The history of comics has followed different paths in different parts of the world.
Early narratives in art
An example of an early precursor to print comics is Trajan's Column. Rome's Trajan's Column, dedicated in 113 AD, is an early surviving example of a narrative told through sequential pictures, while Egyptian hieroglyphs, Greek friezes, medieval tapestries such as the Bayeux Tapestry and illustrated manuscripts also combine sequential images and words to tell a story. Versions of the Bible relying primarily on images rather than text were widely distributed in Europe in order to bring the teachings of Christianity to the illiterate. In medieval paintings, many sequential scenes of the same story (usually a Biblical one) appear simultaneously in the same painting (see illustration to right).
However, these works did not travel to the reader; it took the invention of modern printing techniques to bring the form to a wide audience and become amass medium.
Printing and cartoons
The invention of the printing press, allowing movable type, established a separation between images and words, the two requiring different methods in order to be reproduced. Early printed material concentrated on religious subjects, but through the 17th and 18th centuries, they began to tackle aspects of political and social life, and also started to satirize and caricature. It was also during this period that the speech bubble was developed as a means of attributing dialogue.
The first two of six plates in Hogarth's "Marriage à la Mode" series. The first plate depicts the signing of a marriage contract between the wealthy Lord Squanderfield and the bride's poor merchant father. The second plate depicts a morning in the couple's home after a night out. The dog pulls a bonnet out of the husband's pocket which may allude to infidelity as the wife is already wearing a bonnet.
One of the first creators of comics was William Hogarth (1697–1764). Hogarth created seven