Preview

Comparing and Contrasting Female Figures from Ancient Mesopotamia and Central America

Good Essays
Open Document
Open Document
568 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Comparing and Contrasting Female Figures from Ancient Mesopotamia and Central America
Running head: COMPARING AND CONTRASTING FEMALE FIGURES FROM ANCIENT MESOPOTAMIA AND CENTRAL AMERICA

Comparing and Contrasting Female Figures from Ancient Mesopotamia and Central America
Jose Limardo
March 31, 2007

The Female figurine from the Halaf period (6th millennium B.C.) shown here, (http://www.louvre.fr/media/repository/ressources/sources/illustration/atlas/image_65162_v2_m56577569830698503.jpg,) is a full-round, painted terracotta sculpture measuring 8.2 cm (3.2 in.) tall by 5 cm (2 in.) wide by 5.4 cm (2.13 in.) in depth. This symmetrical and smooth textured sculpture depicts a female sitting naked with her arms folded around her breasts. Her position is suggestive of childbirth (Louvre, 2007.) and brown stripes are painted on the body. The female 's heads, hands and feet show no details however; her breasts, hips and thighs are exaggerated in size. According to the Louvre, these features suggests the representation of fertility in the form of a "mother goddess" guaranteeing of the regular renewal of life for the Halaf culture; credited with the creation of this piece (2007.)
The Female Figure from Mexico: Las Bocas (?) (12th-9th Century B.C) shown here
(http://www.metmuseum.org/toah/ho/03/ca/hob_1983.424.htm,) is a full round, ceramic sculpture measuring 17 cm (6.75 in.) in height. This symmetrical and smooth textured sculpture depicts a standing female, wearing unusually large earrings; with abnormal facial features and amplified breast, hips and thighs. According to the Metropolitan Museum of Art, this type of figurine, during the late second millennium B.C. was commonly described as a fertility figure and it is possible that the hairstyle and earrings (called ear spools,) worn by the female may have been indicative of social status (2000.) The shape of the body and it proportions are said to be possibly influenced from the site it was found, Las Bocas in the present state of Puebla, Mexico (Metropolitan Museum of Art, 2000.)
Both



References: Louvre (2007). The Female figurine from the Halaf period. Retrieved on March 30, 2007, from Louvre: Near Eastern Antiquities: Mesopotamia. Web Site: http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225273&CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673225273&FOLDER%3C%3Efolder_id=9852723696500800&fromDept=true&baseIndex=32&bmUID=1174814857554&bmLocale=en "Female Figure [Mexico; Las Bocas (?)" (2000). Timeline of Art History. Retrieved on March 30, 2007 from New York: The Metropolitan Museum of Art. Web Site: http://www.metmuseum.org/toah/ho/03/ca/hod_1983.424.htm

You May Also Find These Documents Helpful

  • Good Essays

    LACMA Museum Visit

    • 393 Words
    • 2 Pages

    The third floor of the Los Angeles County Museum of Art houses a permanent collection on Ancient Egyptian art. One of the pieces there is a 13" high figurine of the goddess Wadjet, sculpted from bronze in during the 26th Dynasty, est. 664-525 BCE. The figurine is in the round, with only the goddess's feet attached the rectangular base she stands on. The hieroglyphs on the base identify her, as well as the name and parentage of the person who dedicated her figurine. She is shown in the traditional ancient Egyptian pose, with her left foot forward. She is wearing some sort of dress, but her decidedly feminine figure, with a curved abdomen, narrow waist, and protruding breasts, is clearly portrayed through it. Her right arm is held rigidly at her side, again in strict stylistic convention, and her left arm bends only at the elbow to hold whatever less enduring material was placed there. In fact, both of her hands were clearly intended to encircle props, but these have been lost and as such, what they once were can only be inferred from other portrayals of the goddess. She clearly wears necklaces, armbands, and bracelets; this highly detailed work is also present on her lion's mane, which is shaped similarly to the pharoah's headdress. She has the head of a lioness, upon which rests the sacred cobra and sun disk, called the uraeus.…

    • 393 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Chapter 4- Ap Art History

