Comparative Literature: The comparison between the book Dracula to the movie is that in the movie starts with legend of Vlad the impaler which is not in the book. In the movie Dracula has a shadow that operates separately from his body movements. Character of Dracula is less threatening initially in the book than in the movie. In the movie, Dracula appears as a wolf rather than the wolf escaping from the zoo being controlled by him which is not in the book. Lucy does not seem very ill compared to the description in the book. Dracula only appears as a bat briefly at the end of the movie in the abbey scene, not at the windows of the house.…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
In an analysis of Bram Stoker’s Dracula and one of many film adaptions, Coppola’s Bram Stoker’s Dracula, it is very evident that the female characters within the movie and the book are remarkably different. Not only is the love interest between Mina (Ryder) Harker and Dracula (Oldman) an addition to the movie, but the extreme sexualization of all the female characters within the film adaption portray the women in a new light. Through the distinction in character portrayal between the movie and the book, the underlying contrast between the “New Woman” and the Victorian Woman become very identifiable.…
The most prominent double that validate how Dracula is a representation of human evil and humans as the double edged sword is between Van Helsing and Dracula himself. Van Helsing is an illustrious doctor sent to take on Dracula. Dracula is the evil while Van Helsing is the representative of all the good in the world. As an authoritative figure in the story, Van Helsing has a thirst for power among the other characters. He feels the need to always take the lead. Dracula is similar in this way, in he has a thirst for blood. His thirst for blood grants his authority over their personal choices and freedoms. For example in Chapter 23, Van Helsing takes control over Mina when he hypnotizes her to try and track Dracula’s movements. In this way, Van Helsing has complete control over Mina. Dracula and Van Helsing use forms of mental manipulations to get what they want. Dracula has a direct mental connection to Mina. Their similarity is apparent when Van Helsing compared himself to Dracula. Van Helsing said, “our old fox is wily; oh! So wily and we must follow with wile. I too am wily and I think his mind in a little while” (Stoker…
Dracula is a blood sucking, devious, evil vampire that many people have heard of. Dracula is known for being a fictional character, but Dracula was actually based off of a real person. Vlad III, Prince of Wallachia, was the person behind the cruel Dracula. Even though Dracula is a fictional character Vlad and Dracula have a lot more in common than what people will expect them to; given that one is just a made up vampire character from the head of someone who was believed to have been a madman to the Prince of Wallachia. Vlad the impaler was born while Dracula was created, both used different ways of torment on their victims, and both men had a weird taste for something unique.…
Vampire stories have been popular for years. One such vampire is Dracula of Bram Stoker’s novel. Dracula drives the plot in many ways, but he is not always the nice guy. Not everyone like him; in fact most are scared of him. Dracula is dynamic, but the antagonist for several reasons. Dracula is evil, scares everyone, and he kills a lot of people.…
In the essence of mythical beings known as vampires, we must first recognize the nature of such. If we were to trace the origins of the vampire, we would conclude with a cursed, grotesque human who had risen from his grave to feed on blood. Though the graves appeared normal until uncovered by the local law, the bodies had yet to decompose and fresh blood saturated their lips. Also known as the undead, vampires subsist by draining the blood from other creatures. Immortality is a power possessed by such creatures, with only a few exceptions known to exist. Abnormal strength and speed are also characteristics shared between the characters in the…
In “Dracula” cruelty comes from the main character who is Dracula. He is portrayed as being terrifying and “cruel looking” because he is seen to be foreign and different. Dracula is a vampire which makes him cruel because of his actions and what he wants to achieve. From the very begging it is indicated from Jonathon about the insecurities and the differences of him “sharp teeth” and “no reflection” these are super natural elements that Dracula…
The words of dracula mean more than is read by most. The Symbols throughout Dracula, have often been thought to mean many diffrent things throughout history. It is believed by most that a large number of the themes are catholic oriented, Which is very understandable due to the books time period and what the book consists of. Also a number of the symbols stood against females being anything but a mother or wife. The battle of good versus evil, in this book, stood for much more than most would pick up, saying that God will protect you and that Christianity will always combat the evils of the world. The constant theme of blood througout the book also shows it connection to the Bible and Jesus.…
Since the eighteen century, vampire stories have played a strong role of popularity in literature and cinematic environments. The continuous changes of vampires have taken the vampire legend from something feared to something desired. Between Dracula and Twilight it has been over a hundred years. These two novels are a great example of vampire’s evolution. However, both novels have elements of narrative device, they are both written from multiple perspectives, and both were turned into a film. Although Twilight and Dracula are pieces of literature that share a vampire story, there are three important differences that characterize each one.…
