In Zeffeirelli’s version the film was very intense and the audience could feel the affection, grief, rage, and enmity of each character. An example can be when Mercutio is giving the famous Queen Mab speech. In this scene the audience can see that Mercutio not just a joker but he also has a dark side. On the other hand in Luhrmann’s version the mood was very comedic and less suspenseful. This was shown from the more humorous yet passionate actors. An example can at the party when Luhrmann dresses Paris in a spaceman suit to make him look ridiculous and uses him as comic relief. This symbolizes that Paris is not what Juliet wants in a man and knows that Romeo is her true love. The passing of time in Zeffeirelli’s version was slower than the faster paced modern version. In both films, a few scenes were left out, such as the fight with Paris at the Capulet’s
In Zeffeirelli’s version the film was very intense and the audience could feel the affection, grief, rage, and enmity of each character. An example can be when Mercutio is giving the famous Queen Mab speech. In this scene the audience can see that Mercutio not just a joker but he also has a dark side. On the other hand in Luhrmann’s version the mood was very comedic and less suspenseful. This was shown from the more humorous yet passionate actors. An example can at the party when Luhrmann dresses Paris in a spaceman suit to make him look ridiculous and uses him as comic relief. This symbolizes that Paris is not what Juliet wants in a man and knows that Romeo is her true love. The passing of time in Zeffeirelli’s version was slower than the faster paced modern version. In both films, a few scenes were left out, such as the fight with Paris at the Capulet’s