In the section “Red Clowns” from the book The House on Mango Street, Sandra Cisneros illustrates how being chosen is not as innocent as society makes it seem when the character Esperanza gets raped. While Esperanza and her friend Sally are at a carnival, Sally is chosen by a big boy and leaves with him (99). Sally is chosen because she was pretty and her being chosen was a positive event for her as she left voluntarily. She gets to be the fairy tale princess and gets a happy ending for the night. Meanwhile Esperanza is left behind and is chosen, but in a negative way. After being raped, Esperanza describes being chosen is not like how it is in “all the storybooks and movies” (99). In fairytales, being chosen is a wonderful thing since the…
Another literary device present in, “Oranges”, that develops the theme of love is a hyperbole. When they are standing eating the chocolate and the orange, the orange was “bright against the gray of December”, and looked like a “fire in [his] hands”(Soto, 56).…
He is perhaps challenging the viewer to see more that physical beauty but rather an internal need to be desired regardless of our outer shell or weathered state. He used detail and traditional symbolism of beauty in the clothing, headdress, the red rose, the seductive corset, and the lifted chin and soft eyes. Perhaps the timeless review and contemplation of intent was in fact Massys true intent of this piece, as it has withstood the test of time as a historically famous work of art. The initial dislike for the woman drew me in. The complexity of the painting made be find aesthetic beauty, and the content itself keeps me perplexing on the possibilities of intent. It is truly a respectable and intriguing display of art and…
Like Water for Chocolate is Laura Esquivel’s original romantic love story and is often dubbed as the “Mexican Romeo and Juliet.” In just 246 pages, Esquivel created a breathtaking work of art, strategically incorporating love, desire, nurture, and feminism. Like Water for Chocolate is famously known for its magical realism. Esquivel uses magical realism to justify the perception of the novel and to make extraordinary concepts seem normal. It is basically the glue that holds the book together. The novel’s magical realism, helps define lust by incorporating the element of fire and imagery. By adding magical elements into the day-to-day life, readers can critically analyze the characters in order to understand their thoughts and actions.…
Most of the literary works we have discussed in class are so distinctive from each other, yet so similar. In "The Yellow Wallpaper" and "The Beast in the Jungle" we see how symbols are used to portray and dramatize the theme of the story. We also learned how women were treated, or "expected" to act, in works such as "The Yellow Wallpaper", "The Beast in the Jungle", and "My Contraband", which then leads to the subject of miscegenation. We also see miscegenation used in most of Chesnutt's works and in "Desiree's baby" by Chopin.…
The focus of this paper will be “Ingenue” by Richard Judson Zolan and “The Gold Dress” by Bill Brauer. The focal point of both paintings is a beautiful woman and this is where the similarities stop. Zolan’s focus is completely within the boundaries of the painting while Brauer’s leads your eye off the plane insinuating there is more going on than is captured within the boundaries of the painting. The word ingenue refers to a naive, innocent young woman while the woman in “The Gold Dress” is definitely more provocatively situated. Both artists are Americans, Zolan from Chicago and Brauer from New York. Zolan studied under Louis Rittman, a personal friend and student of Claude Monet, the French impressionist, and Brauer under Frederico Castellon, a Spanish-American painter and illustrator of children’s books. Zolan’s style reflects the influence of Monet with the effects of light while Brauer is more sensual and moody, using deep intense colors and beautifully rendered curves. Both works of art are beautifully painted and express the great talent of both men.…
I found Countee Cullen's poem "From The Dark Tower" to be very interesting. The title itself gave me the impression that the speaker is some type of night watchman who was possibly watching over a field but could have just as well have been a planter who uses the planting and nature terminology to metaphorically relate to life issues. I think the first lines:…
In the first stanza we are presented with a picture perfect holiday resort’s advertising poster, carefully composed around an alluring and beautiful, pristine girl. Symbolism, in tautened white satin, is used to emphasize her alleged purity as she symbolizes the resort itself. Yet this image is subtly sexualized as she is presented as the embodiment of lush behind her, “expands from her thighs and spread breast-lifting arms”. The image is joyful and welcoming.…
