Preview

Comparing Pinedo's 'Women And The Pleasure Of Viewing'

Powerful Essays
Open Document
Open Document
1237 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Comparing Pinedo's 'Women And The Pleasure Of Viewing'
LITERATURE REVIEW #1 - Pinedo’s Introduction & Chapter 2: “The Pleasure of Seeing/Not-Seeing the Spectacle of the Wet Death” (1997)

MLA Citation: Pinedo, Isabel Cristina. Introduction. "Chapter 2: “The Pleasure of Seeing/Not-Seeing the Spectacle of the Wet Death”." Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany, NY: State University of New York, 1997. N. pag. Print.
Reading Summary: Pinedo’s work exemplifies the effects on behavior and feelings of a person through horror films. The desire to watch films of gore and murder are also explained through comparisons of horror films to pornography. The audience of a horror film becomes intrigued with the effects of not seeing during horror films, allowing their
…show more content…
Postmodern horror blurs the putative boundary between good and evil, normal and abnormal, and the outcome of the struggle is at best ambiguous.” (Pinedo, 5)
“The refusal to fully see is an act of control exercised by audience members who distance themselves during intense moments of anxiety to keep fear in check when it threatens to overwhelm them. Conversely, the blocked vision produced by the film heightens the intensity of the horror by refusing to show the terrifying spectacle.” (Pinedo, 54)
“Porn and horror are obsessed with the transgression of bodily boundaries. Both are concerned with the devouring orifice. But whereas pornography is concerned with the phallic penetration and secretions of sexually coded orifices like the mouth (gaping in ecstasy or pain), vagina, and anus, horror is more concerned with the creation of openings where there were none before.” (Pinedo, 61)
“The wet death is intended to remain in the realm of fantasy. This is why the snuff film, marked as both a pornographic vehicle or orgasm, and a “real” document of murder poses such a profound threat. It is arguably a filmic incitement to commit murder.” (Pinedo,

You May Also Find These Documents Helpful

  • Good Essays

    Roman Polanski’s 1965 thriller film, Repulsion, follows the character of Carol Ledoux, a single manicurist living in London with older sister Helen. The film captivates Carol’s transition from a serene woman to a psychotic who falls victim of insanity Her illness causes her to break apart from reality, endure personality changes, and experience hallucination all leading up to the death of two men. Through the arrangement of mise-en-scene, visual elements, the film helps filmmaker’s captive audiences. The specific combination of acting, sound, and lighting in Repulsion work together to construct tension and terrorize audiences.…

    • 595 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The theme of deeply ingrained values is also present in A Nightmare on Elm Street…

    • 341 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The American Nightmare

    • 277 Words
    • 2 Pages

    In Robin Wood’s “The American Nightmare, Horror in the 70s,” it exposes the theory of how horror films are generated. According to Wood, horror films exemplify how repression comes in conflict with normality and brought to existence, and the effect it has on society. Repression is the rejection of thoughts or impulses that conflict with the standards of our society. Wood discusses many key points that our mind represses such as sexual energy, female sexuality, bisexuality, and children’s sexuality. In a horror film, the monster symbolizes either repressed feelings or the fears of society. The monster of the film also represents “otherness”, which is what society represses in one’s self and then projects onto another inferior part of society to be hated. Normality in horror films is “the heterosexual monogamous couple, the family, and the social institutions that support and defend them.” Society as a whole is a member of “patriarchal capitalist society” or “social norms.” Wood demonstrates that these components connect to make a horror film. He generated a basic formula to horror films with three variables: the monster, normality, and how they relate to one other. The correlation between the monster and normality are fundamentally the subject of the horror film. Wood also outlined the five recurrent motifs since the 60’s. These motifs are what society fears and represses. “Annihilation is inevitable, humanity is now completely powerless, no one can do anything to arrest the process.” Horror films embody the fears we have in ourselves and in society. We repress what is abnormal in society because we know that ultimately it is ourselves who do not want to become…

