Furthermore, Tennessee Williams’ realistic drama ‘A Streetcar Named Desire’ presents two groups within society in a confined setting. His play sets out a realist effect on the middle class versus working class environment. Williams does this by personifying the two classes by using the relationship between two sisters. Stella, is the oldest sister who represents a working class, she lives in a shabby flat with her alcoholic, abusive, Polish husband Stanley, and is pregnant with his child. Blanche on the other hand is a middle class, sophisticated and self sufficient woman who is shocked at the way the working class lives, particularly her sisters living conditions. It could be suggested a class system is the cause of fragmentation within society,…
A Streetcar named Desire is driven by the imagination of Blanche and the other nature. The handwriting in the amusement cloak from their loyalty by representation as if the events they way through didn’t occur or were not momentous. The consideration of mockery/fantasia vs. devotion seems to carry on the intention that these independence poverty to “sally” their earth. Escaping your fact and vigorous in a like globe will leaving you intricate to the stuff around you. In some suit, if you are muscular enough to restrain from the humor and illusions around you, you may termination up in the loyalty, inclination Mitch. Both Stella and Blanche found it flower in their liking to remain in a humor but if you abide in it too far-reaching it can take…
The main character in a drama entitled "Street Car Named Desire", written by Tennessee Williams, is an emotional woman by the name of Blanche, who has many afflictions. The setting of this play is in the state of Louisiana. Blanche has the potential to be a very vigorous woman, if she chooses to tap into that unidentified strength. All her life, she’s managed to face scrutiny from every possible direction. She has been ostracized from her community, lied to throughout her entire marriage, lost her inheritance, battling with alcoholism, and invests her fate and well-being in men. Blanche is a wandering soul, who’s wrapped up in life’s misfortunes, and is commonly misunderstood.…
Blanche DuBois is one of the central characters in Tennessee Williams’: “A Streetcar Named Desire”. She is the sister of Stella Kowalski, she is in her thirties and works as a school English teacher. Blanche can be described as many things; a “slut”, because of her relations with soldiers and numerous men in a hotel, a “predator”, because of her affair with a young school boy. However, a “victim” because of her gender would not be one that many would first think of or even agree with.…
Blanche’s fall from grace would not have been as devastating if she had grown up anywhere but the traditional, family-oriented, socially cruel South. And surely strong, confident Stella would not have stuck with the crude, abusive Stanley had she lived elsewhere, somewhere far away from the dirt and commotion of New Orleans in the forties that obscured the chaos and brutality occurring behind its closed doors. But the women are Blanche DuBois and Stella Kowalski, not the Bennet sisters. As the Old South began to die, they looked for salvation in different directions, both ultimately ending in tragedy. That place, that time, was just not hospitable to the women. So Stella became submissive, the archetype that would soon pervade 1950s Americana, the woman that exists to serve her man, who exists to serve himself. And Blanche became an anachronism, a “woman out of time”, literally and figuratively. Her flourishing springtime had long past. And that hot, horrible summer in New Orleans ushered in the fast-approaching fall of regrets and broken dreams, the autumn that doomed Blanche to a mental…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
In both Tennessee Williams movie entitled “A Street Car Named Desire” and Lorraine Hansberry’s play entitled A Raising In the Sun, the women in both works although similar in their portal of weak counterparts to men both physically and mentally, both authors William’s and Hansberry portray their leading ladies uniquely. In Williams’s rendition of “A Street Car Named Desire” his leading ladies Blanch, who is portrayed as a weak women who does not understand and is portrayed as a failure in what a true southern belle and wife are; whereas, her sister Stella is the epitome…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
While reading the play The Glass Menagerie by Tennessee Williams, the reader quickly learns of a, sadly, typical tale of family strife. In this play a family struggles to find the way out of their secluded, seemingly solitary life. Amanda Wingfield, the mother of Tom and Laura, only craves for the best for her kids. However, this ostensibly adoring mother puts Toms needs at the bottom of list. As a family without a father figure Tom, being the only boy, steps up to help his mother and sister. Striving to live up to his father’s memory, Tom helps by paying for the rent while putting his personal goals on hold. The Wingfield family goes through much trouble and strife portraying the sad truth of what goes on in the everyday family and home.…
Reality can be a horrible thing for some people; reality can say that you’re broke, that your old, that you are an undignified whore. Some of us try to deny reality and live in a fantasy world. We see a lot of this denial in Blanche DuBois, the protagonist in Tennessee William’s play, A Streetcar Named Desire. Blanche fabricates her whole identity, creating a self-image as a woman who has never known indignity; she denies her past as a prostitute. This is why I say that Blanche DuBois is the Queen of Denial.…
The Civil war was possibly the greatest tragedy that this country had ever faced. Years of constant arguing, compromises and cynical ideas about slavery pushed this so called "United Nation" into an atrocious collision between the Northern abolitionists and the Southern proslavery farmers and plantation owners. The nation suffered enormous losses economically and went into a downward spiral. The reconstruction period began with many leaders stepping up to try and fix this crippled country, but it didn't turn out like everyone hoped. Slavery was still the largest issue and the reconstruction halted because of the disagreements the people faced. After many years of working, compromising and passing laws, the task proved itself to be impossible, as the country remained to be separated. The lack of unity was present because most of the amendments, laws and rules passed during reconstruction were created to protect and ensure the rights of African Americans. However the South continued to promote slavery and "putting blacks in their place" until the 1950's.…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
Amanda Wingfield is the mother of Tom and Laura. She is a woman that caught between past and present. She is always obsessed by her past glory days of their gentility memory before the Great depression happened. Amanda is an abandoned wife since her husband left them for 16 years. Her husband's desertion drags her become disillusioned. She has to be single mother for her two children. She was helped by Tom to fund the family. She is a woman who is trapped in past memory of her childhood and she always worry about her daughter’s future. She is also unwilling to accept her life reality at the present.…
Tennessee Williams’ A Streetcar Named Desire partially explores the deep conflict within the relationship of Stanley Kowalski and Blanche DuBois. And in doing so, Williams has crafted a play that reflects upon the context of the time, using these two characters to express the clashing values of the traditional old world and the rough, aggressive new world. Set in New Orleans immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love.…
Amanda Wingfield is a character in the play The Glass Menagerie, which is set in St. Louis in 1973. She is from a genteel southern family and has a prominent southern upbringing. She is a mother to two children, Tom and Laura; her husband abandoned the family and left her to raise two children. Amanda loves her children immensely and lives for them, but can often come across as overbearing and constantly nagging to both Tom and Laura. It is as if Amanda fluctuates between illusion and reality; like she closes her eyes to the brutal realistic world. Through her actions, it seems as if she is living in an illusionary world of her youth. Some would say she is evil, but I think she is just deeply flawed. It is as if the fluctuation between these two worlds is her only defense between the loneliness and emptiness of what her life has become.…