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In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies comedy as having a happy ending and using repetition that goes nowhere.
On the other hand, narration in tragedy often goes from high to low. Oedipus is a clear example of this. At the beginning he is in a high position and held in high esteem by the people. By the end he has fallen to the depths of despair. Aristotle tells us that plot is jsfdkrjnhfffffffffffffffffffffffffffffffffffffffffffffffffff- ffffffffffffffffff In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies comedy as having a happy ending and using repetition that goes nowhere.
On the other hand, narration in tragedy often goes from high to low. Oedipus is a clear example of
On the other hand, narration in tragedy often goes from high to low. Oedipus is a clear example of this. At the beginning he is in a high position and held in high esteem by the people. By the end he has fallen to the depths of despair. Aristotle tells us that plot is jsfdkrjnhfffffffffffffffffffffffffffffffffffffffffffffffffff- ffffffffffffffffff In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies comedy as having a happy ending and using repetition that goes nowhere.
On the other hand, narration in tragedy often goes from high to low. Oedipus is a clear example of