Spanish. Both islands were encountered by Christopher Columbus on his third voyage in 1498. Tobago changed hands between the British, French, Dutch and Courlanders, but eventually ended up in British hands. Trinidad remained in Spanish hands until 1797, but it was largely settled by French colonists. In 1889 the two islands were incorporated into a single crown colony. Trinidad and Tobago obtained self-governance in 1958 and independence from the British Empire in 1962. It became a republic in 1976.

The Author
V. S. Naipaul (1932~, ) is a Trinidadian novelist and essayist of Indo-Trinidadian descent. He is widely considered to be one of the masters of modern English prose. He has been awarded numerous literary prizes including the Booker Prize (1971) and the David Cohen Prize for a lifetime's achievement in British Literature (1993). V. S. Naipaul was awarded the Nobel Prize in Literature in 2001. In 2008, The Times ranked Naipaul seventh on their list of "The 50 greatest British writers since 1945".

The Book
Miguel Street is usually treated as a “semi-autobiographical” novel by V. S. Naipaul set in wartime Port of Spain, Trinidad and Tobago. Naipaul wrote it while employed at the BBC. Miguel Street won the 1961 Somerset Maugham Award.

Narrative Structure and Style Analysis

A. The whole story is separated in 17 disconnected episodes, each one starts a new beginning and a temporary end, focusing on one major character.
B. The story is written primarily in the first person, with each character getting his or her own chapter; the narrator's experiences are woven in-between.
C. All the episodes are spoken and observed by the boy-narrator who lives in Miguel Street and knows all the people well within the story. Only the last episode is set the boy-narrator himself to leave Miguel Street with an opening end of making a better future.
E. The English been used by the major characters in the story is quite literarily broken, Naipaul seems put the language apparently with grammar mistakes as a colonial world’s symptom.
F. The whole narrative structure is confined in a street around the western Port of Spain, where is much like a microscope of Trinidad during wartime, filled with a lively hybrid atmosphere of a multicultural neighborhood.
G. Every character within the story is more or less representing a type of ordinary mass or belonging particular group of people.
H. Naipaul writes in a way of comedy tone to actually imply a sort of tragedy. This literary style makes the readers easily to pass through the story but still gaining a serious deep meaning hidden inside.
I. Naipaul freely appropriates popular features or figures from the western culture as a prominent sign of colonized culture and history in Trinidad.

Single Episode Analysis

A. Bogart p.9
1. The name refers to an American actor Humphrey Bogart(1899-1957) who is famous for the film called Casablanca made in 1942. p9
2. A habit held in the Miguel St. between Bogart and Hat in the every morning.
3.Depiction about the character. P10.
--“He was the most bored man I ever knew.”
--He is a tailor and cutter. He play cards always. P12
--“For the rest he had always remained a man of mystery. He became Patience.”
4.Bogart’s return, and something changed. P12-13, p15.
--“They had never seen Bogart drink so much; they had never heard him talk so much; and they were alarmed. No one dared to ask Bogart where he had been.” B. Man-Man p.46
1. The characteristics about Man-Man. P46
--“Everybody in Miguel Street said that Man-man was mad, and so they left him alone. But I am not so sure now that he was mad, and I can think of many people much madder than Man-man ever was.”
--“But he did have some curious habits. He went up for evertty election,…”
--“At every election he got exactly three votes.”
2.English accent and weird behavior. P47
--“That again was another mystery about Man-man. His accent. If you shut your eyes while he spoke, you would believe an Englishman-a good-class Englishman who wasn’t particular about grammar- was talking to you.”
--“…took out a long stick of chalk from his pocket and began writing on the pavement.”
3.Man-man and his dog. P49
--“One thing you must never do is trouble man-man. He remember everything.”
--“The only friend he had was a little mongrel dog, …The dog was like Man-man in a way, too. It was a curious dog. It never barked, never looked at you, and if you looked at it, it looked away.”
4.Man-man’s change and God’s miracle. P50-51.
5.Man-man’s final ending. p54-55.

