One of the reasons this excerpt from Shakespeare’s “Othello” stands above the rest is that within these lines, Shakespeare inadvertently, or perhaps not, draws the blueprint for the great archetypal schemers that can still be found in all forms of media and art today. The antagonists monologue declaring what they will do has even reached the point of cliche as evidenced in Disney’s The Incredibles, when Frozone jokes, “He starts monologuing! He starts like, this prepared speech about how *feeble* I am compared to him, how *inevitable* my defeat is, how *the world* *will soon* *be his*, yadda yadda yadda.” (imdb.com)…
Many characters in the Shakespearian play, Othello, are deceived by the clever and flattering Iago. Early on in the play, Iago is trying to get his plans against Othello into motion. He meticulously chooses vulnerable characters to help carry out his vengeful scheme. Roderigo is one of the many susceptible characters who fall for Iago’s tricks. Iago catches Roderigo in a very vulnerable state and carefully plants his own scheme into Roderigo’s mind. Iago wants Roderigo to keep fighting for Desdemona despite her marriage to Othello. He tells him “Seek thou rather be hazed in compassing thy joy then to be drowned without her” (1.3 353-355). Iago flatters Roderigo by making him believe he has a chance with Desdemona and to fight for her using…
Discuss this statement, showing how composers of texts represent their ideas in relation to identity. In your response you must refer to Othello and one other related text.…
In Act IV, it focuses on lack of communication. Instead of communicating, Othello still listens to Iago's lies about Desdemona being unfaithful. Iago remarks that if he ever gave his wife a handkerchief, it would be hers, not anyone else's, “Why then ‘tis hers, my lord, and being hers, She may, I think, bestow’t on any man.” ( IV. i. 15-16 ) Instead of checking…
In Othello, Shakespeare adheres to some of but ignores some of the rules set from A Discourse of Marriage and Wiving, while he creates conflicts in Othello’s marriage to Desdemona. While everything starts out great with Othello’s marriage to Desdemona, things slowly unravel when Iago, the villain of the play, begins to fill the heads of his ‘friends’ with lies. Othello is boastful of the beauty and gentleness of his wife, causing the work for Iago to be minimal. Othello allows his sweet Desdemona to be around his friends more often than he should and by doing this Iago finds it that much easier to make his plan fall in place. Othello grows very jealous as Iago fills his head with lies of his sweet Desdemona and from there everything goes spiraling downward into an awful fate.…
In this piece of his soliloquy, Iago is talking about how he plans to use Desdemona to take down both Othello and Cassio. Iago is going to convince Othello that Desdemona is cheating on him with Cassio. Iago knows his plan will work as Desdemona will feel sorry for Cassio and try to convince Othello to make him lieutenant again. This plan will definitely work to Iago’s advantage here as Othello will probably be too heartbroken to think straight, and will end up ruining his relationship with Desdemona. He will also make sure that Cassio’s reputation is destroyed in the city. Iago can finally at this point take over Othello’s job as general, which is one of the things that he wanted. Shakespeare chooses to have Iago say that he will turn Desdemona’s…
A revision of Shakespeare’s tragedies Othello and Romeo and Juliet, Ann-Marie MacDonald’s comedy Goodnight Desdemona (Good Morning Juliet) follows Constance Ledbelly, an assistant professor at Queen’s University, as she delves into the plots of the two plays, attempting to discern the possible influence of a Wise Fool on the texts, as well as embarking on her own path of self-discovery. Throughout the novel, moments of laughter arise, many of which provoke broader discussion of the topics broached. MacDonald wields comedy to develop the theme that to achieve personal success, one must not simply act on the words of others, but understand and analyze the deeper meanings behind them. Comedic situations arise when characters in the two texts explored…
Othello is a story of tragedy; a failed marriage between a Moor and the white daughter of a political figure. Through jealousy and deception, Othello and Desdemona’s, his wife, marriage goes from a love story to two tragic and preventable deaths. Othello is a highly respected general in the defense forces of Venice; his charismatic and intelligent demeanor allows him to gain power and status in a majority white atmosphere. Desdemona is the daughter of a high ranking chauvinistic political figure. Desdemona is nothing like her father, she believes in true love which is why she falls in love with Othello even though during the 16th century, interracial relations are frowned upon. The Great…
Many of Shakespeare’s plays revolve around the common source of love and hatred. In “Othello” and “Much Ado about Nothing” there is an obvious love story between Othello and Desdemona and Claudio and Hero. In both plays, women have put shame on their families. Desdemona betrays her father by marrying a Moor and Hero was accused of cheating on her wedding day. In “Othello” women are degraded and are looked down upon, as inferior. Iago has the mind-set that women are only good for one thing, having the pleasure to pleasure men.…
