Characteristics Of Gian Lorenzo Bernini

Gian Lorenzo Bernini is a versatile and inspired Italian artist in the history of baroque art. Sculptor and architect are the two well-known characters. However, Gian Lorenzo Bernini is also a painter, a city planner and a man of the theater. Bernini was born in Naples in 1598. He was the sixth child of Pietro Bernini, who is originally from Florence. In 1606, Gian Lorenzo Bernini learns the art of sculpture from his father. His talent was soon observed by both the painter Annibale Carracci and Pope Paul V after involving several high profile projects of his father in Rome. He soon gained the important patronage of Cardinal Scipione Borghese, the papal nephew. His first works were inspired by antique classical sculpture. The reputation of Gian
He, as a master of dynamic, can transform everything to an active drama. His artworks usually depict a fleeting moment, and blur the boundaries between illusionism and reality. Gian Lorenzo Bernini has a unique understanding of art and nature. Hence, he can successfully combine art and reality. When spectators appreciate the beauty of Bernini’s masterpieces, they are easily intoxicated with the artworks because of the ambiguous boundaries between art and reality. One of the most outstanding characteristics is that Gian Lorenzo Bernini can use every part of his figure to express emotion. The viewers can find it from the hands, poses, draperies and faces. Gian Lorenzo Bernini has a very strong ability to depict dramatic narratives. For instance, in his work, David, he successfully shows the intensity of the fleeting moment that David is about to hit the
When the Israelites are at war with the Philistines, the giant warrior Goliath comes up with an idea, which settle disputes by one single fight. The young shepherd David decides to step out and fight for his country. This sculpture depicts the scenes that David is going to slay the giant with a stone from his sling. Gian Lorenzo Bernini catch a very fleeting moment, and use a dramatic expression to illustrate the rapid movement of David. The sculpture, David, is an in-the-round and freestanding sculpture which is carved from marble. Spectators can clearly feel the drama from both inner and outer sculpture. Everyone can feel the immediacy of David’s movement. It blurs the boundaries between art and reality because of dramatic expressive forces. When spectators focus on the body of David, they can observe the smooth muscle line of David, which is very naturalistic. The facial expression really illustrates the emotion of David. The mouth of David is clenched, and the eyes look squarely to the adversary. Every viewer can feel David’s