Preview

Comparing Cimabue And Giotto's Madonna Enth

Good Essays
Open Document
Open Document
271 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Comparing Cimabue And Giotto's Madonna Enth
We know that the subject matter of both Cimabue’s Madonna and Child Enthroned and Giotto’s Madonna Enthroned depicts the Virgin mother holding her son Jesus Christ upon a golden throne with angels at either shoulder. After looking at Cimabue’s work, it is debatable whether his apprentice Giottos surpassed the man. In manners of skill, Giotto’s more classical and naturalist style took on other stylistic components that very well exhibited a 3-dimensional space upon a 2-dimensional plane. In personal opinion, if the goal was to surpass Cimabue, then Giotto definitely showed prowess by giving his figure of the virgin a more assertive and realistic presence. Both Cimabue and Giotto use the ever-common gold background to unify their pieces. The

You May Also Find These Documents Helpful

  • Satisfactory Essays

    The two images I chose for the analysis paper are Martini, Simone and Lippo Memmi, Annunciation with Saints Ansanus and Margherita (1333) and Brunelleschi, Filippo, Dome of Florence Cathedral (1420-36). The reason I chose these are because they relate to the Catholic religion in different ways. The Annunciation with Saints Ansanus and Margherita was the beginning of the Catholic art during the Gothic time period while the Dome of Florence Cathedral was not only a masterpiece of artwork it was also a breakthrough for the construction during that time and for the rest of history.…

    • 794 Words
    • 4 Pages
    Satisfactory Essays
  • Good Essays

    ART 108 Assignment 1

    • 902 Words
    • 3 Pages

    4. In Giotto’s Madonna Enthroned, how does the artist show more naturalism in his painting? In…

    • 902 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Rona Goffen’s “Icon and Vision: Giovanni Bellini’s Half-Length Madonnas” shows how Bellini, and most noticeably his Madonnas, represent the ways that Eastern, Byzantine and Greek, styles effected the western Italian style. Goffen explains the long history of connection with Byzantium which made eastern art not unusual, but a popular style. Bellini used the popular motifs of this style to incorporate into his work; such motifs included Greek letters, a solemn Mary, and his use of half-length which all directly quoted Byzantine and Greek models. These details revealed the Madonnas to be icon paintings and for use in religious worship, not just for aesthetic pleasure, particularly his use of the half-length. This half-length style has a long and ancient history of referencing icons and other figures that were meant to be eternal, just as an icon is the vehicle for an eternal religious presence. This half-length style was not as popular as the full length and enthroned Mary in Venice, a style that Bellini also used and Lymberopoulou points to as an influence on Cretan art. Goffen argues that even though Bellini used some different styles and motifs in comparison to the Byzantine style of making icons, which depended on repetition for its authenticity and spirituality, Bellini still…

    • 805 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    The Museum of Fine Arts in Boston contains some of the greatest treasures of the Italian Renaissance, and not least among these is Presentation of the Virgin in the Temple, painted in 1467 by Bartolomeo d. Giovanni Corradini, better known as Fra Carnevale. This Urbinian painter and architect produced some of the greatest architectural paintings of the early Renaissance, and his techniques expressed an interest in the progression of the Italian Renaissance style of classical idealism. The Presentation, measuring 57 5/8 x 38 in., depicts the apocryphal story of the Virgin Mary’s Presentation in the Temple of Jerusalem by her parents at the age of three. Executed in oil and tempera on panel, the work frames a young Virgin in purple by the grand, classical architecture of the Temple. The entire work confers an atmosphere of contrast: the softness of Mary’s companions with the sharply defined, half-nude beggars, the religious with the classical reliefs, the tiny Virgin with the enormous architecture, and the brightly lit interior with the cloudy sky. Fra Carnevale creates a mysterious, yet orderly, scene of subtle emotion and veiled heterogeneity.…

    • 1824 Words
    • 8 Pages
    Powerful Essays
  • Better Essays

    There 's no exact tally of the art and culture snatched by the Nazis, and the commonly accepted number of 6 million bits and pieces excluding art and architecture that the Germans intentionally demolished. At the conclusion of the war and subsequently the Nazi admission of defeat, approximately 5 million items were reverted to their countries and owners, mostly due to the monuments program. “Who cares about art?” Lt. Frank Stokes says instinctively as he attempts to persuade Franklin Roosevelt to allow him to take a group of soldiers into war-torn Europe to protect and recover priceless works of art, including the van Eyck brothers’ Ghent Altarpiece and Michelangelo’s Madonna and Child, from the escaping Nazis. Hitler took little concern for human lives but fairly a lot for art; he planned to take the whole of Europe’s…

