Cinematic Techniques Used In Fury

Fury, was directed by David Ayer, in 2014. It is a movie that depicts a seemingly realistic view of how tank warfare would have occurred in World War II. Fury uses many different aspects to create a very immersive feeling while watching the movie. The director chose time accurate hairstyles, costumes, vehicles, firearms, and colors of the outfits worn. Fury shows multiple different battles in multiple views and camera angles to keep the audience drawn in. The guise used in Fury are very precise consubstantial in a lot of ways. They are very close to what someone in the army would have worn during World War II. They also do a very good job at showing ranks and classes of the soldiers. The ranks being important on many levels, one being the amount of recognition a soldier gives to one another, depending on whether they are a higher or lower rank than them. Fury does a first-rate job of showing a lot of props like all of the kit, garments, and medals that embody the “Fury” tank. The medals being the one thing that the camera really hones in on whilst inside the tank.. Ayer uses the technique called the “Long Shot” a plethora of times to show more than just a close up visual of what is occurring.. As a matter of fact the
At the start of the movie they use a very auroral almost overpowering crisp level of white light and a very heavy tone of magenta to fabricate an early morning sunrise. When in fact it really is showing a deeper meaning. The German SS officer riding the horse in the foreground looks very overjoyed, presumptively because he is sure that the Nazi forces won the battle that had taken place the night before. Lighting levels can make a massive difference in how a movie will look to the public. If you have a scene where someone is being stabbed and it has a very bright and peaceful level of lighting then people are going to think that you’re not doing something