The script, written by Robert Towne, recalls that of The Big Sleep, wherein a seemingly regular case unravels into a cluster of mysteries, the answer to which eludes the detective, and at times even the audience, throughout the film. It departs from the classic noir models in its character development and by consistently returning the horrors and repercussions of the case to the character’s personal lives. Gittes’ coaxed investigation and, according to the real Evelyn Mulwray, poor detective work plays an integral role and implicates him in the murder of Hollis - who not only had no mistress but was attempting to prevent Noah from gaining control of the city’s water supply.
When Gittes becomes involved with Hollis’s widow, their relationship progresses accordingly to the Nnir template of romance, wherein it does not take long to fall for and get in deep with a broad, but, surprisingly, neither of their motives fit the archetypes we expect. Throughout the film, Gittes is hanging by the