    • 277 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In Chapter Twenty-Five Mulvey discusses the pleasures of looking, and how film producers utilize this to create films. Mulvey explains that the instinct of looking can be defined as the “construction of ego, it continues to exist as the erotic basis for pleasure in looking at another person or object” (Mulvey, 1999). Mulvey explains that the viewer seeks satisfaction in a dark auditorium, and the contrast between the light and dark stimulate an illusion of “voyeuristic separation” (Mulvey, 1999). The women in the films are displayed as sexual objects and…

    • 661 Words
    • 3 Pages
    Good Essays
  • Good Essays

    1968’s “Night of the Living Dead” is one of the most influential zombie movies of all time. Despite its extremely low budget the movie was a great success. I actually believe that the limited budget is what made the movie successful. Due to the fact that it was shot in black-and-white, it gave the film an unique look contributing to its style. In various instances during the movie it the movie looks like a documentary, which adds to the realism of the movie. But what makes the movies scary? The zombies are the main element of horror in Night of the Living Dead. The viewer is afraid of the threat the zombies represent. They carry the horror, hold our attention, instill dread and act as the prime motivator. During the 1960s, this movie really shocked its audiences with its gory violent scenes and twisted plot lines. The brutal scenes in the movie produce a type of “pain” on the viewer – the images of the vicious deaths allows the audience to envision what it would be like to be in that situation. So, when we view a scene like the eating of the flesh from the victims of the car explosion, we are reacting bodily to the actions of the zombies. Scenes such as that one feel and look real to the viewer contributing to the horror and truthfulness of the movie.…

    • 455 Words
    • 2 Pages
    Good Essays
  • Good Essays

    (Sampson 2015: online) In her essay, Visual Pleasure and Narrative Cinema (1975: 63), Mulvey reveals how films are structured in a way that facilitate the viewer to objectify female characters and to identify with an “ideal ego” (Freud 1991: 397) of the male protagonist. Mulvey identifies this phallocentric structure of cinema as a byproduct of a patriarchal society. Essentially stating that a male-orientated society will undoubtedly create male-orientated art. (1975: 57) Within this patriarchal realm, it is argued that cinema thus far has been constructed for the pleasure of a male audience, and as Mulvey states, “pleasure in looking has been split between active/male (subject) and passive/female (object).” (1975:…

    • 596 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The 1960s-80s saw the introduction of 2nd wave feminism - focusing largely on gender inequality within sexuality, family life and the workplace. It was quickly established that mainstream media was playing a large role in the production and reinforcement of the patriarchy, and so began an influx in the analysis of representations of women within the media; or lack thereof. Paralleling the popularisation of 2nd wave feminism, the 60s, 70s and 80s saw a prevalence of horror films within mainstream media; rendering the genre a target for scrutiny. In this essay I will discuss representations of gender in Stanley Kubrick's psychological horror, 'The Shining' (1980) and Wes Craven’s thriller, ‘Scream’ (1996).…

    • 1222 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Halloween Movie Analysis

    • 1241 Words
    • 5 Pages

    Its director managed to apply the low budget and brilliant cast and create one of the best works of American cinematography. The most essential thing in this film is not its terrifying effect but the thought which it provokes. It does not resemble thousands of other horror movies because of its ability to render the particular idea to the viewer. Despite the fact that John Carpenter portrays the deeds of the psycho, they still have the hidden truth. With the help of this movie, the director has manifested his viewpoint on life, its laws, and possible aftermath. This movie was his inner response towards the sexual revolution and debauchery, which dominated over human moral dignity and ethics in the 1980s. The director showed that human actions have consequences and that people have to take this fact into account. People’s life is in their hands, and each individual is responsible for the aftermath of his or her…

    • 1241 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The Final Girl

    • 432 Words
    • 2 Pages

    One of the book's central strengths is the direct simplicity of its central premise: taking the classic Laura Mulvey male-centered identification process of sadistic-voyeur and flipping it around to a masochistic-voyeur (by having the identification process shift to the usually female victim/Final Girl). Vis-à-vis the Mulvian argument against male-driven cinematic pleasure, Clover does for the horror film what Gaylyn Studlar did for the Sternberg-Dietrich films: swapping the Post-Oedipal, male voyeuristic-sadistic impulse for a more feminine, Pre-Oedipal masochistic impulse. In psychoanalytical terms, sadism is post-Oedipal, meaning that it takes shape when identification shifts from the mother to the father. Masochism, deriving pleasure from one's own pain or submission, is pre-Oedipal and takes place when the mother is all powerful and is the source of the child's identification (from the womb to the breast). In the…

