In the article “Urban Renaissance Meets the Middle Ages” Lopez wills numerous rhetorical devices to do his bidding as he writes to create for his readers a world of hugely disproportionate lifestyles. Set in Los Angeles, these two lifestyles that are less than a stone’s throw away from one another makes for an interesting subject matter. “They’re yours for the taking: Luxury lofts in downtown Los Angeles, with rooftop pools, swanky cabanas, and views of Porta Potti brothels on skid row.” In this, the first sentence of this passage cleverly sets up the tone, and point of this…
Upon an analytical, close reading of the associated scenes, several shared story elements are brought into prospective. Both revolve around a beautiful, young lady who believes it is her duty to act as a matchmaker for her two companions. In both, the protagonist attempts to capture an image of her friend in hope that it would somehow reveal or prove the affection of the other. But aside from that, one will find that the two widely differ. Hence, to be able thoroughly analyze the two pieces of work upon this scene and to further point out its similarities as well as differences, the analytical structure will be narrowed down into six different aspects: characters, setting, narration, plot, style, and theme.…
Something else that is significant to this novel is Mama Elena’s struggle. Mama Elena also suffered the pangs of lost love due to her mother. Although the reactions of each woman to her predicament helps sort out the differences between Tita and Mama Elena. While Mama Elena let the loss of her love make her a controlling and menacing mother, Tita obeys her mother’s command but still has the lifelong struggle of trying to find love which she eventually gets after all the conflicts are absent from her life. “For twenty-two years she had respected the pact the two of them had made with Rosaura; now she had had enough of it. Thier pact consisted of taking into consideration the fact that it was vital to Rosaura to maintain the appearance that her marriage was going splendidly, and the most important thing for her was that her daughter grow up within that sacred institution, the family- the only way, she felt, to provide a firm moral foundation. Pedro and Tita had sworn to be absolutely discreet about their meetings and keep their love a secret. In the eyes of others, theirs must always be a perfectly normal family. For this to succeed, Tita had to give up having an illicit child. In compensation, Rosaura was prepared to share Esperanza with her, as follows: Tita would be in charge of feeding the child, Rosaura of her…
The characterization, in The House on Mango Street, of Esperanza’s great-grandmother and Rafaela is used to convey how women were inferior to men in Esperanza’s society. According to Esperanza, her great-grandmother was a very wild woman. That is why she refused to marry until a man “threw a sack over her head and carried her off” (Cisneros, 11). This shows how unimportant women are, of that time, that a man could kidnap a woman and she could do nothing, no matter how wild she was. Also, despite her wild personality, Esperanza’s great-grandmother shows how women could be forced into marriage without a say in who they marry. Like Esperanza’s great-grandmother, Rafaela has many hopes such as dancing at the dance hall or bar. However, she never…
Sir Gawain and the Green Knight has many examples of chivalry in it. One of those examples is when Sir Gawain takes the challenge presented to King Arthur. This is an example of the first part in the Code of Chivalry. This same event is also an example of the second part of the Code of Chivalry, responsibility to the king. The Code of Chivalry states that knights are to have respect for the Christian faith. This is shown by the reference to God. Being generous is also a part of the code. King Arthur shows this with the party he is throwing. The code also says that knights should be brave in battle; Sir Gawain shows this bravery by standing in front of the Green Knight…
Chivalry has countless values that are interpreted in numerous ways in Sir Gawain and the Green Knight depending on which court you look at. This is because the nature of chivalry allows an individual to interpret these meanings in a way that reflects their beliefs and values. When looking at King Arthur's court you find a very lavish court fixed on appearances and relying heavily on the chivalric virtue of courteous speech and action, which leaves little room for speaking the truth. Yet a chivalric virtue is upheld when Sir Gawain speaks the truth about the girdle he acquired and the green knight in turn states by confessing your failings you are free from blame (2391). There are also various symbols found in King Arthur's court like the…
is not really beneficial to his lover and the narrator is trying to get at the fact that this “love”…
