Preview

A Comparison of the Musical Styles of Vivaldi and Corelli

Powerful Essays
Open Document
Open Document
3711 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
A Comparison of the Musical Styles of Vivaldi and Corelli
Change, discovery, and innovation characterize the Baroque period. Classic composers, such as Bach and Handel burst onto the musical arena with great compositions. During a time with so many talented artists, some of the earlier masters were neglected. Two of these talented musicians were Antonio Vivaldi and Arcangelo Corelli. Both Italian artists were distinguished violinists as well as accomplished composers. "Corelli was the greatest violinist-composer of the Baroque and arguably its second most influential Italian composer after Monteverdi." Corelli 's works consist entirely of string music apart from one sonata for trumpet, two violins, and continuo. The popularity of Corelli grew through the publications of forty-eight trio sonatas, twelve solo sonatas, and twelve concerti grossi. All of these works were published in six collections containing twelve works apiece. The first four being sets of trio sonatas. Although only a small output of Vivaldi 's works were published during his lifetime, these were considered some of his most important and influential instrumental works. Vivaldi 's music contains over fifty operas, forty cantatas, over fifty sacred vocal works, sonatas, concertos, ninety solo and trio sonatas, and roughly five hundred concertos (two hundred of which are for solo violins). Vivaldi was best known for his trio sonatas and concerto works. While both composers were continuously developing their styles and reaching new heights of achievement, neither strayed too far from a basic format. The fact that both composers were so refined makes juxtaposing the two an impossible task. When comparing two of Corelli 's trio sonatas from Opus Three to two of Vivaldi 's violin concertos from La Stravanganza Opus Four, neither composer can be distinguished over the other. Both works masterfully exemplify the characteristics of the composers ' styles.

A brief background of each composer is necessary into gain insight into their writing styles. "Arcangelo



Bibliography: Allsop, Peter. Arcangelo Corelli: New Orphus of Our Times. New York: Oxford University Press, 1999. Arnold, Denise, Anthony Newcomb, Thomas Walker, Michael Talbot, Donald J. Grout, Joel Sheveloff. Italian Baroque Masters: Monteverdi, Fresobaldi, Cavalli, Corelli, A. Scarlattie, Vivaldi, D. Scarlatti. New York: W.W. Norton and Company, 1984. Gleason, Harold and Warren Becker. Music Literature Outlines- Series II Music in the Baroque Third Edition. United States: Franfipani, 1980. Heller, Karl. Antonio Vivaldi: The Red Priest of Venice. Portland: Amedeus Press, 1991. Kolneder, Walter. Antonio Vivaldi: His Life and Work. Trans. Bill Hopkins. Los Angelos: University of California Press, 1970. Machlis, Joseph. The Enjoyment of Music: An Introduction to Perceptive Listening Third Edition. New York: Norton andComapny Inc., 1963. Randel, Don Micheal. The New Harvard Dictionary of Music. Cambridge Massachusettes: Belknap Press of Harvard University Press, 1986. Schulenberg, David. Music of the Baroque. New York: Oxford University Press, 2001. Talbot, Michael. Vivaldi, Antonio. (Lucio), [database online]; available from http://www.grovemusic.com/shared/views/article.html?section=music.40120#music.40120 (accessed 18 March 2004) Talbot, Michael

You May Also Find These Documents Helpful

  • Good Essays

    This baroque concerto is composed by Johann Sebastian Bach, the famous baroque composer of his time. This work is the fifth of six concertos the composer dedicated to Christian Ludwig, Margrave of Brandenburg. This piece showcases Bach's inimitable strength as a contrapuntist. Bach’s music has flexibility in its form and influence, but still retaining the constraints of the form of baroque music. He blended Italian and German music in these concertos, giving them a distinctive touch. This fifth concerto is made distinctive by the flute, solo violin, harpsichord, and strings. It is the only one of the six pieces to have any solo given to the harpsichord, which is part of the continuo throughout…

    • 656 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Machaunt's Mass

    • 327 Words
    • 2 Pages

    Wold, M., Martin, G., Miller, J., & Cykler, E. (1996). Music and art in the western world (10th ed.). Madison, WI: Brown and…

    • 327 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    0511 The Baroque What

    • 324 Words
    • 1 Page

    8. After listening to some of the music samples, how would you describe Baroque music to someone who had not heard it before? Choose at least one piece of music to discuss in detail. What instruments do you think the work uses? Who composed the work? What does the work sound like?…

