Jane experiences several of Berthas crazy escapes from the attic, but is completely unaware of who or what she is. This lack of knowledge of Janes brings in a sense of suspense and terror to the plot. Without this fear that Berthas character creates in Janes life, the story would just be another tale of love. Jane becomes more curious about the mystery hidden deep in Thornfield Hall and begins to think the person causing the mayhem is Grace Poole. The dread of Bertha produces a dark cloud over Thornfield, symbolizing the secrets kept by its residents, specifically Mr. Rochester.
Bertha is a metaphor for Janes subconscious feeling of rage. Jane loves Rochester, but she still fears the binds that the marriage will bring. Jane never acts out on this anger or fear, but Bertha does. Bertha ripping Janes wedding veil symbolizes a secret feeling of Janes that the marriage should not go on. Jane leaves Thornfield, feeling it is now a place of imprisonment or inferiority. While she is away, Bertha burns down Thornfield, expressing what Jane could only feel and not carry out. Bertha is also an antithesis with Jane. They are compared to show the contrast of both. Before the reader even know who Bertha is, it is clear the she has savage-like qualities that bring out Janes righteousness and kindness. This gives the reader more understanding into Janes character.
As the story continues and Rochesters past containing Bertha is identified, similarities between Jane and Bertha are observed. They are both symbols of the socially imprisoned Victorian women. One example is their unattractiveness in the Victorian era. Bertha becomes ugly from her insanity, showing that women, including Jane, were somehow confined due to their lack of beauty. The presence of Bertha Mason in the plot strengthens the readers desire to keep reading and discover who the vampire is. Berthas mystery also strengthens Janes and Rochesters relationship and creates a perfect climax to one of the most read stories of the nineteenth century.
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