People read literature because it teaches about humanity, both the positives and negatives. Sometimes, they learn more from reading about the mistakes and flaws of characters. Oedipus Rex is one of these characters, flawed even though he thinks he is divine. According to Bernard Knox, “these attributes of divinity – knowledge, certainty, justice – are all qualities Oedipus thought he possessed – and that is why he was the perfect example of the inadequacy of human knowledge, certainty, and justice.” In Sophocles’ tragedy Oedipus Rex, Oedipus’s untimely fall is caused by his false certainty of knowledge, his rash actions done without that certainty, and his injustice toward those trying to warn him.…
In the study of Greek plays, one tries to recreate for an experience, to recapture something of what is meant to those for whom it was written. We know more about the life of Sophocles than we know do about the lives of any other Greek playwright, but this still is not a lot. Sophocles’ work has been said to be the pinnacle of Greek tragedy. Oedipus the King is something like the literary Mona Lisa of ancient Greece. It presents a nightmare vision of a world turned upside down; a decent man, Oedipus, becomes the king of Thebes, whilst in the process unknowingly fulfilling a prophecy that he would kill his father and marry his mother. As scholars, we are bound to relate this story through history, to ask what the writer really meant, how…
Sophocles’s use of both plot and character within his classic tragedy “Oedipus the King” portray the religious and ethical views of the Classical period of Ancient Greece to such an extent that Knox goes so far as to say that “the audience which watched Oedipus in the theatre of Dionysus was watching itself.” Marlowe uses similar tools of character construction and plot in “Dr Faustus” to reflect the beliefs and moral attitudes held in Elizabethan England. The playwrights both use the conceptions of their protagonists to present contemporary beliefs; for example, the initial portrayal of the characters of Oedipus and Dr Faustus demonstrate ideological characteristics of a man within their respective contexts. On the other hand, with the…
Aristotle once said “A man doesn't become a hero until he can see the root of his own downfall.” (Aristotle) Aristotle actually had a lot of ideas about heroes, specifically tragic heroes. He defined a tragic hero as an individual of high social standing, whose fatal flaw leads him to be brought low in a reversal of fortunes, which he later recognizes before receiving a fate worse than he truly deserves. One of the most famous characters from a play in the tragedy genre is Oedipus. His tale is one of destiny, hope, and finally sorrow. The question posed, however, is whether or not Oedipus really does fit this model of a tragic hero. Oedipus must be a nobleman and have his own tragic flaw that causes him to experience a reversal of fortunes…
A person of noble birth with heroic or potentially heroic qualities, defines a tragic hero. A young man known by the name Oedipus, died a tragic hero. Throughout his life, he was faced with situations that he just could not surpass which led to his gruesome destiny. He was born into a world where the future held nothing but lies and despair.…
A tragic hero is defined as “a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake” (“Aristotle”, n.d.). Therefore, a tragic hero has some sort of tragedy that surrounds their life. A tragic hero also makes dramas more interesting and makes readers think. Dramas sometimes either exemplify or refute Aristotle’s definition of a tragic hero. Oedipus by Sophocles exemplifies Aristotle’s definition in four different aspects. The first aspect involves both Oedipus’ ignorance and knowledge of his life situations, the second involves his hamartia, the third involves the actual plot itself, and the fourth involves the characterization of…
As the children address Oedipus with remarks such as “You are not one of the immortal gods, we know; Yet we have come to you to make our prayer as to the man surest in mortal ways and wisest in the ways of God.” (1. Prologue. 35. 43.), the audience can understand Oedipus's role as king and the respect to his power, as with an irony on the fate bestowed upon our hero. As the fate of Oedipus is that of the tragic hero, Aristotle's descriptions of simple and complex plots within a tragedy lead to such “events that are fearful and pathetic" (Aristotle. 70). As Aristotle said that a tragedy should evoke two emotions: terror and pity, such that the audience is aroused with these feelings with the fate of Oedipus, but can relate and understand logically how such events took place.…
The irony of Oedipus’s blindness begins on the opening pages of the play, when says, “I never saw the man myself,” (4) while speaking about King Laius. Oedipus’s ignorance is evident because he killed Laius, and Laius was his father, neither of which he knew. He however, states that he wants to correct this, and declares, “I must know it all, must see the truth at last” (34). Here he uses the phrase “see the truth” again as if the physical means of sight will enable him to solve the mystery of who killed his father. This creates dramatic irony as Sophocles tries to foreshadow what will come and present the idea of physically seeing vs. understanding. Oedipus possesses the physical means to see, yet remains ignorant to the truth. Whilst fighting with the prophet Teiresias, he is naïve enough to disregard himself as the possible murderer, and fights against Teiresias until Teiresias admits that it was Oedipus who killed King Laius. This is ironic and Sophocles is trying to foreshadow what is to come and expose the reader to a world of seeing vs. understanding and being blindness vs. sight.…