    • 451 Words
    • 2 Pages

    II. Cycladic Art- abstract human figurines that are mostly female made of clay, limestone, and sometimes marble…

    • 451 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The surface of the statue seems untouched by cleaning or weathering. The left foot stands on a rectangular plinth, which took the whole body’s weight. Nonetheless, some of the features missing in this version include the arms, upper part of the support, and the intervening extent of the legs. The…

    • 931 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Walking through LACMA there was a section that caught my eye and found it to be of interest to me. That section was the Greek, Roman, and Etruscan Art which was located on the Ahmanson Building, Level 3. There were various unique pieces such as vases, jewelry and sculptures. I chose the sculpture of Hope Athena to do my visual analysis because I found it to be beautiful. Athena was a Greek goddess of wisdom and war. The sculpture at LACMA is a Roman, 2nd century copy after a Greek original of the late 5th century BC School of Pheidias. The sculpture was made out of marble with neutral colors. In parts the color was dull with hues of ivory and golden brown. The shape of the body was rectangular with broad shoulders. The sculpture had her arms missing. Her head was round with hair coming down in vertical waves. She was wearing a warrior helmet from my view point I could not tell what the helmet had on it. The helmet gave her a powerful look. Her facial expression seemed reflective with facial features being symmetrical and smooth. The eye sockets were hollow and dark. Her nose was chipped and her upper and lower lips were thin. One of the focal points for me was how her robe or drapery had such detail throughout the sculpture. It wrapped around her body with great detail with vertical creases and folds giving the sculpture a realistic look. The vertical lines toward the bottom of robe had great detail and were distributed equally and her feet and toes…

    • 561 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Puabi’s golden headdress, from Ur, Iraq and made around 2550-2450 B.C.E., has political significance. The elaborate piece is comprised of a wreath, earrings, coiffed hair, necklaces, and body jewelry. Puabi was a queen in her own right and this object has political significance because it demonstrates the importance of hierarchy in early Mesopotamia. The decadence of the headdress shows that it was meant to display dominance. This object is art because people can appreciate it visually and aesthetically. It does not have much practical use since it is very ornate and hard to wear. The headdress was presented in the middle of the gallery and was a definite focal point of the exhibit. Therefore, it was meant to be a piece that was admired for its beauty and grandeur.…

    • 494 Words
    • 2 Pages
    Good Essays
  • Better Essays

    The Severan copy of Athena Parthenos and an early 13th century Virgin child are two pieces at the Boston Museum of Fine Arts that compare and contrast in several ways. Their historical importance as symbols, their sculptural mediums, styles and dimensions, and their functions make them historically relevant.…

    • 1783 Words
    • 8 Pages
    Better Essays
  • Satisfactory Essays

    ART 1/PREHISTORIC THROUGH GOTHIC ART Chapter 1: The Birth of Art 1-5 Nude Woman (The Venus of Willendorf), 28,000-25,000 B.C. 1-6 Woman Holding a Bison Horn, from Laussel 25,000-20,000 B.C. 1-7 Two Bison, 15,000-10,000 B.C. 1-9 Bison, detail of cave at Altamira, 12,000-1,000 B.C. 1-10 Spotted Horses and Negative Hand Prints, cave at Pech-Merle, 22,000 B.C. 1-11 Hall of Bulls, Left wall, 15,000-13,000 B.C. 1-14 Stone Tower, Jericho, 8,000-7,000 B.C. 1-15 Human Figure from Ain Ghazal, Jordan, ca. 6750-6250 1-16 Catal Huyuk, ca.6,000 B.C. 1-18 Landscape, Catal Huyuk, ca.6150 B.C. 1-20 Stonehenge, ca. 2250-1600 B.C. Chapter 2: The Art of Ancient Near East 2-1 Hammurabi and Shamash, detail Stele of Hammurabi, Susa, Iran, ca. 1780 B.C. 2-2…

    • 3468 Words
    • 14 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Venus of Willendorf

    • 377 Words
    • 2 Pages

    This artifact is very important to prehistoric art. Important for a few reasons, one the artifact is female, and she is nude. The nudity of Venus is quite revealing of the woman body. She is a very heavy set female; her abdomen hangs to right above her pubic area. She is resting her arms on her very large breasts, that do not focus any attention what so ever to the nipple area. The focus on the pubic area of her body is very detailed. Why would one carving this figure go into so much detail of the female body is not known for sure? Some think she may have been an idol or charm for reproduction. Maybe she was some sort of queen of the village and was a doll for little girls. Kind of like the Barbie Doll is now days. Some say she had some importance, because of her obesity, she probably didn’t have to gather her food, or hunt for her food, and most likely she was brought everything she needed.…

