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comparision between a dolls house and a glass menegarie

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comparision between a dolls house and a glass menegarie
Nora Helmer in “A Doll’s House” and Amanda Wingfield in “The Glass Menagerie”, are both iconic figures that play an important role in their respective plays. These characters are similar as well as different in comparison. Both Nora and Amanda are seen as a very good mother. They also are not in touch with the reality. The difference between Nora and Amanda is that Nora wanted the freedom from her husband, whereas on the other hand, Amanda felt helpless after she lost her husband. Another difference between Amanda and Nora is that Amanda does not really think about herself that much, whereas, Nora is very obsessed with herself.

It is seen that Nora and Amanda are both, loving mothers. In “A Doll’s House”, this is seen when Nora plays with her kids and talks in a child like manner with them. It is also seen when she think about the future and then says, “No, it’s quite impossible”. She says this after Krogstad had left, and after she had a conversation with Anne-Marie. Amanda is seen as a good and a loving mother when she thinks about the future for her daughter Laura. She tells Tom to find a good gentlemen for her, and tries to make a better future for them. Amanda has faith that some gentleman might come for Laura, which shows the confidence she has in her daughter.

Amanda as well as Nora lives in a world where they are not really in touch with reality. For Amanda, when situations become bad, she recalls the days of her youth when she lived at Blue Mountain and had seventeen gentlemen callers in one Sunday afternoon. Indeed, this story has been told so often that it is no longer an illusion and instead has become a reality. She likewise indulges in playful games so as to escape the drudgery of everyday living. She tells Laura, "You be the lady this time and I'll be the darky." She refuses to acknowledge that Laura is crippled and instead refers

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