As illustrated by Maggie in “Everyday Use”, when proclaimed authority by Dee over the quilts owned by Dee’s…
This form of redemption takes place as an epiphany: You realize that what can save you isn't out there, but has been nearby all along, beside you, even in you, but never noticed, never heard, or never given a second thought” (Whitsitt 43). One instance of Dee’s attitude and loss of heritage is when they are all about to eat and she notices the hand-stitched quilts, which belong to Maggie, and demands that they be given to her. The attitude she has about wanting the quilts shows that she is a selfish person, and she obviously has no respect for her sister or mother or she wouldn’t have caused such an altercation. The quilts can symbolize many different events, but the true meaning of the quilts can only be decided from the readers’ past experiences. “The story shifts abruptly to the past tense immediately after Dee declares that she has changed her name. Up until now, Mama has been caught in the tension between her annoyance with Dee and her instinctive desire to be "the way my daughter would want me to be." Yet when Dee goes so far as to disown her family identity, Mama reaches a watershed”(Tuten…
She hasn’t had much formal education but has learned the traditional ways of her heritage from family. This is shown because of her ability to relate to certain pieces of fabric that was sewn into the quilts. Maggie is a shy individual and very self-conscious about her appearance because of her scars from a fire long ago so her look remains traditional unchanged and unaffected. Maggie feels that the quilts should be used everyday and cherished. But she recognizes what her heritage is unlike her sister Dee/Wangero.…
Dee, the eldest daughter, has ventured from the rural world she grew up in but never felt a part of. The story is set in the context of her returning home for the first time since she left for college. Maggie the younger daughter has never left home. As the story unfolds Dee's motives become apparent. She has come home to retrieve objects from her former life that are meaningful to her. She plans to incorporate them into her décor. Mama relates her sad attempt to find value in her family and claim her inheritance.…
Dee mostly doesn’t want Maggie to get the quilts because she thinks that Maggie will be “dumb” enough to use them in everyday use. Mama protests the idea by stating that she would at least see enjoyment out of them because Maggie also knows how to quilt, which means she knows how to recreate them or create new ones if she wanted too. Dee only wants to hang up the quilts and use them for decorations even though she told Mama that the quilts were old and out of fashion when Dee went to…
The family heirlooms are the true tokens of Dee’s (Wangero Leewamika Kemanjo) identity and origins, knows little about the past and the essential facts about how the quilts were made and what fabrics were used to make them, she pretends to be deeply connected to this folk tradition. Her desire to hang the quilts, in a museum like exhibit, suggests that she feels reverence for them but that to her they are essentially foreign, impersonal objects. Mama believe that Maggie should have these quilt not Dee because Maggie will have better use for them. At the end of the story Dee stated that Mama and Maggie do not understand their heritage (page 429, 75), the turn of event it’s actually Dee herself who does not understand her heritage.…
The story starts shifting when Dee tells her mother she has changed her name. Near the end, the mother realized that Dee is a fantasy child who is still frivolously careless of other peoples’ lives. (Baker, Pierce-Baker). Mama finally gains increasing emotional distance from Dee and is ultimately able to tell her “no.” (Hirsch). Mama snatches the quilts from Dee and gives them to Maggie, which makes Maggie smile sincerely. Mama knows that Maggie will truly appreciate and use the quilts instead of hanging them as a wall mounting as a symbol of a “simple upbringing”. Mama realizes that Maggie has had a better understanding of the meaning of heritage from the very…
She thinks to herself, “I didn’t want to bring up how I has offered Dee (Wangero) a quilt when she went away to college. Then she had told me they were old-fashioned, out of style”(320). The mother is in disbelief at Dee, who only wants to use her heritage as something for show and tell. Those same blankets she had once refused she now wanted because they fit her own aesthetic, and not at all for the value and meaning behind those quilts. The mother then decides to do something unheard of and, “hugged Maggie to me, then dragged her on into the room, snactched the quilts out of Miss Wangero’s hands and dumped them into Maggie’s lap”(321). The mom has chosen her true heritage over the false, glamorized one that her eldest daughter has decided to create. She gives the quilts to Maggie because in her heart she knows that Miss Wangero does not deserve them, that Maggie can truly appreciate them and know who she is and where she’s come…
She remembers her daughter as a self-centered girl that lacks the understanding of the identity of her family. Once the daughter shows up and greets the mother and sister, she eventually informs them that she has changed her name to an adopted African name. In the story the mother wants to give the grandmothers quilts to Dee, who wants to hang them as she is thinking she would be preserving them. The mother gets upset and snatches them from Dee and gives them to Maggie. Dee is not happy about that and insists that Maggie will ruin them with “Everyday Use” (Farrell, 1998). This is one of several points in the story where there is drama. I don’t think it is so much that Dee has a lack of identity or disrespect for her ancestors, but she just feels that she has a different way of doing things or looking at things. This is normal among people in our societies. Parents always feel they know what is best for their children, but sometimes the best lesson is the lesson learned the hard way. I enjoy the story of Alice Walker; she is a great example of perseverance. She is a woman who came up in the mid 1940s, but when she was eight she was shot in the eye by her brother with his BB gun. She lost sight in one of her eyes, but this did not hold her back. She persevered and was valedictorian in high school. After high school she pursued secondary education and attended Spellman College and Sarah…