C. B. Wordsworth p.56
1.The name refers to English poet William Wordsworth (1770-1850).
2.Street scene--Three beggars in Miguel St. and the most strangest one. p56-57
3.Beggar is truly a poet. P57-58
4. Friendship between the Wordsworth and the boy. P60
5.The love story Wordsworth tells. P61
6.The poem Wordsworth is writing is always remained one line. P62
--“The past is deep.”

D. Titus Hoyt, I.A. p.93
1.The educational interest of Mr. Titus Hoyt. P93
2.Asking for paper and pencil, and writing to The Trinidad Guardian. P96
3.The reasonable and scientific aspects of Mr. Titus Hoyt—milk, doctor, time-table and history. P97-98, 100, 101, 102.
--“Titus Hoyt used to say, “Is a science, man. The trouble with Trinidad is that the teachers don’t have this science of teaching.”
--“He formed the Miguel St. Literary and Social Youth Club…”
--“Titus Hoys said, “If I follow the time-table I will be a educated man in about three four years.”

E. The Maternal Instinct p.107
1. The most tragic episode of the story.
2. The only female character centered episode here.
3. About Laura’s legend. P107, 109
4. The lively cursing words that Laura used to speak, a comparison with Shakespeare. P108
5. Laura’s relationship with men and with Nathaniel. P110, 111
6. Stranger Nathaniel. P110, 114
--In no time at all this man, Nathaniel, had become one of the gang in Miguel Street. But is was clear that he was no really one of us. He came from the east end of Port of Spain, which we considered dirtier; and his language was really coarse.
--Hat used to said, “I don’t know why he don’t go back to the Dry River where he come from. They ain’t have any culture there, and he would be happier.”
7. Laura’s expectation to her children. P115
--Laura used to say, “It have nothing like education in the world. I don’t want my children to grow like me.”
8. Lorna’s pregnancy. P115
--The eldest daughter, Lorna, came home from her typing lessons late one night and said, “Ma, I going to make a baby.”
I heard the shriek that Laura gave.
And for the first time I heard Laura crying. It wasn’t ordinary crying. She seemed to be crying all the cry she had saved up since she was born, all the cry she had tried to cover up with her laughter…
9. The real tragedy. P116-7
--According to the papers, it was just another week-end tragedy, one of many.
Lorna was drowned at Carenage.
Hat said, “Is what they always do, swim out and out until they tired and can’t swim no more.”
And when the police came to tell Laura about it, she had said very little.
Laura said, “It good. It good. It better that way.”

F. How I Left Miguel Street p.215
1. The reason for the boy-narrator to leave Miguel St. and Trinidad. P215-17
--A ritual of growing up: “You must get over this.”
--I said to my mother, “Is not my fault really. Is just Trinidad. What else anybody can do here except drink?”
--I said, “I don’t want to study anything really. I just want to go away, that’s all.”
2. The subject of study abroad in London should be Pharmacy. P217
3. A typical Trinidad figure-Uncle Bhakcu. P220
4. The mother. P218, 221
--My mother was crying. She said, “I know I not going to ever see you in Miguel Street again.”
5. The farewell. P222
--I was disappointed. Not only by Hat’s cool reception. Disappointed because although I had been away, destined to be gone for good, everything was going on just as before, with nothing to indicate my absence.
--I left them all and walked briskly towards the aeroplane, not looking back, looking only at my shadow before me, a dancing dwarf on the tarmac.

Questions
A. Why does Bogart disappear from Miguel Street? And where does he go and do? What are the possible reasons make Bogart change?
B. What does the Man-man episode truly say? Do you find anything mad about Man-man?
C. What is the so-called poet Wordsworth teaching the boy about?
D. How do you think of Mr. Titus Hoys as an enthusiastic educator? Does this episode is obvious to deal with the problem of education in a neighborhood like Miguel Street?
E. How do you think the tragedy of Laura and Lorna should happen that way? What is it behind Laura’s mind? Why do people dislike Nathaniel?
F. Could you have a guess that the story ends at the narrator’s own episode? And would you possibly describe the street scene after the narrator’s gone?