Comparison Of Shall We Dance And Departures
The two films, known as “Shall We Dance”, orchestrated by Masayuki Suo, and “Departures”, orchestrated by Yojiro Takita, are inspirational films that targets those who are timid to express their passion to society. Although their approach differ, their protagonist struggles to overcome the view of society of their distinguishing skill. The protagonist from “Shall We Dance” is faced with himself about his newfound passion. The protagonist from “Departures” is constantly discouraged by the society’s disgust of his practice.
Neither protagonist intended to explore their unique passion by themselves. The two met interesting people that amaze them with their techniques, planting curiosity of specifics of their performance their newfound interest …show more content…
With all sorts of dark rumors of mortician’s work, the protagonist of “Departures” is under the resentment of society due to their disgust of what the rumors says about him. Due to their belief of these rumors and swift judgment of who practice it, they have shown to be prejudice of the practice itself. Originating from tales and rumors of others that arouse a biased approach toward the subject abstains society from the effort of empathizing the mortician’s work. Without empathy, society is detaching from those who pursue it for the immoral reasons. It is likely their belief behind the rejection is to “protect” them and their family; however, how can society be sure they know what they detest when they have yet to understand it …show more content…
Yojiro Takita informs about society’s oppression of one’s passion. In order to dissent against society’s judgment, one must first love their uniqueness. From film, “Departures”, the protagonist’s resolve is continually challenged by those that are dear to him. The harshest out of all provocation comes from the wife when she informs the protagonist that he should get a job his child will be proud of. Many events could have dispirited his conviction; however, he ignores the minds of the critics and focus toward his own perspective. He is able to have his own empathy work rather than allowing the critics to manipulate his
Neither protagonist intended to explore their unique passion by themselves. The two met interesting people that amaze them with their techniques, planting curiosity of specifics of their performance their newfound interest …show more content…
With all sorts of dark rumors of mortician’s work, the protagonist of “Departures” is under the resentment of society due to their disgust of what the rumors says about him. Due to their belief of these rumors and swift judgment of who practice it, they have shown to be prejudice of the practice itself. Originating from tales and rumors of others that arouse a biased approach toward the subject abstains society from the effort of empathizing the mortician’s work. Without empathy, society is detaching from those who pursue it for the immoral reasons. It is likely their belief behind the rejection is to “protect” them and their family; however, how can society be sure they know what they detest when they have yet to understand it …show more content…
Yojiro Takita informs about society’s oppression of one’s passion. In order to dissent against society’s judgment, one must first love their uniqueness. From film, “Departures”, the protagonist’s resolve is continually challenged by those that are dear to him. The harshest out of all provocation comes from the wife when she informs the protagonist that he should get a job his child will be proud of. Many events could have dispirited his conviction; however, he ignores the minds of the critics and focus toward his own perspective. He is able to have his own empathy work rather than allowing the critics to manipulate his