    • 1020 Words
    • 5 Pages
    Better Essays
  • Satisfactory Essays

    Art History Paper #1

    • 1085 Words
    • 5 Pages

    Buigiardini’s Madonna and the Child with St. John the Baptist depicts Mary with Christ and St. John. The three figures are arranged in a triangle formation, with Mary at the apex. This positioning was often used by artists such a Leonardo da Vinci and can be seen in his work The Virgin of the Rocks. This painting also displays chiaroscuro, as the ground is composed of dark colors; browns, blues and reds, but the figures and the sky are much lighter. The figures are shown with very pale skin, which makes them stand out from the darker ground and the sky is an extremely light blue color. This technique helps the artists convey spatial depth. The baby Jesus is shown wearing a delicate golden halo, and is simultaneously grabbing the book that Mary is reading and pointing at the young John the Baptist. I thought that this might be a symbol of the importance of John the Baptist’s work in the Bible.…

    • 1085 Words
    • 5 Pages
    Satisfactory Essays
  • Good Essays

    A Comparison Between “Artemisia Gentileschi and Caraveggisti Painting” by Henry Sayre and “Artemisia’s Hand” by Mary D. Garrard When looking at the development of Western art history, people tend to focus on the male artists’ contribution but neglect the significant influence of female artists on the art world through their active engagement in the production of art. Artemisia Gentileschi, both as one of the the most accomplished Caravaggio’s followers and one of the first female artists to achieve an international reputation (Sayre 295), provided art historians with a feminine perspective on the establishment of Baroque style. By comparing Henry Sayre’s general survey “Artemisia Gentileschi and Caraveggisti Painting” with Mary D. Garrard’s…

    • 1164 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Giotto revolutionized painting techniques in many ways, though primarily through placing significant importance in the “realness” of art. He observed humans and their form closely and reproduced their gestures, movements, and expressions in his work. To achieve this realism, Giotto utilized a combination of techniques in his paintings, including lines, color, light, shading, and tight brush strokes. He made outstanding use of space, using horizontal, diagonal, and vertical lines, frequently in the arrangement of celestial beams and geography, to draw attention to the dominant focus of his work and to provide a sense of involvement to his viewers. This technique is clearly displayed in his painting of the Lamentation of Christ, found in the…

    • 423 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Art History 27

    • 1063 Words
    • 5 Pages

    1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…

    • 1063 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Mona Lisa Analysis

    • 825 Words
    • 4 Pages

    Deep within the safety of The Louvre many of the world’s most recognizable and influential pieces of art are safely kept for the eyes of the art loving public. One of the most mysterious paintings in the museum is a portrait of a beautiful renaissance era woman sitting in front of a landscape of hills and flowing water. She stands at almost three feet tall by two feet wide and her smile is recognized around the globe. The mystery behind her meaning, who she is, and the hidden messages that the portrait is said to contain have captivated people for centuries. She is called the Mona Lisa she is said to be one of the best known, most visited, and most written about works…

    • 825 Words
    • 4 Pages
    Good Essays
  • Good Essays

    In the artwork The Immaculate Conception (Figure 1) painted by Antonio de Palomino y Velasco, the viewer is immediately drawn towards the most prominent figure in the painting. The features of Palomino’s work all direct the viewer towards the illuminated woman and the bird flying overhead in the center of the canvas. This painting utilizes creative elements such as perspective, lighting and colors, and shapes to accentuate the significance of the central characters in the foreground of the artwork.…

    • 566 Words
    • 3 Pages
    Good Essays
  • Good Essays

    art history

    • 812 Words
    • 4 Pages

    CIMABUE: Virgin and Child in Glory surrounded by six angels, c. 1280, wood, Musee de Louvre…

    • 812 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Kren, E., & Marx, D. (n.d.). CIMABUES. In WEB GALLERY OF ART . Retrieved August 22, 2014, from www.wga.hu/rrames-e.html/c/cimabue/madonna…

    • 900 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Eve throws her head up in a kind of wailing attitude while she covers her nakedness. Adam just throws his hands over his head. By the way, they both are blinded, in the sense her eyes are closed; if you look closely they're just slits and his are covered”(L 13, 10:07). Masaccio’s broader and bolder style easily relayed the emotional turmoil of the situation. Giotto’s influence is recognizable in Masaccio’s sense of light and linear perspective adding dimension extending into the viewer’s space which also differentiated the two artist’s interpretive…

    • 598 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Michelangelo’s sculpture, “The Pieta” is an interesting piece. It is a sculpture of Virgin Mary taking her son Jesus off of the cross. A French cardinal named Jean de Billheres commissioned Michelangelo to make the Pieta for his funeral, so he may be remembered. His job description was to make, “The most beautiful work of marble in Rome, one that no living artist could better.” Michelangelo ended up carving the Pieta from a single slab of Carrara marble, despite his mistakes. Look closely at the statue, and you would see that Mary’s head is too small for her large body. This is because Michelangelo would have no support for carving Jesus if the base was too small, so he made Mary larger than she should be. He covered up his ‘poetic license’…

    • 226 Words
    • 1 Page
    Good Essays