This is seen through a comic foundation that the play has (Kenneth Muir), primarily seen how this play depends a lot on plot. In the case of Iago, after almost each scene he talks to himself “onstage” telling the audience what he plans to do, this device being called dramatic irony, is comical but is used to emphasize the fear and pity one feels for the couple as they are deceived by one man. Yet, in other ways it shows how Shakespeare kept the flaw element in order to keep the classical touch of catharsis in his play, while also using it to reveal the truth about human nature. Readers may feel more pity for Desdemona, who is innocent and often depicted as unaware of what she is being accused of. In the scene where Iago and Cassio talk about Bianca, unbeknownst to Cassio Othello listens in and believes they are discussing on his wife, which not only allows for the plot to run along, but shows the way in which Shakespeare modified the tragedy structure. Shakespeare modifies the structure in which Othello is driven to his tragic fall due to his emotions and morals, which can be clearly seen when he is blinded by jealousy when he questions Desdemona about her handkerchiefs whereabouts. The fact that Othello is introduced by other characters through dialogue shows how…
In “Othello,” William Shakespeare extensively explores female stereotypes that occur during the playwright’s time. Throughout the Shakespearian era, women were seen as the inferior sex, over whom men had complete control and thus forcing women to act submissively and obediently in front of their husbands. Men believed that women were objects who just cooked meals, cleaned the house, and bore children while society just accepted these degrading roles. William Shakespeare extensively reinforces female stereotypes by presenting the deaths of Emilia and Desdemona to be rightly deserved for defying their female gender roles throughout the play. Emilia and Desdemona are polar opposite characters who serve the same function for Shakespeare to reinforce sexist stereotypes in his play. Emilia’s constant challenge of the female stereotype with her cynical yet modern ideas and Desdemona’s misleading portrayal of the perfect Shakespearean woman lead both characters to their untimely deaths. By acknowledging William Shakespeare’s sexist presentation of his female characters, readers are able to make their own opinions on the credibility of Shakespeare’s claim that a woman who defies her gender role deserves to die.…
Shakespeare’s plays always contain a tragic hero and what is a tragic hero without his tragic flaw. His characters are brought down by their own weakness or circumstances beyond their control. An example of this is Macbeth, where the witches and Lady Macbeth were causes of his downfall beyond his control. In Othello’s case, his own weaknesses are the causes of his downfall. So yes, I believe that Othello’s own weakness is responsible for the play’s tragic outcome through Iago, Desdemona, Emilia and Othello’s own jealousy and naiveté.…
William Shakespeare creates dynamic and complex characters in his tragic play, Othello. Othello, Iago, Desdemona, and Emilia each display a tragic flaw. Shakespeare’s subtle descriptions of the characters allow for varying interpretations of each character. The tragic flaws can truly alter perspectives as the story transitions. A tragic flaw can begin as a positive character trait, yet spiral into the downfall of the respective character. Shakespeare thoroughly expresses the importance of tragic flaws in the play Othello. Shakespeare provides the title character with the tragic flaw of inherent trust in others, particularly in Iago. Iago’s ambition, Desdemona’s love for Othello, and Emilia’s loyalty in Iago…
Tragedy and manipulation is present constantly throughout Othello by William Shakespeare. Othello is the story of a Moorish general who falls in love with a young woman named Desdemona, even though he has no experience with women. The director of the film, Oliver Parker, contrasts the ideas of appearance and reality. Through the film effects, the camera angles, and the colours of clothing Parker is able to convey many different messages.…
Desdemona is probably the strongest willed character in the play, although she is a woman. Shakespeare takes no shame in making her this, considering the time this was written in. We first see her, defending her recent marriage surrounded by powerful men, whom of which include the duke, her husband, and her father, but shes is not ashamed to assert her belief in the validity of her desires and actions. Desdemona's forthrightness is her demise, because the brilliant Iago recognizes this and uses it against her. Using Cassio who becomes demoted in the play, Iago exploits her willingness to demand and justice, to make him her cause and simultaneously, Othello's enemy. As Iago's plan goes as planned, Desdemona asks Othello to forgive Cassio adding to Othello's suspicions created by his deceitful friend. She keeps pushing him in spite of her husbands growing rage until he declares, The handkerchief that Othello gave his wife at the beginning of the play, is stolen. Her courage is apparent in her refusal to search for it in Act III, scene iv; her willingness to have a voice and shout back at Othello as he abuses her in Act IV, scene i; and defending her innocence when accused Act V, scene ii. Since men have the ultimate power of women. Othello does not believe in, what he takes to be 'shameless lies'. Her courage convinces him all the more that she is remorseless in what he thinks to be her wrongdoing.…