One of the most patent presentations of minds under stress is reflected in the way that Plath and Kesey portray a gender dominated society. Both novels display a governing gender that suppresses the other, labelling them ‘mad’ in a society that they rule. In ‘One Flew Over…’ most of the patient’s lives have been heavily affected and destroyed by women. Nurse Ratched is the most obvious example of this, and rules the ward with “an iron fist”. She represents the emasculation and dehumanisation of society. Her oppressive and matriarchal nature is reinforced by her nickname, ‘Big Nurse’, a possible reference to the Orwellian character ‘Big Brother’, with whom she shares many traits. ‘The Bell Jar’ shares this theme, although it is a patriarchal rather than matriarchal society that Esther inhabits. However, unlike ‘One Flew Over…’ Plath’s novel does not contain a main antagonist such as Ratched, and it is a combination of characters that inflict a domineering environment upon Esther. One such character is Buddy Willard. Like Ratched, he represents on the surface a near perfect stereotype; the ideal 1950s American male. Esther even remarks that he was the “most wonderful boy I’d ever seen” However, once Esther delves deeper into his persona she discovers that, akin to Ratched, he has fundamental flaws that taint his wholesome image. His constant need for order and plan bores Esther, much like Ratched frustrates the patients in ‘One Flew Over…’
Bibliography: Plath, Sylvia, The Bell Jar (London: Faber and Faber Ltd, 1966) Kesey, Ken, One Flew Over the Cuckoo’s Nest (London: Penguin Books Ltd, 2005) Spark Notes: One Flew Over the Cuckoo’s Nest: Themes, Motifs and Symbols, http://www.sparknotes.com/lit/cuckoo/themes.html, accessed 24th November 2007 Spark Notes: The Bell Jar: Themes, Motifs and Symbols, http://www.sparknotes.com/lit/belljar/themes.html, accessed 24th November 2007