Other than being remade into other forms such as movies and cartoons, Dracula was a relatively new concept during the time of its publication and had a major impact to its surrounding society. Today, the novel’s uses of multiple unique elements of writing such as dramatic irony, the everyman, and suspense/mystery continues to speak to interests of readers. In addition, the character itself, like any other supernatural beings including ghosts and witches, naturally intriguing us just based on many people’s love of getting scared; Dracula is portrayed in the novel as a completely evil and manipulative character that feasts upon the lives of mortals for his survival. Throughout the course of “Dracula,” Stoker used an epistolary form of writing not only for its prevalence in the Victorian era, but also for its effectiveness in portraying first person point-of-views and first-hand accounts for multiple characters. By doing so, he was able to make readers feel as if they themselves could have been in the characters’ shoes. Because it was an epistolary format and readers knew exactly what each character knew and did not know, his application of dramatic irony became clearer than other literary pieces as well. Dramatic irony was used in the course of the novel in multiple ways. The Victorian readers already knew of the vampire concept by the 18th century and Dracula was written in the early-mid 19th century. As they read the novel, they generally would have known what Dracula was, and had a similar idea to what we think now, before Jonathan Harker’s realization of Dracula’s intentions (Stoker 22). Another way dramatic irony was added in the novel was the placement of each journal. For instance, readers were notified first of Jonathan’s experiences in his journal and then Mina’s journal was revealed with her wondering about the condition of her finace (Stoker 27,…
The story starts off with a young Englishman named Jonathan Harker. He travels to Eastern Europe in order to sell some property to Count Dracula. The antagonist is a reclusive but seemingly normal “man” from Transylvania. This section of the story takes place from the view of Harker, who decided to chronicle his adventures abroad for his fiancée, Mina Murray.…
When Dracula transforms women into vampires their bodies and mindsets change. The vampires are “fair as can be, with great wavy masses of golden hair and eyes like pale sapphires” (Stoker 38). Their minds become seductive and sexual, and their bodies become voluptuous, causing men to fantasize and desire their kisses and touches. It was perceived as evil for a woman to embrace her sexuality back in the Victorian time period because it symbolized her gaining power and taking control away from the man. In Harker’s case, he is afraid yet bewitched by the three women as they take command and seduce him into sexual behavior that typically he, the male, is used to leading. These sexual encounters lead Harker to feel subjugated by the women, which in that time period was unheard of and taboo. Later in the novel when Van Helsing is about to kill the three vampires, he opens their boxes and becomes infatuated with their appearances. He immediately notices how they are “so fair to look on, so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in [him]…made [his] head whirl with new emotion” (Stoker 372). By allowing a notable intelligent doctor to become entrapped in these women’s power to seduce, Stoker is revealing how dangerous they can be to society. He describes the vampires as lustful and emphasizes that…
While Count Dracula is prominently reckoned as an opposition within a methodical society, he can somehow exemplify a potential alteration for oppressed women against the Victorian’s standardized expectations. In the primary introduction of Mina and Lucy’s appearance, the two female characters express a vast ideology of obedient and pure Victorian women. Both of them desire to wholly love and marry whomever they want without feeling oppressed by the expectations that society imposes on them. After Count Dracula corrupts Lucy to become a vampire of her own, her sexual desire commences to expand, and she deviates herself from the norms within the Victorian society. In chapter 15, Dr. Seward anxiously states, “She still advanced, however, and with…
As several characters note in the novel, a person's physical life is of secondary importance to the person's eternal life, which can be jeopardized if the person is made evil by a vampire like Dracula. Professor Van Helsing says, when he is explaining why they must kill the vampire Lucy, "But of the most blessed of all, when this now Un-Dead be made to rest as true dead, then the soul of the poor lady whom we love shall again be free." Even characters that are of questionable goodness, such as the mental patient, R. M. Renfield, realize that, although they can find immortality by being a vampire, they cannot find salvation. Renfield says, when he is begging Dr. Seward to let him go, not explaining that he is afraid of his master, Dracula: "Don't you know that I am sane and earnest now; that I am no lunatic in a mad fit, but a sane man fighting for his soul?" When Mina is distraught after realizing that Dracula has started to turn her into a vampire, Van Helsing warns her to stay alive if she wants to achieve her salvation. "Until the other, who has fouled your sweet life, is true dead you must not die; for if he is still with the quick Undead, your death would make you even as he is."…