The persona’s disdain for desire is both striking and obvious. The first quatrain in itself is laced with insults such as scum and dregs (line 2), both associated with unpleasant things, causing a displeasing visual image to be painted in the mind of the reader. It also discreetly points out desire’s cruelty as it fools men into wishing they could possess things impossible for them to obtain, it is the target of a blind man, who cannot even see where he is aiming (line 1). He expands on this point through the use of metaphor – cradle of causeless care, web of will (lines 3 and 4); portraying the effect desire has on men. It nurtures caring for people and possessions without reason, and tangles the minds of men. In order to ensure his point is taken home, the speaker emphasizes his point with alliteration evident in his repetitive use of the letter c in line 3 and w in line 4.…
[ 6 ]. Susan Lucas Dobrian. “Romancing the Cook: Parodic Consumption of Popular Romance Myths in ‘Como agura para chocolate’”, Latin American Review 24, no. 48 (1996), http://www.jstor.org/stable/20119730…
In the novel, Love in the Time of Cholera written by Gabriel García Márquez, there are many symbols to represent, literally, love in the time of cholera. These symbols are flowers, birds, and rain. Márquez uses these similar terms to describe the effects of love and cholera throughout the novel by using all of those symbols ultimately represent or foreshadow anguish and unfortunate disasters that Cholera can bring. Cholera was a contagious disease affecting most of the population in where the story takes place. Though, this book is heavily centered on the disease and love, the author is primarily focusing on literal “lovesickness”. One generally does not associate sweet and pure love with diarrhea, infections, or a painful death, which is why cholera is used to depict the lovesickness in this novel.…
The poem I Crave Your Mouth, Your Voice, Your Hair serves as an excellent demonstration of this divide of the real versus the superficial. Natural imagery is used within this poem to illustrate that the woman in question supersedes the artificial constructs of society. “Your hands the color of a savage harvest,/ hunger for the pale stones of your fingernails” is an evident example of this natural symbolism. Within this poem the female is portrayed as raw and real, an element of nature, as opposed to a part of the society that humans have created. Neruda uses similes and metaphors to draw this comparison, illustrating her value and power within the world and upon him. Through his stylistic choices, he demonstrates how his attraction, his need for this woman, is not merely superficial and lustful, as she herself is something greater than what society allows. Although throughout the poem the woman’s physical features are illustrated as the attractive elements of her, it is clear that it is not in…
“Rappaccini’s Daughter” is a fascinating short story written by Nathaniel Hawthorne about a medical scientist “Giacomo Rappaccini” who is researching exotic and poisonous plants. His daughter “Beatrice Rappaccini ” takes care of the poisonous plants for him and she too becomes poisonous. The story takes place in Padua in the medieval times. Many of the elements explored in this story are open for interpretation and Hawthorne’s play on words is amazingly cunning. The first time I read this story I walked away with many questions. This paper will attempt to interpret a theme that I believe is played out right before our eyes with religious symbolism, romantic imagery and characterized biblical undertones. What I find compelling about this story is how it can remain relevant in the 21st century.…
The poet states how her neon studded jewelry glared at her in the evening bazaar. A woman in India is closely associated with elaborate jewelry and embellishment. This forms a part of her individuality, and her femininity. The act of hennaing is a form of body decoration with the dye of a plant. With the act of Hennaing, she seems to impart to the speaker significant feminine aspects of the culture. The hennaing comes out of a nozzle, slowly descending on her as her tradition was. The semi-solid henna is cool and a good conditioner, and therefore the girl feels her hands being ‘iced’. The warmth of the hand of the girl applying the Henna steadies or balances the effect, echoing the equilibrium of the ethnicity there. The salwar-kameez is a loose fitting garment that is like her shadow, larger than herself. Nevertheless, it may also point to the shadow of her identity that she cannot deny in spite of herself.…
The first two lines of the poem tell us that lust in action, or sex, is the cost of “spirit in a waste of shame.” Shame is a painful emotion of humiliation experienced when a person consciously commits a wrongdoing of his own moral standards. This person is wasting their time and energy doing something they know they should not be doing. When one continuously falls into traps, they know they should not, it slowly lowers moral and takes their sense of pride right from under their feet, however, our poetic persona is willing to give his spirit, what he represents as a person, to satisfy his uncontrollable desires. Until lust is acted upon, the poetic persona personifies lust as this uncontrollable “extreme”, “cruel”, even “murderous” beast that instantly changes people into untrustworthy, deceitful, soulless beings, often the opposite of what they are without lust. These nine adjectives…