    • 377 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Facing out into the eyes of museum-goers, the Aztec feathered serpent sculpture currently on display at the Metropolitan Museum of Art dates from between fifteenth and early sixteenth century. Though the iconographic motif of the feathered serpent is a common and meaningful one in Aztec art, the formal elements of this piece communicate an equally strong message. Through deliberate choices in the crafting and facture of this seemingly dense stone sculpture, the artist reiterates a formal theme of circular and spiraling elements to create a sense of mysteriousness and threat. The most salient elements contributing to this identity include the shapes of the elements and the overall sculpture, the spatial distribution of formal elements, and the material – all of which help to convey a specific message of uneasiness and threat in the piece.…

    • 1226 Words
    • 5 Pages
    Good Essays
  • Better Essays

    The Venus of Willendorf, also known as the Woman of Willendorf, stands 11 cm. high and is thought to have been carved from 22,000 to 21,000 B.C. It was discovered in 1908 by Josef Szombathy at a Paleolithic site near Willendorf, a village in Lower Austria near the city of Krems. It is carved from an oolitic limestone that is not local to the area, and it is also tinted with red ochre. Although the figure appears to be large in size, it can actually fit in the palm of one’s hand. The way that the sculpture is carved shows that it was more than likely meant to be viewed from the front. The Venus of Willendorf is not the only figurine that was nicknamed “Venus”. There are a number of figurines from that time that were given the same name. It is not know who, if anyone, that they were dubbed after. It wasn’t until later that Venus was named as the Roman goddess of beauty. Even to date, there is no information as to what the Venus actually meant. We can only speculate that she was carved to represent reproduction and nursing. There was a huge fascination in that Era of fertility, mainly because it was their method of survival. This is really the only information that we have to indicate that is the reason for the over exaggeration of the breasts and hips.…

    • 1299 Words
    • 6 Pages
    Better Essays
  • Better Essays

    As Mary Wollstonecraft once said, “I do not wish them to have power over men, but over themselves.” In this quote, “themselves” is referred to as women of course. It is somewhat customary to pick up a paper in today’s light and perhaps see read about Secretary of State, Hillary Clinton, or First Lady, Michelle Obama, even media specialist, Oprah Winfrey. The list could go on and on, but the point remains the same. If King Hammurabi of Babylon were living in today’s world and saw how dramatic the power of women has transformed over the years, he would perhaps declare himself Queen of Babylon. Kevin Reilly accurately depicts the struggling role of women from this early period of civilization through Assyrian law, a palace decree, and Hammurabi’s Code.…

    • 1182 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    [31] Petrus Christus (fl.1444-c.1470), St. Eloy (Eligius) in His Shop, 1449, oil on panel, Metropolitan Museum of Art, New York.…

    • 7485 Words
    • 30 Pages
    Powerful Essays
  • Good Essays

    Ancient art has a timeless value on how it affects society today. In order to interoperate each work of art, an individual must have a full knowledgeable concept of how to define each piece. This essay defines each the Mona Lisa created by Leonardo Da Vinci and the Venus de Milo sculpted by Alexandros of Antioch. It defines the form, subject matter, and content for both pieces. The comparison between both pieces is very much different in concepts, but the meaning of both, hold so much of value is very similar by level of representation.…

    • 886 Words
    • 4 Pages
    Good Essays
  • Good Essays

    art news letter

    • 968 Words
    • 4 Pages

    Other sculpture of this era includes small female statuettes, carved in ivory or stone. These are believed to have a religious significance relating to a cult of nature worship. They seem to indicate a great concern with fertility, all of the anatomical features are constructed from ovoid, bulbous forms rhythmically related to one another. The result is a unified work much admired by artists of today.…

    • 968 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Scottish philosopher - all should agree that it is pleasurable but there is still a standard of _______..…

    • 562 Words
    • 3 Pages
    Satisfactory Essays