Although both the story 's title and the character 's name change in different languages, in English-language folklore "Cinderella" is the archetypal name. The word "Cinderella" has, by analogy, come to mean one whose attributes were unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The …show more content…
still-popular story of "Cinderella" continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media.
The Aarne–Thompson system classifies Cinderella as type 510A, "the persecuted heroine". The story of Rhodopis about a Greek slave girl who marries the king of Egypt is considered the earliest known variant of the "Cinderella" story and many variants are known throughout the world.The Land of Egypt">Roger Lancelyn Green: Tales of Ancient Egypt, Penguin UK, 2011, ISBN 978-0-14-133822-4, chapter The Land of Egypt
Plot
Cenerentola, by Basile
Giambattista Basile, a Neapolitan soldier and government official, wrote Lo cunto de li cunti, or Pentamerone. It featured the tale of Cenerentola, which features a wicked step mother and step sisters, magical transformations, a missing slipper, and a hunt by a prince for the owner of the slipper. It was published posthumously in 1634.
Cendrillon, by Perrault
One of the most popular versions of Cinderella was written in French by Charles Perrault in 1697, under the name Cendrillon. The popularity of his tale was due to his additions to the story, including the pumpkin, the fairy-godmother and the introduction of glass slippers.
The first moral of the story is that beauty is a treasure, but graciousness is priceless. Without it, nothing is possible; with it, one can do anything.
However, the second moral of the story mitigates the first one and reveals the criticism that Perrault is aiming at:
"Another moral: Without doubt it is a great advantage to have intelligence, courage, good breeding, and common sense.
These, and similar talents come only from heaven, and it is good to have them. However, even these may fail to bring you success, without the blessing of a godfather or a godmother."
Aschenputtel 's relationship with her father in this version is ambiguous; Perrault 's version states that the absent father is dominated by his second wife, explaining why he does not prevent the abuse of his daughter. However, the father in this tale plays an active role in several scenes, and it is not explained why he tolerates the mistreatment of his child. He also describes Aschenputtel as his "first wife 's child" and not his own.
Folkloristics
Folklorists have long studied variants on this tale across cultures. In 1893, Marian Roalfe Cox, commissioned by the Folklore Society of Britain, produced Cinderella: Three Hundred and Forty-Five Variants of Cinderella, Catskin and, Cap o 'Rushes, Abstracted and Tabulated with a Discussion of Medieval Analogues and
Notes.
Adaptations
The story of Cinderella has formed the basis of many notable works:
Opera and ballet
Cendrillon by Jean-Louis Laruette
Cendrillon by Nicolas Isouard, libretto by Charles-Guillaume Étienne
Agatina o La virtù premiata by Stefano Pavesi
La Cenerentola by Gioachino Rossini
Aschenbrödel by Ferdinand Langer
Cendrillon by Jules Massenet, libretto by Henri Caïn
Cinderella by Gustav Holst
La Cenerentola by Ermanno Wolf-Ferrari
Cendrillon by Pauline García-Viardot
Aschenbrödel by Leo Blech, libretto by Richard Batka
La Cenicienta by Jorge Peña Hen
Cinderella, a "pantomime opera" by Peter Maxwell Davies
Cinderella by Baron Boris Vietinghoff-Scheel
Aschenbrödel by Johann Strauss II, adapted and completed by Josef Bayer
Das Märchen vom Aschenbrödel by Frank Martin
Soluschka or Cinderella by Sergei Prokofiev
Cinderella by Paul Reade
My First Cinderella directed by George Williamson and Loipa Araújo
Cinderella, adapted by Christopher Wheeldon, with puppetry by Basil Twist, set to the Prokofiev score
Theatre
Cinderella debuted as a pantomime on stage at the Drury Lane Theatre, London in 1904 and at the Adelphi Theatre in London in 1905. Phyllis Dare, aged 14 or 15, starred in the latter. In the traditional pantomime version the opening scene is set in a forest with a hunt in sway and it is here that Cinderella first meets Prince Charming and his "right-hand man" Dandini, whose name and character come from Gioachino Rossini opera . Cinderella mistakes Dandini for the Prince and the Prince for Dandini. Her father, Baron Hardup, is under the thumb of his two stepdaughters, the Ugly sisters, and has a servant named Buttons, who is Cinderella 's friend. Throughout the pantomime, the Baron is continually harassed by the Broker 's Men for outstanding rent. The Fairy Godmother must magically create a coach, footmen, a coach driver, and a beautiful dress for Cinderella to go to the ball. However, she must return by midnight, as it is then that the spell ceases.
Cinderella by Rodgers and Hammerstein was produced for television three times and staged live. A version ran in 1958 at the London Coliseum with a cast including Tommy Steele, Yana, Jimmy Edwards, Kenneth Williams and Betty Marsden. This version was augmented with several other Rodgers and Hammerstein 's songs plus a song written by Tommy Steele, "You and Me".