Any great story has its critics ready to critique every great detail of a story. Sophocles’s Oedipus the King is no exemption. Oedipus the King was written around 430 B.C. so this play has had plenty of time to be critiqued. Not only has this Greek tragedy been around for so long, but it is considered a masterpiece; it only makes sense for something very famous to be criticized even more.…
It is not difficult to understand why Sophocles resorts to dramatic irony in the construction of his play. He is working with much the same problem a modern-day playwright would face in fashioning a play around the Cinderella motif: audience familiarity, leading to a lack of suspense. It is difficult to maintain audience interest when the conclusion and the events leading up to it are obvious to everyone. To circumvent this difficulty, Sophocles saturates his play with dramatic irony, riveting the audience with the awareness that they know more than Oedipus, letting them cringe with the delicious knowledge of the misfortunes he will face. Sophocles employs the blindness of Oedipus to such advantage that he creates an atmosphere similar in many respects to that of a modern horror film. The audience knows the destination well and has probably been there before, but the journey is too pleasurable to forego.…
Dramatic irony in Oedipus the King is evident throughout, which is similar to the latter play, but in a different form. In here, the irony is evident. Oedipus the King revolves around characters' attempts to change their destiny (which fails) - Jocasta and Laius's killing of Oedipus and Oedipus's flight from Corinth. Each time somebody tries to avert the future, the audience knows their attempt is futile, creating irony. When Jocasta and Oedipus mock the oracles, they continue to.....…
Oedipus Rex, also known as Oedipus the King, is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times. The Play is about Oedipus, the king of Thebes, who unwittingly killed his father and married his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would slay him. Accordingly, when his wife, Jocasta, bore a son, he exposed the baby on Mt. Cithaeron, first pinning his ankles together (hence the name Oedipus, meaning Swell-Foot). A shepherd took pity on the infant, who was adopted by King Polybus of Corinth and his wife and was brought up as their son. In early manhood Oedipus visited Delphi and upon learning that he was fated to kill his father and marry his mother, he resolved never to return to Corinth. Travelling toward Thebes, he encountered Laius, who provoked a quarrel in which Oedipus killed him.…
Sophocles has Oedipus foretelling his own tragedy when speaking to the people of Thebes. The city suffers as a result of Oedipus'pride, and irony is shown when Oedipus suggest that by avenging Laius he will protect himself, or that by getting children upon Jocasta, the dead king's wife, he will be taking the place of the son of Laius, which, unknowingly, is himself. "I will bring it all to light... I shall rid us of this pollution, not for the sake of a distant relative, but for my own sake (Knox, 10)." The irony reaches its peak when Oedipus calls on the prophet Tiresias to help uncover the murder of Laius and seek an cure to the…
Oedipus sends for Tiresias, the blind prophet, and asks him what he knows about the murder. Tiresias responds cryptically, lamenting his ability to see the truth when the truth brings nothing but pain. At first he refuses to tell Oedipus what he knows. Oedipus curses and insults the old man, going so far as to accuse him of the murder. These taunts provoke Tiresias into revealing that Oedipus himself is the murderer. Oedipus naturally refuses to believe Tiresias’s accusation. He accuses Creon and Tiresias of conspiring against his life, and charges Tiresias with insanity. He asks why Tiresias did nothing when Thebes suffered under a plague once before. At that time, a Sphinx held the city captive and refused to leave until someone answered her riddle. Oedipus brags that he alone was able to solve the puzzle. Tiresias defends his skills as a prophet, noting that Oedipus’s parents found him trustworthy. At this mention of his parents, Oedipus, who grew up in the distant city of Corinth, asks how Tiresias knew his parents. But Tiresias answers enigmatically. Then, before leaving the stage, Tiresias puts forth one last riddle, saying that the murderer of Laius will turn out to be both father and brother to his own children, and the son of his own wife.…
In the classic Greek play Oedipus, the King, written by Sophocles, he writes with dramatic irony to create suspense as you read along. By adding parts of the play that prove that the readers know more than the characters themselves do. For instance, when Oedipus gathered the townspeople of Thebes around and commanded them to give up the murder of Laius. Oedipus cursed the murderer (himself) saying “Upon the murderer i invoke this curse: may he live out his life in misery to miserable doom!” With Oedipus being the actual murderer, he, in turn, invoked a curse upon himself. The audience begins to wonder when Oedipus will realize that he, himself, is the murderer of the previous king, Laius and that he has cursed himself. Another example of suspense building up from dramatic irony in Oedipus, the King is the point of the play when Jocasta, the wife/mother of Oedipus…