Great job once again on answering the question about how muscle action relates to the movement. I think maybe I took it to the extreme, I went on about agonist, synergist, and antagonist muscles. I wasn 't sure if I should add the levers too. It appears as though you explained every type of muscle movement and gave an example of each. I went into flexion at the elbow and discussed that the agonist is the main muscle mover, the antagonist does the opposite, and the synergist is the helper. However, if you think about it, we kind of still came up with the same answer. You discussed flexion and extension and how they are opposites. That is what I wrote except I said that the agonist, or the main muscle, is used for flexion, while the antagonist is used for extension. You noted that these were opposites and so did I.…
This excerpt from a book chapter, written by well-known feminist scholars Sandra Gilbert and Susan Gubar, examines the meaning of the poem Goblin Market in terms of female sexuality and economic exchange. Their book The madwoman in the attic: The woman writer and the nineteenth-century literary imagination explores female writers in the 19th century and the implications of their work on the feminist movement. Gilbert and Gubar are known for their work concerning feminist literature, with Madwoman in the Attic being one of their most popular collaborative works.…
The focus of this paper will be “Ingenue” by Richard Judson Zolan and “The Gold Dress” by Bill Brauer. The focal point of both paintings is a beautiful woman and this is where the similarities stop. Zolan’s focus is completely within the boundaries of the painting while Brauer’s leads your eye off the plane insinuating there is more going on than is captured within the boundaries of the painting. The word ingenue refers to a naive, innocent young woman while the woman in “The Gold Dress” is definitely more provocatively situated. Both artists are Americans, Zolan from Chicago and Brauer from New York. Zolan studied under Louis Rittman, a personal friend and student of Claude Monet, the French impressionist, and Brauer under Frederico Castellon, a Spanish-American painter and illustrator of children’s books. Zolan’s style reflects the influence of Monet with the effects of light while Brauer is more sensual and moody, using deep intense colors and beautifully rendered curves. Both works of art are beautifully painted and express the great talent of both men.…
The main objective of this experiment is to differentiate between a physical change and a chemical change.…
The text uses the occurrence of sex as an act of aggression, erotic brutality, and dominance in which the male partner is seen as sadistic and the female partner is seen as oppressed. This is portrayed by The Marquis’ wives, both past and present, as he objectifies them by placing them on display, enabling him to manipulate and mold them to satisfy his perverse erotic tastes. Additionally, all of the female roles are unnamed, only referred to by jobs for example the Mother, the Opera Singer, the Evening Star Walking on the Rim of Night, and the Romanian Countess (Carter 1990: 4), drawing attention to the idea of gender inequity as the women are not worth of a name (Barry 1995: 126). The act of sexual objectification by The Marquis lends itself to interpretation as The Bloody Chamber depicts the darker side of sexual relationships, exploring the essentialist idea that men and women are different beings. The text symbolizes the inequality between men and women in the ‘[m]ost pornographic of all confrontations’ (Carter 1990: 8), through the satirical images by Felicien Rops, where a fully clothes man is sizing up a naked women as though she is “a lamb chop” (Carter 1990: 8). From the…
These men have everything prepared in such a way, that a young naïve woman is bound to turn and see what exactly these men have to offer. This enticement allures Laura to do exactly that and she is poisoned. Rather than having a regular dish, these goblin men have a golden dish which is another way for these goblin men to attract Laura. Line 61 shows that these are not ordinary grapes, but grapes that are so "luscious" and sweet. Lizzie replies "No, no, no, their offers should not charm us, Their evil gifts would harm us" (64-66). Again, Lizzie is telling Laura that these goblin men are putting on a show to tempt you to come to them and that the fruit and golden dishes will only hurt you. Line 66 is interesting because, even though their fruit is referred to as "gifts," they really are the total opposite. First off, Laura gives a lock of her hair in order to get the fruit and in the end, these "gifts" only hurt her. Usually, a gift is associated with something that is given out of personal pleasure and sincerity, however in this case it is given to do harm. These six lines show that these goblin men have planned this "alluring" method before hand and have carefully chosen items that will draw attention to them.…
The “Goblin men” Are a metaphor for capitalism, and the exploitation of women by these capitalists. The Goblin men want her to buy their fruit, which could be seen as a metaphor for consumerism. On the other hand, it could also be suggested that this metaphor is for the capitalist system as a whole.…
The U.S. government was created in three branches, the executive, the judicial and legislative. The government felt that this division of power would check and balance them. The legislative branch or the law-making body of government is broken up in power between the Senate, and the House of Representatives. The executive branch, headed by the president of the United States takes care of most of the decision-making needed in passing laws, and policies. The judicial branch, determines what is legal and what laws are unconstitutional. According to document four, the president also has the power to veto laws in which the Congress makes, making them void. However, if large percentage of Congress still wants the law passed after the president vetoes the law, then they can overrule his choice. The congress also has the power to impeach the president if they believe he is not fit for the job. The president can check on the Supreme Court by electing judges. However, congress can impeach these judges if they feel that they are not fulfilling their jobs. Through this system of checks and balances, no branch of government can become too powerful. This system is called the "checks and balances."…