Mr. Cinders, a musical which opened at the Adelphi Theatre, London in 1929. Filmed in 1934
Into the Woods by Stephen Sondheim, in which Cinderella is one of many fairy tale characters who take part in the plot. This is partly based on the Grimm Brothers version of "Cinderella," including the enchanted birds, mother 's grave, three balls, and mutilation and blinding of the stepsisters.
Cindy, a 1964 Off-Broadway musical composed by Johnny Brandon
Films and television
Over the decades, hundreds of films have been made that are either direct adaptations from Cinderella or have plots loosely based on the story.
Cinderella, the first film version, produced in France by Georges Méliès.
Cinderella, a silent film starring Florence La Badie
Cinderella, a silent film starring Mary Pickford
Aschenputtel, a silhouette shadow play short by Lotte Reiniger.
Cinderella, an animated Laugh-O-Gram produced by Walt Disney, first released on December 6, 1922. This film was about 7.5 minutes long.
Cinderella Blues, a Van Beuren animated short film featuring a feline version of the Cinderella character.
Cinderella Meets Fella, a Merrie Melodies animated short film featuring Egghead, the character who would eventually evolve into Elmer Fudd, as Prince Charming.
First Love, a musical modernization with Deanna Durbin and Robert Stack.
Cinderella, a Disney animated feature released on February 15, 1950, now considered one of Disney 's classics as well as the most well known film adaptation.
Aschenputtel, a West German film, dubbed into English and released in the USA in 1966 as Cinderella.
The Glass Slipper, feature film with Leslie Caron and Michael Wilding
Cinderella Rodgers and Hammerstein, starring Julie Andrews as Cinderella, featuring Jon Cypher, Kaye Ballard, Alice Ghostley, and Edie Adams .
Cinderella Rodgers and Hammerstein was produced for TV again in starring 18-year-old Lesley Ann Warren in the leading role, and also featuring Stuart Damon as the Prince, with Ginger Rogers, Walter Pidgeon, and Celeste Holm.
Hey, Cinderella!, a television adaptation featuring The Muppets.
Three wishes for Cinderella, a Czechoslovakian/East German fairy tale film starring Libuše Šafránková as Cinderella and Pavel Trávníček as Prince. A cult film in several European countries.
The Slipper and the Rose, a British Sherman Brothers musical film starring Gemma Craven and Richard Chamberlain.
A loose adaptation of the Grimm Brothers ' version appears in the 1987 anime Grimm 's Fairy Tale Classics.
Aschenputtel, a television adaptation based on the Grimm Brothers ' version.
If The Shoe Fits, a modern Cinderella in Paris.
Cinderella Monogatari, anime TV series co-produced by Mondo TV and Tatsunoko Production
Cinderella, Rodgers and Hammerstein musical starring Brandy Norwood as Cinderella, Whitney Houston as the Fairy Godmother, Bernadette Peters as the Stepmother, Jason Alexander as Lionel the valet and Whoopi Goldberg as the Queen. Remake of the 1957 and 1965 TV films.
Ever After, starring Drew Barrymore, a post-feminist take on the Cinderella story.
A Cinderella Story, a modernization featuring Hilary Duff and Chad Michael Murray
Another Cinderella Story, a modernization featuring Selena Gomez and Drew Seeley
Elle: A Modern Cinderella Story Tale, a modernization featuring Ashlee Hewitt and Sterling Knight ' ', a German film
A Cinderella Story: Once Upon a Song, a modernization featuring Lucy Hale and Freddie Stroma
Contrary to popular belief, the 2004 film Ella Enchanted is based on a book of the same name, and not a retelling of Cinderella. However, the said book is an imaginative retelling of the classic tale.
Once Upon a Time, played by Jessy Schram.
Rags, a musical gender switched inversion of the Cinderella story that stars Keke Palmer and Max Schneider.
A Princess for Christmas is a version that takes place over the holiday. Katie McGrath 's character is like Cinderella
Aik Nayee Cinderella, a Pakistani serial aired on Geo TV.
"The Royal Flip-Flop", a Jordanian film adaptation set in the 16th Century.
Cinderella, a live action film starring Lily James and for release on March 13, 2015.
Songs
"Cinderella Stay Awhile" a song by Michael Jackson from his 1975 album Forever, Michael.
Cinderella by Firefall, released 1977.
Cinderella by Vince Gill, released 1987.
Hey Cinderella by Suzy Bogguss.
Cinderella a song by Britney Spears from her 2001 album Britney.
Cinderella, a 2001 single by Sweetbox.
Cinderella by Shakaya, released 2002.
Cinderella a 2002 single by Play and covered by The Cheetah Girls in 2003.
A Cinderella Story by Mudvayne 's fourth album The New Game .
