Claude Mckay And The Harlem Renaissance

McKay was inspired to write poetry because of the wave of violent attacks against African Americans in 1919. The Harlem Renaissance was a burst of a cultural movement during the 1920’s where there was a revitalization of African-American melodic and literate culture thriving mainly in the Harlem neighborhoods of New York City. Quite often people could hear the music from their homes. During this time, one of the most significant writers was a Jamaican-American man named Claude McKay. McKay wrote three novels, two autobiographical books, a collection of short stories and many verses that are still appreciated today with people who are intrigued by black history and the Harlem Renaissance. The main focus of McKay’s poems is the struggle of African
His literate culture is with many different talents: colloquial speech poems praising peasant life in Jamaica, confrontational poems lectured to American white-authority, candid stories of African-American life in America and Jamaica, and, lastly, deep-thinking considerations on the notion of “double consciousness,” which was the foundation of the African-American’s attempts to endure in a racist society. The writer’s literatures depict his disdain for racism and bias, which makes its supporters repugnant and desolate. In seeing the importance of the African-American’s for mankind as a unit, McKay is at once protesting as an African-American and expressing a shout for the race of mankind as a member of that race which means he feels for the African-American community so much that he is writing to show the world that there is no difference between a white man nor a black man and that we are all human beings that deserve to be equal. His empathy for African-Americans was the foundation that made all of this
He was one of the original visionaries of the then-new scholarly fine art form jazz-poetry. Hughes is unsurpassed for his effort throughout the Harlem Renaissance. He memorably wrote about the era that "Harlem was in vogue." The utmost well-known versifier from Harlem was Langston Hughes. He wrote for the duration of the 1920s and '30s, when there was a mountain of African American authors and writers creating and publishing their works of art, this created what was called the Harlem Renaissance. Hughes, similar to other versifiers at the time, were anxious with depicting the lives of members of the black community. He yearned to focus on the African-American’s unease and the struggles they faced in America at that time. Hughes also sought to focus on the extraordinary ways that the African-Americans experienced and how it was different from the experience of white Americans. In the 1920s and 30s, jazz music was very widespread, especially within the African American society. Like his equals, Hughes loved jazz