12/6/11
English 2213
Melissa Whitney
Charlotte Perkins Gilman’s “The Yellow Wallpaper”: The Use of Symbolism to Express
The Psychological, Sexual, and Creative Oppression Experienced by Women In
The Twentieth Century
Charlotte Perkins Gilman wrote “The Yellow Wallpaper” in the late 1800’s while being treating by the very trusted Weir Mitchell. During this time women were commonly admitted into the care of doctors by their husbands without their given consent. At this time there was very little research concerning Post- Partum Depression. According to the A.D.A.M Medical Encyclopedia, Post-Partum is moderate to extreme depression women may experience after giving birth. The symptoms include fearfulness, restlessness, and anxiety- all of which are displayed by Jane in “The Yellow Wallpaper.” Gilman was advised by Dr. Mitchell to stop writing and rest, only partaking in “household” activities. She was not to visit with friends or go outside much. Contesting to these rules, Gilman ended treatment with Mitchell and wrote “The Yellow Wallpaper” with the hopes of shedding much needed light on the ineffectiveness of his strategies. The mental condition of many women often worsened due the general population’s lack of consideration involving a woman’s outspoken opinion involving the betterment of her own health. Carol Kessler writes in “Consider Her Ways: The Cultural Work of Charlotte Perkins Gilman's Pragmatopian Stories, 1908-1913,” “The utopian fiction of Charlotte Perkins Gilman takes on as its "cultural work" the demonstration that women are not confined to one traditional mode of being--wife/motherhood--but can fill as varied social roles as can male counterparts” (126). Kessler is stating Gilman’s writing is not only a statement against the mental health practices concerning women, but also includes other issues that were dominated by a patriarchal society. Denise D. Knight suggests in her essay “I Am Getting Angry Enough to do