Cinderella by Steven Curtis Chapman
Cinderella from the Broadway musical 110 in the Shade by Tom Jones and Harvey Schmidt
Cinderella 's Eyes a song by Nicola Roberts from her debut homonymous album Cinderella 's Eyes
Stealing Cinderella by Chuck Wicks from Starting Now album January 22, 2008
Cendrellion written by Signal-P and Orange sung by Hatsune Miku and Kaito
Translations
Cinderella theme
The Aarne–Thompson system classifies Cinderella as type 510A, "the persecuted heroine". Variants of the theme are known throughout the world.
The Cinderella motif may well have originated in classical antiquity. The Greek geographer Strabo recorded in the 1st century BC in his Geographica the tale of the Greek slave girl Rhodopis, "Rosey-Eyes", who lived in the colony of Naucratis in Ancient Egypt. It is often considered the oldest known version of the story:
Herodotus, some five centuries before Strabo, supplied information about the real-life Rhodopis in his Histories. He wrote that Rhodopis came from Thrace, and was the slave of Iadmon of Samos, and a fellow-slave of the story-teller Aesop. She was taken to Egypt in the time of Pharaoh Amasis, and freed there for a large sum by Charaxus of Mytilene, brother of Sappho the lyric poet.
Another synopsis is given by the Roman author Aelian, showing that the Cinderella theme remained popular throughout antiquity.
Aspects of Cinderella may be derived from the story of Cordelia in Geoffrey of Monmouth 's Historia Regum Britanniae. Cordelia is the youngest and most virtuous of King Leir of Britain 's three daughters, however her virtue is such that it will not allow her to lie in flattering her father when he asks, so that he divides up the kingdom between the elder daughters and leaves Cordelia with nothing. Cordelia marries her love, Aganippus, King of the Franks, and flees to Gaul where she and her husband raise an army and depose her wicked sisters who have been misusing their father. Cordelia is finally crowned Queen of Britain. However her reign only lasts five years. The story is famously retold in Shakespeare 's King Lear, but given a tragic ending.
Another version of the story, Ye Xian, appeared in Miscellaneous Morsels from Youyang by Duan Chengshi around 860. Here, the hardworking and lovely girl befriends a fish, the reincarnation of her mother, who was killed by her stepmother and sister. Ye Xian saves the bones, which are magic, and they help her dress appropriately for a festival. When she loses her slipper after being recognized by her stepfamily, the king finds her slipper and made her his first wife .
The Indonesian and Malaysian story Bawang Merah Bawang Putih, are about two girls named Bawang Putih and Bawang Merah . While the two country 's respective versions differ in the exact relationship of the girls and the identity of the protagonist, they have highly similar plot elements. Both have a magical fish as the "fairy godmother" to her daughter, which the antagonist cooks. The heroine then finds the bones and buries them, and over the grave a magical swing appears. The protagonist sits on the swing and sings to make it sway, her song reaching the ears of a passing Prince. The swing is akin to the slipper test, which distinguishes the heroine from her evil sister, and the Prince weds her in the end.
In the Vietnamese version Tam Cam, Tam is mistreated by both her father 's co-wife and half-sister, who stole her birthright by winning a wager of fishing unjustly proposed by the stepmother. The only fish that was left to her was killed and eaten by her step-family, but its bones served as her protector and guardian, eventually leading her to be the king 's bride during a festival. The protagonist however, turns into the antagonist in part two of the story, by boiling her stepsister alive and then fooling her stepmother into cannibalism by feeding her her own daughter 's flesh.
There is a Korean version named Kongji and Patzzi. It deals a story about a kind girl Kongji who was constantly abused by her stepmother and stepsister Patzzi. The step-family forces Kongjwi to stay at home while they attend the king 's ball, but a fairy appears and gives her an attire more beautiful than everyone else. The motif is same as in Perrault, concerning a king falling in love with her. However, the story goes on with Patzzi drowning Kongji in a river and disguising herself as Kongji to live with the King. After the king finds out he puts Patzzi to death and feeds her to the unknowing stepmother.
Several different variants of the story appear in the medieval One Thousand and One Nights, also known as the Arabian Nights, including "The Second Shaykh 's Story", "The Eldest Lady 's Tale" and "Abdallah ibn Fadil and His Brothers", all dealing with the theme of a younger sibling harassed by two jealous elders. In some of these, the siblings are female, while in others, they are male. One of the tales, "Judar and His Brethren", departs from the happy endings of previous variants and reworks the plot to give it a tragic ending instead, with the younger brother being poisoned by his elder brothers.
See also
Portal:Folklore
Cinderella effect
Cinderella complex
Marriage plot
Footnotes
External links
, including one with Ellaline Terriss and one with Phyllis Dare
Bibliography:
Wikipedia
@baygross