For hundreds of years people have wondered who is the girl in the portrait Girl with a Pearl Earring, painted by a Dutch artist Johannes Vermeer in the 17th century and what is the connection between them. This fictional love story by Chevalier explores the sensual relationship between the young lady and the painter. Griet, a seventeen year old girl, narrated the story of her life experiences in the 1600’s, as she transformed from a young girl into a married woman. The narrative structure will appeal to a young adult audience as they will be able to relate to many of Griet’s experiences, especially the encounters she had with men. She was hired as a maid by a rich and famous painter, to help her impoverished family. Vermeer allowed her the privilege of working as his assistant in the studio, which caused much turmoil with his wife. This tension between the characters reads like a modern day soap opera. Vermeer was a gentle and respectful master, and Griet became devoted to him. Her secret admiration of him became increasingly intimate and loving, but not sexual. Vermeer’s friend, Van Ruijven requested him to paint Griet. Van Ruijven had several unwanted sexual encounters with her. Griet had to deal with the nervous emotions of a young girl learning to cope with sexual predators. Meanwhile, Griet met the local butcher, Pieter, and a friendship developed between…
Despite the difference in era, both girls (the cottage maiden and the narrator of “The Seduction”) bare the same burden. Although there is not another woman that we know of in “The Seduction”.…
Christina Rossetti’s poem “Goblin Market” published in 1862 depicts sisters, Lizzie and Laura, as goblin men walk past selling their fruits. In the context of this essay, an allegory is meant to be interpreted as an alternative, figurative understanding of the text that lies underneath the literal meaning of the text. Some critics believe “Goblin Market” to be an allegorical attack on the Victorian woman and the society of Rossetti’s time. In this context, the Victorian woman is to be understood as the ideal woman under the societal norms of 19th century England where women were shackled to the domestic sphere and required to remain “pure”, ignorant of all sexuality. However, an alternative allegorical interpretation exists where the poem is understood as a representation of the Judeo-Christian Eden…
The curiosity that Laura develops regarding those who are less fortunate than her, leads her to visit the home of the worker that passed away. While the previous aspects to the story directly link to social class division, the latter and her crossing to encounter death, is parallel to the journey of Persephone to the underworld. Foster explains that “Laura has gone to hell… not only that but she hasn’t gone as Laura Sheridan but as Persephone” (Foster 273), and this fact lies in the very basics of the adventure she goes on. Because of her mother’s affiliation with childbearing and flowers, two elements that directly link to Demeter, Mrs. Sheridan is in fact Demeter. Not only this, but when Laura begins her descent to the underworld, she encounters a dog by her gate that represents Cerberus and his protection of the hell, the destination she travels to in order to grieve the loss of the dead caterer. Moreover, the broad road which Laura crosses to reach the home represents the River of Styx. The Sheridans home is a heaven because of its economic status; therefore, the lower classes would be viewed negatively and even as the opposite, implying that it is hell. Because the River of Styx is the transition between the two, the road that links the lower and upper classes, does the same. Furthermore, the hat given to Laura by her mother, with the golden daisies on it, directly links to Aeneas's Golden Bough, or admission ticket to the underworld, as it is what propels her journey to the workers home. The woman that Laura encounters at the home is Sibyl, because of her familiarity with the dark and dangerous lower class underworld. While the author uses Laura’s family to imitate heaven, he discovery of suffering, leads her to question this heavenly atmosphere. Because of the questioning of her lifestyle, Laura unearths…
The detailed poem explores and illustrates the image of women physically and mentally through the theme 'Desperate for freedom'. This theme outlines in detail how women wanted their own freedom rights and were desperate for it. Judith Beveridge reveals these ideas through a wide range of techniques and visual imagery such as being physically disabled, doing nothing but chores and highlighting women's domestic violence. The theme, Desperate for Freedom, is a strong and appealing theme that Judith Beveridge portrays women through. Judith first reveals the sight of the theme, 'Desperate for Freedom' when she mentions “Bruised-apple eyed” in line 5. This eye-catching metaphor reveals a hidden image that leads to the domestic violence of women. Not only does Judith point out the hidden meaning, she also attaches a dull feeling to the metaphor. The dull feeling adds a stronger background feeling and image to the metaphor. The poet later on mentions another metaphor that is illustrated in line 16 when she mentions the words “wire-cripple”. In this featured metaphor, Women seem to be portrayed as being disabled, but not physically disabled. This gets the persona thinking on why she is described as being mentally disabled. Due to her freedom being taken away from her since she is in an enclosed space, the author decided to portray and describe her as having a disabled image. Towards the end of the poem, Judith mentions a repetitive action when she includes “She circles the pen, licks the wire, mimics a gum-chewing audience.” on lines 19-20. This course of action gives the reader the thought of repetitive action for example,…
All three texts explore gender by emphasising the importance of a woman's voice. Nichols uses her voice to focus on her identity, and to portray her confidence. In her poem 'Love Act', she says "Her sorcery cut them, like a whip, she hide her triumph, and slowly stir the poison in". This shows that Nichols knows that women aren't weak, and have their own kind of power and intelligence, and she challenges the oppressive men that surround her. Her use of simple English and Creole reinforce her Creole identity. For example, in the poem Skin-Teeth, she says 'Massa' (Master) and in The Fat Black Woman Goes Shopping, she says 'de weather so cold'. Her use of colloquial language shows us that even though she lives in the Western world, she still speaks as they do in her homeland, and she will not change the way she speaks to conform to society’s ways. The title 'Love act' acts as an ironic euphemism for the degradation derived from forced sex with the planter, but one critic claimed that the rest of the poem shows that "this situation…
In “The Necklace”, Mathilde is seen as a poor woman who had low self-esteem and was married to a clerk. In this story, she was invited to a ball and borrowed a friend’s necklace. After the ball, Mathilde discovers that the necklace was lost. As a result, she had to search for a similar necklace and had to take out loans to make a purchase. She was forced to work for ten years to pay off the debt until one day when she saw her friend. Little did Mathilde know that the necklace she lost was worth much less than the new necklace she paid for.…