    • 432 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    When pure innocence mixes with pure evil in film the result is often a terrified audience. This frightening combination is present in the wildly popular evil child genre of horror films. Because everyone has interacted with children, many people find evil children are inherently terrifying because they can imagine themselves as the adults in the movie. Critics of the genre often only identify evil children through the child themselves, but all evil children in horror films should be analysed through the lens of parental fears, because connecting all genres of evil children in film through the parent reveals a great deal about the common fears of parents in society that would be lost if we viewed each archetype singularly. Through analysis of evil children in Larry Cohen’s It’s Alive, Brian De Palma’s Carrie, and William Friedkin’s The Exorcist I will argue that all monstrous children in horror films represent the cultural fears of parents such as the fear of unsafe medicine harming an infant, the fear of telling a child about sex, the fear of discipling too harshly, and the fear of dangers in the home.…

    • 2528 Words
    • 11 Pages
    Powerful Essays
  • Better Essays

    Alfred Hitchcock's Vertigo is a master's class in subtle and effective filmmaking - its noirish tale of obsession and loss is considered one of his best works. This is due in no small part to the directors' use of the various elements of film as a mirror. Hitchcock intends to create a sense of repetition and a cyclical nature to the life of the characters in the film; following Scottie (James Stewart) through his descent and ascent into madness deals significantly with themes of duality and obsession. Furthermore, the use of film as a mirror onto ourselves is made very clear in the audience's relation to Scottie throughout Vertigo. In this paper, three instances of the film as mirror will be detailed…

    • 2743 Words
    • 11 Pages
    Better Essays
  • Good Essays

    Wes Craven's Scream

    • 690 Words
    • 3 Pages

    People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene…

    • 690 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Postmorbid Condition.

    • 598 Words
    • 3 Pages

    In the article, “The Postmorbid Condition,” the writer has presented a realistic and frank argument about the role of violence in movies and its influence on the social acceptance of brutal and gruesome death scenes. According to the article, “Today, most American films have more interest in violence than in its meaning.” She cites several movies comparatively and evaluates the ineffectiveness of violence in delivering entertainment to the audiences.…

    • 598 Words
    • 3 Pages
    Good Essays
  • Good Essays

    A Horror Film Analysis

    • 582 Words
    • 3 Pages

    Blood, gore, death, darkness, suspense, and fear of the unusual are just a few ingredients that are stirred into making a horror film. Horror films are projected to create a psychological sense of fear; however, humans tend to enjoy and crave the heart-pumping adrenaline rush of terror. Some believe it is the calling of curiosity while others think it is the section of insanity that imbedded itself into our mind. Trepidations are not a trend that has set forth in the twenty first century; we humans hunger after the thrill of terror ever since Roman times. In addition, horror films closely relate to events like gladiators fighting at the Flavian Amphitheatre, not only because of the blood and gore, but for the audience purpose of intentionally…

    • 582 Words
    • 3 Pages
    Good Essays
  • Better Essays

    The Changeling Essay

    • 1586 Words
    • 7 Pages

    While waiting in line for the midnight premiere of the newest horror flick, we have adrenaline running through our bodies watching the previews and seeing the lights dim. At last it is completely dark. Creepy music makes its way into the theater; we can feel the anticipation in the air. Our palms begin to sweat, our hearts are racing, and our minds are questioning “what’s going to happen next?”. Finally we are being shown what is behind the door, we see the monster for the first time, as we peak through our fingers. As scared as we are we keep watching. Once it is over we remind our self that it was “just a movie” and is not real. But if it is not real, then why are we so scared, and why do we watch it?…

    • 1586 Words
    • 7 Pages
    Better Essays