    • 324 Words
    • 1 Page
    Satisfactory Essays
  • Powerful Essays

    Music 202 Syllabus

    • 3012 Words
    • 13 Pages

    Music 202 surveys music, the visual arts, and literature from the middle baroque to the present day, giving emphasis whenever possible to the subject of music. As comprehension of musical scores constitutes an important part of the lectures and the exams, the ability to read music will help you excel in this course. Students who cannot read music will find it more difficult to do well.…

    • 3012 Words
    • 13 Pages
    Powerful Essays
  • Good Essays

    Antonio Vivaldi was one of the most influential composers of the Baroque period. He, along with many other composers, created some of the earliest European music familiar to us today (What is Baroque Music?). The Baroque period can best be described as using the power of music to communicate (What is Baroque Music?). The composers used a single voice that was accompanied by instruments, as well as specifying the instruments used, to capture the importance of the relationship between tonic and dominant chords. Vivaldi used these techniques to compose many operas, concertos, and church music that helped shape a new era of music.…

    • 860 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Humanities Study Guide

    • 573 Words
    • 3 Pages

    Bach's music 9. Rembrandt's style and scope 10. Vermeer's style and works 11. Handel's Messiah 12. Mozart's compositions Chapters 12 and 13 1.…

    • 573 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    online music of the world

    • 379 Words
    • 2 Pages

    8.After listening to some of the music samples, how would you describe Baroque music to someone who had not heard it before? Choose at least one piece of music to discuss in detail. What instruments do you think the work uses? Who composed the work? What does the work sound like? If I had to describe the music to someone who had never heard it I personally would describe it as very old…

    • 379 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Cited: Harutunian, John Martin. Haydn 's and Mozart 's sonata styles: A comparison. Lewiston, NY: E. Mellen P, 2005.…

    • 874 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Baroque period

    • 424 Words
    • 2 Pages

    Antonio Vivaldi, Four Seasons, Spring, Its very creative and pleasant . I think Vivaldi was an influential figure in baroque music because his music was innovative & he brightened the formal and rhythmic structure of the concerto, in which he looked for harmonic contrasts and innovative melodies and themes.…

    • 424 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Antonio Vivaldi (1678-1741) was one of Italy greatest composers but he had never earned the reputation that he deserved to have during his lifetime. Not only he was a great violinist, a concertmaster, and a teacher; he was also known as an extraordinary composer with his significant contributions to the concerto’s development such as Stabat Mater, Magnificant, Gloria and The Four Seasons, his most popular work. Throughout the article Discovering the Rediscovery of Antonio Vivaldi by Miles Dayton Fish, we can see the progress of rediscovering one of the most iconic symbol of classical music and how they were able to bring him closer to the public after almost 200 years that had been forgotten.…

    • 1571 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Composer Biography Papers

    • 427 Words
    • 2 Pages

    Purpose: Acquire knowledge of an accomplished composer whose music is not represented in our listening assignments. Note: You cannot do a paper on a composer who is represented on the CDs accompanying the textbook. Appendix B lists many very good composers for you to select from for your paper. If you choose a composer who is not in this list, please check with me before you begin your research. If you have trouble deciding, try finding a composer from the country of your family's origin. I am also happy to make a suggest for you.…

    • 427 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    2.5 music theory

    • 289 Words
    • 2 Pages

    Choose one of the composers discussed in the unit and listen to several of the composer’s works. Which works did you listen to? How would you describe this composer’s music? Why do you think this composer was an influential figure in Baroque music?…

    • 289 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Vivaldi: Composer Report

    • 316 Words
    • 2 Pages

    I decided to do my composers report on Antonio Vivaldi. I agree that Vivaldi was one of the best composers and violinists, in my opinion. I wanted to write on Vivaldi because one of my favorite instruments happens to be the violin, which Vivaldi seems to be an expert on. Listening to Vivaldi’s music just took my breath away; the sound was just beyond amazing. I could almost picture the violinist’s playing with such passion and the way that they move to the beautiful music of the violin.…

    • 316 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Concerts Across Time

    • 911 Words
    • 4 Pages

    (2) "Baroque Music About the “Baroque” Period Music of the ..." N.p., n.d. Web. 16 Dec. 2012 .…

    • 911 Words
    • 4 Pages
    Better Essays
  • Powerful Essays

    Small, Christopher, Musicking: The Meanings of Performing and Listening (Middletown, Connecticut: Wesleyan University Press, 1998), 8…

    • 1648 Words
    • 7 Pages
    Powerful Essays

Related Topics