Alvin Ailey was a famous choreographer/dancer also founder of his own dance company (AAADT). Inspired by many, (including Katherine Dunham and Horton) he began dancing at the age of 15 where he found his love for dancing. Ballet, jazz and Broadway were the three main dance styles Ailey loved. These styles can also be recognised in nearly all of his choreographies. As choreographic styles identify the constituent features, when it comes to Ailey’s work we can clearly recognise them, through the movement used.…
When we first devised the Piece we decided the Dances were going to be the Hardest so we first worked on the dancing Nicola was the Choreographer so she had to think of how we did it and that turned out alright they were short and simple. My Movement Memory wasn’t very good though in the Just Dance sequence in the Beginning.…
The dance performance I chose to review was a recording of the performance Construct by Australian choreographer and dancer Tanja Liedtke. Construct was performed on April 2nd, 2009 in Seattle, Washington. The type of dance performed in Construct was contemporary modern. Though there were no actual stopping points, or named dances in this performance they did however have different sections of different dances with unique styles and props. The three sections I am going to write about really caught my attention and stood out to me because of how unique they were; I have never seen any dance performed in those particular ways.…
learn the dance), and structure(how the components of the dance are organized into a larger…
When critiquing a dance performance there are lots of things to take into consideration. You should pay attention to the following: number of turns, speed, coming up and down and on and off point, direction of turns, extension, elevation, suspension, recovery, balance, posture/alignment, partnering, ensemble work, expression/artistry, and ease/daring. Although I am not an expert dance critique, I was able to recognize a lot of these topics and even elaborate on them through my knowledge from Dance Appreciation.…
We have to get our muscles going and warmed up. Then we start to work on technique and get stronger at it. It is the one weakness that can dig us in a whole if it is not correct. Bad technique can lead to injuries and bad grades.” You need to follow the guidelines that the teacher wants. You have to take criticism well. It is unprofessional it you start crying in front of a judge or, teacher. When you want dance to be your profession you have to take it as serious as an actor rehearsing for the biggest role of the year that could award them the Acadamy Award of Best Actor.…
In this essay, I will argue that ethnographic museums privilege viewing, at the expense of other senses. I will further argue that by privileging the visual, ethnographic museums become problematic in two ways- firstly, by not accurately representing the cultures they are supposed to be exhibiting, and secondly, by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated with ocularcentric post-colonial museums, I will offer a few solutions to these problems. The majority of colonial museums privileged viewing and the visual. In the 17th and 18th century, Europeans believed reason and sensuality to be opposing…
Although most scholars simply define it as the art of designing and arranging dance, American ballet icon George Balanchine distinguished dance choreography as “an expression of time and space, using the control of movement and gesture to communicate,” (Anderson 5). This definition puts emphasis on the rigid structure and body control required to successfully produce a piece of choreography, an idea not uncommon in the ballet community (Conoley-Paladino). Like Balanchine, modern dance icon Merce Cunningham defined dance choreography as “an art in space and time.” However, in contrast, he stated that “the object of the dancer is to obliterate” that art, drawing on the importance of…
When dancers are writing a movement they can express their feelings with each part of their body. Being immersed in a creative process, we can reach true freedom and change our life for at least that moment. For example, in dance composition classes for children in all school programs, students have to recreate objects or animals. Students are unaware of how creative they can be. They have the opportunity to transport themselves to another world and create a dance that is uniquely theirs. I always develop my dance movements by thinking about the effect on my audience. The spectators have the opportunity to create their version or personal interpretation of the piece they are watching, and it can change their…
The propensity I have for dance does not come naturally. Over the past few years, I have spent relentless time and energy in an attempt to perfect every aspect of my dancing ability. Although far from such accomplishments, I have noticed a steady trek of improvement as time progresses. I relinquish all insecurities and give paramount effort every time I enter a class; recently, a similar trend has occurred in my peers. The more I push myself to achieve greatness, the more they do also. I hope the younger team members have seen this ideal exemplified in me through our time together, applying this mindset even when I am no longer there.…