Dee asks Mama Johnson if she could take the butter churn with the butter still intact as the style has become fashionable to decorate with heritage pieces. She also demands two quilts, made by her grandmother from scraps of fabric that were once memorable articles of clothing. However, Mama Johnson has already promised these quilts to Maggie for her impending marriage. Mama Johnson now has to decide whether to yield to Dee’s demands or keeping her promise to Maggie. This is the pivotal point in the story when Mama Johnson rises against Dee and tells her no, and Dee “gasped like a bee had stung her” (Welty 556). Mama Johnson thinks, “I didn’t want to bring up how I had offered Dee (Wangero) a quilt when she went away to college” (Welty 556). Those quilts were insignificant when she went to college; however, she has now become worldlier and realizes their value. Dee’s dissatisfaction with her name is another illustration where she doesn’t accept her heritage. She had never been denied anything in her past, and when Mama Johnson denies Dee the quilts, Mama Johnson has shown how Maggie is just as vital to her and puts up a boundary with Dee. Her visit illustrates how Dee still suffers from being self-important, and that her family…
Dee is a force in the family, but she is arrogant and condescending towards Mama and her sister. Dee, too, is full of resentment about everything. She hates the way she grew up. She hates their family home. She hates that her mother was more like a man than a woman. She hates that Mama and Maggie aren't as smart and "stylish" as her. Yet, when Dee becomes captivated by the “Back to Africa” movement, suddenly her family's own heritage becomes something popular rather than a source of embarrassment. She returns home demanding the family quilts not for sentimental reasons, but because they now considered “special” and is shocked when Mama denies her of them. Dee's potential narration would be a delusional one, as even she with her self-confidence denies her connection to her family, is swayed by society's views of culture and popularity and even takes on her own new persona as Wangero.…
In Alice Walker’s “Everyday Use,” Mama, the narrator of the story, is rather distant with her daughter Dee and dreams about reconciling with her on a television show. Specifically, she imagines Dee expressing gratitude for all that she has done for her, while embracing her (Mama) “with tears in her eyes (Walker 315).” It is obvious that Mama doesn’t understand her daughter’s life choice to adopt an African lifestyle and feels that Dee is rejecting her origins and family. Furthermore, the reader can see that Mama has a troublesome relationship with Dee by the amount of tension between them. This strained relationship becomes clear when Dee “went to the trunk at the foot of (Mama’s) bed and started rifling through it (Walker 320).” The narrator…
We discover that she spends way too much time on the appearance of things instead of the meaning of them. She has changed her name to Wangero because she said that she "couldn't bear it any longer, being named after the people who oppress me."(96) Dee does not understand the true meaning of heritage, she thinks that heritage is something that can and should be put on display only if it is in fashion at the time. Dee speaks about the bench that her father had made and the butter dish that her grandmother had as if the were just objects that could be bought at any old store. "I never knew how lovely these benches are. You can feel the rump prints, she said, running her hands underneath her and along the bench. Then she gave a sigh and her hand closed over Grandma Dee's butter dish."(97) Everything that holds memories for Mama and Maggie of people that have gone she treats as though they shouldn't be used, they should be…
In the story Everyday Use by Amy Walker, Dee is a frequent trendsetter who believes she knows it all, but fails to know her own self. When Dee visits from college to visit her family, she surprises them in a bright African-themed dress, golden bangles and earrings, and a large new hair. However, this new look is only for physical display, intended to show others that she is in touch with her heritage – something, that for many, does not have to be physically seen to be justified. This new look only displays what she considers her true heritage, which is really empty and false. To make matters worse, Dee also comes home with a new name: Wangero. When her mother asks what happened to her “Dee”, she replies “She’s dead. I couldn’t bear it any longer, being named after the people who oppress me”. However, Dee’s name is a true attachment to her real heritage, as it has been passed down for four generations. Her new name is only created as façade, to transform the old her (who is really still the same) and help embrace a false and temporary identity. When Dee is denied the family quilts she intends to showcase, she says “Maggie couldn’t appreciate these quilts! She’d probably be backwards enough to put them to everyday use!”, but when Dee was granted the quilts as a going away gift for college, she referred to them as “old fashioned” and “out of style”. However, now in tune with the Black Power Movement, Dee sees the quilts as another way to fit in with a trend. Little does she know that the purpose of a quilt is to put it to everyday use and pass down family history. Though Maggie may be “backwards”, she knows how to quilt, unlike Dee. So even if Maggie may subject the quilts to the wear and tear of everyday use, she can replace them and contribute a scrap of family history to the next generation. Granting that Dee may believe that she is more in touch with her family’s heritage…
In the story “Everyday Use”, Dee is portrayed as a girl who “made it”. She was seen by her mother and Maggie as a talented girl. Her only flaw was her selfishness towards her younger sister Maggie. In the story, she pays a visit to Maggie and her mother and have dinner. After dinner, Dee goes rifling through a trunk and two quilts catch her eye. She demands her mother to hand them to her. Although they were to be passed onto Maggie, she allows Dee to keep the quilts. In the end, Dee gives the quilts back.…