Lennie
A large, lumbering, childlike migrant worker. Due to his mild mental disability, Lennie completely depends upon George, his friend and traveling companion, for guidance and protection. The two men share a vision of a farm that they will own together, a vision that Lennie believes in wholeheartedly. Gentle and kind, Lennie nevertheless does not understand his own strength. His love of petting soft things, such as small animals, dresses, and people’s hair, leads to disaster. Lennie is unnaturally large and has a shapeless face. He drags his feet when he walks and lets his arms hang. He is mentally retarded and needs George's constant attention and care. (2, Steinbeck)
Candy
An aging ranch handyman, Candy lost his hand in an accident and worries about his future on the ranch. Fearing that his age is making him useless, he seizes on George’s description of the farm he and Lennie will have, offering his life’s savings if he can join George and Lennie in owning the land. The fate of Candy’s ancient dog, which Carlson shoots in the back of the head in an alleged act of mercy, foreshadows the manner of Lennie’s death. He is an old man that is missing a hand. He is an outcast and is discriminated against. He offers his life savings to George and Lennie to help finance their dream. He wants to be a part of it and live on the farm with them. He has a friend and longtime companion, his dog. Candy is afraid of being alone but he consents to the killing of his dog and wishes he could have killed him himself after it is over. Candy represents what will ultimately happen to all ranch hands. They will get old and have no place to go. Candy is very old and has hardly any money to his name. (24, Steinbeck)
Curley’s wife
The only female character in the story, Curley’s wife is never given a name and is only mentioned in reference to her husband. The men on the farm refer to her as a “tramp,” a “tart,” and a “looloo.” Dressed in fancy, feathered red shoes, she represents the temptation of female sexuality in a male-dominated world. Steinbeck depicts Curley’s wife not as a villain, but rather as a victim. Like the ranch-hands, she is desperately lonely and has broken dreams of a better life. There isn't much known about her. She isn't even given a name but referred to as Curley's wife. She is lonely because Curley doesn't pay much attention to her. This lack of attention from Curley forces her to seek it elsewhere. She flirts with the other ranch hands but they pay her no attention either. She is in reality the end of George's and Lennie's dream. When Lennie kills her their dream is forever lost. She had full, rouged lips and wided-spaced eyes, heavily made up. Her finger nails were red. Her hair hung in little rolled clusters, like sausages. (31, Steinbeck)
Curley
The boss’s son, Curley wears high-heeled boots to distinguish himself from the field hands. Rumored to be a champion prizefighter, he is a confrontational, mean-spirited, and aggressive young man who seeks to compensate for his small stature by picking fights with larger men. Recently married, Curley is plagued with jealous suspicions and is extremely possessive of his flirtatious young wife. Curley is the boss's son, and was a welterweight boxer. He was short and stocky, and wore high-heeled boots and spurs to prove he wasn't a laboring man. He believes himself superior to everyone. (25, Steinbeck)
Slim A highly skilled mule driver and the acknowledged “prince” of the ranch, Slim is the only character who seems to be at peace with himself. The other characters often look to Slim for advice. For instance, only after Slim agrees that Candy should put his decrepit dog out of its misery does the old man agree to let Carlson shoot it. A quiet, insightful man, Slim alone understands the nature of the bond between George and Lennie, and comforts George at the book’s tragic ending. Slim is tall, thin and quiet. Slim is both respected and admired. Everyone seeks his approval, even Curley, who seems to have contempt for everyone else on the ranch. The others give into Slim because his word is the law. He is the voice of reason and understanding. Slim is the kind of man that George hopes to become one day. (33, Steinbeck)
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