The following entry presents criticism on Dickens's novella A Christmas Carol (1843). See also Charles Dickens Short Story Criticism, A Tale of Two Cities Criticism, Little Dorrit Criticism, Our Mutual Friend Criticism, and Hard Times Criticism.
INTRODUCTION
A Christmas Carol (1843) is one of the most recognizable stories in English literature. With its numerous literary, stage, television, radio, and cinematic adaptations, the tale has become a holiday classic, and the character Ebenezer Scrooge has become a cultural icon. First published in 1843, the novella garnered immediate critical and commercial attention and is credited with reviving interest in charitable endeavors, the possible perils of economic success, and festive traditions of the Christmas season. It is the first work in Dickens's series of Christmas stories known collectively as the Christmas Books, as well as the most popular and enduring.
Plot and Major Characters
Set in the 1840s on Christmas Eve, A Christmas Carol chronicles the personal transformation of the protagonist, Ebenezer Scrooge, the proprietor of a London counting house. A wealthy, elderly man, Scrooge is considered miserly and misanthropic: he has no wife or children; he throws out two men collecting for charity; he bullies and underpays his loyal clerk, Bob Cratchit; and he dismisses the Christmas dinner invitation of his kind nephew, Fred. Moreover, Scrooge is a strong supporter of the Poor Law of 1834, which allowed the poor to be interned in workhouses. As he prepares for bed on Christmas Eve in his solitary, dark chambers, Scrooge is visited by the ghost of his former partner, Jacob Marley. In life Marley was very similar in attitude and temperament to Scrooge: remote, cruel, and parsimonious. In death he has learned the value of compassion and warns Scrooge to reform his ways before it is too late. Marley announces that Scrooge will be visited by three more specters: the Spirits of