Cheerleading is more than just wearing a short skirt, a stiff glittery bow and a shell crop top with your team’s name across the chest, but it's a sport that involves the performance of organized, chanting and dancing in support of a sports team at games. In cheerleading, the choreography plays an important role through a sequence of movements of physical bodies. The choreography also refers to the design itself. Indeed, when it comes to the choreography of cheering, I thrive more than any cheerleader I know. While other girls cheer for the cuteness, I cheer because cheerleading has become my passion for dance, for movement and for the choreography of cheering and its beauty. Rather than going through the motion like other cheerleaders, I feel as if I am the motion.…
While the study of composition develops students’ knowledge and skills in the manipulation of the elements of dance, generating and organising movement into structures, dance analysis promotes critical thinking. In describing, interpreting and evaluating a variety of dance works, students gain a wider exposure to dance that can contribute to their own creative dance experiences. It promotes a larger movement vocabulary for students to explore and develop and will also…
As I was coming flying to Hawaii in my beat up old space ship I saw the most beautiful flowing river and mountains and I knew I had to stop and explore. I landed in a large field and got out of the ship. The first thing I noticed was an interesting skunk smell hanging in the air, but I couldn’t tell where it was coming from because no one else was around. I could see some sort of civilization off in the distance, so I started hiking through a thick forest of trees that had a crisp, refreshing smell that reminded me of Christmas at home. When I finally reached the outskirts of town I tried to find someone to ask for directions and help, but there was no one around. There were no spaceships, cars, or people on the street. Confused and feeling lost, I kept walking down the street hoping that I would eventually find at least one person. Finally I got to the top of a hill and looked down. There were thousands, maybe even a few hundred thousand people in the downtown area of this city. I was overwhelmed by the site, but I slowly hiked down the hill to see what was going on. There were teams of people playing with an orange bouncy ball and trying to throw it through a hoop on the street. There were hundreds of these hoops with one at every corner of the street. These strange people were bouncing this ball down the street and many of them weren’t wearing any shirts. I was staring at one of these games when all of a sudden I was hit in the back of the head with one of the balls and fell to the ground. Luckily a nice woman helped me up and asked if I was alright. I brushed the dirt off of my clothes and asked her what was going on. She said “This is Hoop Fest!” Still looking confused she went on to explain that this was the largest three on three basketball tournament in the world. I had never heard of basketball before, but it seemed simple enough. Still confused and overwhelmed, I asked the woman where I was…
At least once a week I go to the studio and dance. I dance an ancient Indian classical art form called Bharatanatyam, hip hop, and also various Bollywood styles. Specifically, Bharatanatyam is my favorite and closest to my heart. This is the activity I like the best and there are so many reasons pertaining to why this is so. I started this ancient and difficult dance form at the age of five and at the age of eleven, after six years of hard work, completed my Arangetram, the Indian dance graduation which is a milestone in a person’s life and as big…
The atmosphere that existed within my dance studio was one so utterly supportive and positive, that my love for dance grew stronger. The girls that I spent hours each week with, became sisters to me. We were able to support one another in class, as well as within our personal lives. By spending so much time with such wonderful people, I’d like to think that I have become a better person. My time dancing at Miss Charity’s Shuffles and Chaînes has taught me how to love myself, and everything that makes me, me. It has taught me freedom of expression, and the value in making art out of what matters to me. It has taught me how to respect other opinions and ideas, even when they are different from my own. It has taught me the value in friendship, and that a healthy support system is the perfect thing to end a stressful day with. It has taught me discipline, kindness, teamwork, and many other valuable traits. The thought of leaving dance is one that I cannot fathom, and it is for that reason that I will try and keep it a part of my life as long as I see fit. I may not want to pursue a career in dance, but I can’t see myself abandoning something that has become a part of who I am. Without dance, I am not Taylor Ann Ruzewski, and I wouldn’t want to be anyone different that the person I am…