Is chivalry dead? This is a question that few people can answer because most do not know what chivalry is. Chivalry was ounce used by notable Knights in past centuries, but is now currently out of date. Loyalty, humility, and largesse are few of the many standards that fall under the code of chivalry, which has gone silent for quite some time.…
Throughout the story the narrator describes several intimate moments she has shared with men in her past, which is seemingly braggadocios, but as it continues, it’s actually about a woman who desires to love herself. She begins by explaining how she is not from a low class family because her dad descended from middle ranking, stated on page 594, but by the age of 13 years old she had experienced many lovers. How ironic, because aristocrats are held in such high regards, and would never be caught being so promiscuous, but she somehow seems to blame the reason for her tenacious desire for lovemaking on the aristocratic woman and men she witnessed.…
In this extract the unnamed narrator and the Marquis consummate their marriage. We see this build up to their consummation where the Marquis teases her, enjoying her discomfort. Left about the in the ‘library’ she discovers a ‘Rops’ picture which is symbolic of their own relationship. Delighted to have found the narrator entranced with what she had seen. the Marquis relishes in her naivety and finally takes her virginity. Leaving her feeling exposed he announces his departure for America.…
In the introduction of this chapter, we learn that on November 28th, 1595 Gaspar de Peralta, a judge for the Royal Audiencia of Charcas, answered a call from his next-door neighbor’s house. Once he entered the house, he found a domestic horror scene. Having entered the bedroom, Peralta found his chief scribe and the secretary of the audiencia (Fernando de Medina) standing over the bloody bodies of his wife and her lover, Beatriz Gonzalez. Fernando de Medina (the Husband) immediately confessed to murdering his wife and her love. He proceeded to tell the judge of his wife’s long- term affair with Beatriz Gonzalez. Fernando de Medina believed that it was his right to defend his honor. One of the first documents was a statement from Medina, saying that in no point in time in the twenty-seven years or so of marriage had he given his wife a reason to be unfaithful. In the document he explained that over the twenty-seven years he had moved from place to place and he always provided his wife with everything she’d ever needed. She provided him with two children and they all were all well taken care of. The last and final move though was she meets her “new suitor” in the garden. He goes on to say that Gonzalez and his wife would use any opportunity and location to be together. They used his (the husband) home, or the lovers, she would either wear her own clothes or try to hide their relationship and wear men’s clothing. In this passage the husband feels he has to defend his honor because he found out that all of his servants were aware of this affair.…
Next in the poem, Franco leaves it up to the man to decide if he wants a bloodshed fight, or a love match in her bed. Even after he has deceived her, she is still willing to make love to him in her bed. “...I’d not, perhaps, depart/ from what is decent and proper to do,” (77-78). Here, Franco is saying that even though her getting revenge on him would be the right thing to…
Firstly, Molina uses the fantasy presented in the films he reiterates as a way to escape from the harsh reality of the real world, creating his own, more favourable one. This perspective can be seen throughout the novel, particularly in association with the strong romantic and feminine aspects displayed in the films. A film that allows Molina to escape the real world is told through his stream of consciousness in chapter five, which tells the love story between an unattractive maid and a young soldier, face scarred by the war. This film is very personal to Molina in two aspects. Firstly, it is told not aloud to Valentin, but inside his own head, and secondly, it features a protagonist who is an outcast to society who nonetheless finds love. It is told through the first person perspective of the maid, and the use of personal pronouns draw a connection between the characters of Molina and the maid. This parallel characterization is heightened through the maid’s casual and repeated reference to herself as an “ugly girl” (100), mimicking Molina’s expressions of self-deprecation through belittling diction. He is constantly using words like “revulsion” (260) and “disgust” (262) to describe himself with, and he even interjects the film to recount the judge’s…
In the next stanza, the overwhelming idea of the narrator that “the winged seraphs of Heaven coveted her” and he for their “love that was more than love” is introduced. Most…
First of all, in "To His Coy Mistress" the speaker says "Had we but world enough, and time" which means if they had more time, then he would focus on each part of her body until he got to her heart. That is a metaphor for sex and love. He expresses…