It is said that had he been anyone else, he would have succumb to the pressures. Since he had complete artistic and financial control over his films he filmed it how he wanted it. Towards the end Chaplin was having so many problems with his costar Virginia Cherrill that he fired her and brought in Georgia Hale to shoot the final scene. Chaplin had already spent over three years shooting the film (longest time ever) and it would have been too expensive to re-shoot the whole film. Cherrill, knowing this, agreed to be hired back on at twice her original salary; Chaplin had no choice but to accept. One of the final problems Chaplin dealt with during the filming of City Lights was the scene where he first met his flower girl. Chaplin had a hard time getting across the message that the flower girl perceived the little tramp to be a wealthy man. Unsatisfied with every take, chaplin re-shot the scene over three hundred times trying to get the delivery
It is said that had he been anyone else, he would have succumb to the pressures. Since he had complete artistic and financial control over his films he filmed it how he wanted it. Towards the end Chaplin was having so many problems with his costar Virginia Cherrill that he fired her and brought in Georgia Hale to shoot the final scene. Chaplin had already spent over three years shooting the film (longest time ever) and it would have been too expensive to re-shoot the whole film. Cherrill, knowing this, agreed to be hired back on at twice her original salary; Chaplin had no choice but to accept. One of the final problems Chaplin dealt with during the filming of City Lights was the scene where he first met his flower girl. Chaplin had a hard time getting across the message that the flower girl perceived the little tramp to be a wealthy man. Unsatisfied with every take, chaplin re-shot the scene over three hundred times trying to get the delivery