Peters) authority, which directly indicates why Pope Sixtus IV hired Pietro Perugino to paint this scene in one of the most notable buildings of the Vatican. Perugino painted Jesus Christ in the middle of the fresco where he is seen giving St. Peter ‘’the keys to kingdom of the heavens’’, while the apostles stand in groups behind them. The painting also features people in early renaissance fashion, witnessing the event from afar. It is understood that this scene was meant to illustrate the catholic doctrine of apostolic succession, where Jesus hands power to Peter, and henceforth the popes. The painting is a primeval representation of the importance of spiritual authority, and who God via his son Jesus Christ has ‘’chosen’’ to sustain power among the people of the
Peters) authority, which directly indicates why Pope Sixtus IV hired Pietro Perugino to paint this scene in one of the most notable buildings of the Vatican. Perugino painted Jesus Christ in the middle of the fresco where he is seen giving St. Peter ‘’the keys to kingdom of the heavens’’, while the apostles stand in groups behind them. The painting also features people in early renaissance fashion, witnessing the event from afar. It is understood that this scene was meant to illustrate the catholic doctrine of apostolic succession, where Jesus hands power to Peter, and henceforth the popes. The painting is a primeval representation of the importance of spiritual authority, and who God via his son Jesus Christ has ‘’chosen’’ to sustain power among the people of the