It was then that he had heard the scarce scuttle of its hairy feet and turned to see the thing standing triumphantly atop the castle of biscuits. There it was. The cockroach. Its beady black stare gazing at the rat’s biscuits baking in the unyielding sun blazing boldly across the sky.…
There are many connotations being used in this poem. The author uses imagery and figurative language to show that Webb is dwelling within the past. This is proven when…
Many metaphors are employed within Gascoigne's poem, relating the speaker's troubles to understandable situations that allow readers to imagine and empathize with the speaker's situation. With a metaphor consisting of the mouse and bait (lines 5-6), the mouse has been able to escape a trap and fears of being trapped again. This compares to the speaker’s relationship because it implies that his relationship with the woman is toxic, relating the woman to the trap and himself to the mouse, the woman effectively trapping him into the toxic relationship. A second metaphor consists of a fly…
One poetic technique from the lyric that can be highlighted as important is first person as it is very strongly used by roach in an attempt to display himself in the poem. First person is most effective in the finishing line of “yes I came back” this is effective because the responder then finally realises that the poem is in fact a recount of what actually happened to Roach. Anaphora is also successfully used in the poem. In the last stanza anaphora is powerfully used by roach, “Back to their mother; father, sister, brother, people, land” this anaphora is used in order to state all the things that had been left behind and taken away from indigenous children of the time. The anaphora connects with the responder’s emotions in an attempt to shock the responder therefore making them see the need for social change.…
The poem 'As I Walked Out One Evening' consists of three separate speakers: the lovers, the clocks and the narrator. Each speaker represents a different measure and attitude towards time. The lover’s song paints time to be conquerable and ignorable – no more than a passing annoyance that they are outside of. The soliloquy of the clocks demonstrates time as a product of society, there to keep its subjects in line, and ultimately a ruling force. Finally, the narrator speaks of love as being outside of both of these things. Time is a constant flow than brings change and opportunity, and any claim to deny or control it is an illusion.…
For example, we are given no name for the protagonist, suggesting that his absence of a name separates him from general teenagers, representing a character holding unnecessary emotions within future possibilities of his self-discovery. Additionally, through the protagonist’s “That was your mistake, I think” where the first-person perspective in the use of the italicised sentence reveals personal thoughts of his unexpected discovery of the truth of himself. This further highlights the irony within his mind, continually lacking assurance as to the morals and values of his task in contrast to a mind of an assassin. Furthermore, the alliteration of the short sentence, “Regret. Recrimination” highlights the separation between the two words, revealing the mental state of his human psyche following his parents’ assassination, leading to a loss of identity. This indicates the protagonist’s progress towards new worlds, exemplifying how discoveries result from ideas to enrich an individual’s possibilities by their self-realisation. Hence, Zadoff clearly examines the element of individuality to enhance our self-discovery through morals and values as a result of the impacts of…
Even at the beginning of the poem, there are signs that the poet is not comfortable in the city. By comparing the helicopter to an ‘insect’, MacCaig reminds us of the sheer size of New York and the buildings. The fact that the insect is ‘damaged’ suggests pain. It could also suggest that nature – the insect – is harmed by civilisation – the helicopter. The metaphor used to describe the Empire State building – ‘jumbo size dentist drill’ also suggests pain due to the connotations of the drill and of the dentist. By using this metaphor, MacCaig introduces the idea that even during the day, New York is not a pleasant place to be.…
Have you ever felt like time was running past you? That the world kept spinning while you just stood still? Time is a central theme in many of Kenneth Slessor’s poems, however it is primarily explored through ‘Out of time’ and ‘Five Bells’. Slessor has made it obvious that he is aware that time continues whether we want it to or not and this is what allows us to put into perspective the notion of humanity’s dominance.…
“Nesting Time”, a poem by Douglas Stewart combines an anecdote of his and his daughters experience in nature, with description of the appearance and behavior of the honey-eater, and his typical philosophical reflection in the relationship of nature and man. The poem is thus personal, objective and universal in its several dimensions. This is a charming poem that appears to comment on Stewart’s personal experience. He is pleasantly surprised by the behavior and appearance of this remarkable bird, which makes him forget the ‘hard world’, focus on its tiny beauty and cause him to reflect on humankind and nature. The opening is impassioned in its generalizing quality: ‘Oh never in this hard world’. It is apparent from this judgment that Stewart, in regarding our human life as a difficult and unconsoling affair, finds profound solace in nature and her creatures. The reader notices the contrast between his heartfelt “Oh” and absolute indictment of ‘never’, and the cluster of adjectives, with internal rhyme, which introduces the bird: ‘absurd/Charming utterly disarming little bird’. His love for it grows from an initial acknowledgment of its silliness and, then, praise of its captivating behavior to, finally, and adoring diminutive in ‘little’. It is Stewart’s descriptive language that brings the scene to visual life. The bird’s actions and purpose are highly visual through the often…
Firstly time is explored in detail by the structure of the poem. The title of the poem gives us the insight that the poem is stuck in time, due to the date. Shows it must be about past tense or reminiscing. This maybe makes the poem more meaningful and personal. The poem is written in the first person as it is the "Captain that is speaking to someone. The 4 stanzas in the poem all of various lengths show the structure of the poem is disjointed suggesting that this is his trail of thought and his mind all over the place, maybe trying to understand and relive the past. This is done using pauses and short sentences, the short sentences may also show that the narrator is becoming very excited and erratic, almost childlike that he remembers so much and is excited to tell his story. There is no rhythm to the poem again showing that he hasn’t had time to collect his ideas together, almost in a rush trying to reveal all the information and just blabbing it all out without thinking, the use of no rhythm affects the poem as it makes it seem more playful, if a rhythm had been used it may seem more formal.…
The sense of the control in time within the poem is set by the final lines “White time ran ahead, along glistening tracks of steel’ and is also contrasted with “Time waited anxiously with us” helps represents that…
The poem has a continuous rhythm, with an underlying aggressive tone. The continuous rhythm is sculpted by the structure of the poem; each stanza has the same layout. The first line is the question, the second is Lizzie’s response, the third is repetition, the fourth is the threat. The fourth line of each stanza rhymes. The repetitive structure of the poem could suggest the repetitive nature of child abuse; it is a continuous cycle that only gets worse.…
* Line 4 refers to poetry as "prancing," which cleverly plays upon the terms commonly used to talk about poetic meter, like "metrical foot" – for more on this concept, check out the "Form and Meter" section.…
This piece is formulated through an allegory which exists on both a literal and figurative level. Virginia Woolf relates the struggles that a moth, which is so vulnerable to death to the everyday life of the human struggle. Implicitly, Woolf describes the moth to have value like individuals as they try to put a stop to death in the same sense like humans do.…
Al-Hakim’s Fate of a Cockroach was first published in 1966. In my opinion, al-Hakim asserts that man has no control over his own fate as the central theme of his play. The belief that one can control his or her fate consequently leads to an obsession with attaining knowledge and power. Through his male characters, Al-Hakim intended to describe the nature of man as presumptuous, self-centered and obsessed with scientific pursuits. Alternatively, the women in his play closely epitomize the humbling phenomena of nature. Within the play, the Queen cockroach and Samia are characterized as ego effacing in events of their husband’s self-aggrandizement. Similarly, we are all confronted with our insignificance in the world when the powerful hand of nature crashes down upon us in the event of a natural disaster. Thus, it can be concluded that al-Hakim believes nature is where ‘power’ truly lies in our world. In terms of Fate of a Cockroach, man’s greatest flaw is the created ideology that we are significant enough to control our own fate.…