First, a reader must understand the way gender was understood in Shakespeare’s time. “If we are going to insist in understanding the Elizabethan dramatic artifice, let us also insist in examining Othello according to the traditional values which Shakespeare has injected implicitly and explicitly into the play (Kirschbaum, 284).” This quote given by another author shows the importance of understanding the original texts. The original text, while maybe outdated, is still vital in understanding the culture and history behind the play. A student must understand the implications that Shakespeare originally intended to be understood by the audience. There are three main characters in the play. These women are Desdemona, Emilia, and Bianca. These women all show true, strong affection to the main men in their lives.…
In novels and play writes such as Barbara Kingsolver’s, The Poisonwood Bible and Euripides, Medea, the theme Role of women arises: women in many societies are subjugated and displayed as the inferior gender, when they are truly the strongest; they carry all the pain and suffering of society, the wars and the deaths; thus they are the pedestal that keeps everyone up. In order to reveal theme Kingsolver and Euripides make use of literary devices such as symbolism, imagery and diction. Using all three literary devices Kingsolver reveals that women such as Orleana believe that they are just rag dolls that are pulled, pushed and just there, even so realize how strong they really are; that if it was not for them their children would not be able to live. Medea on the other hand represents all the pains and struggles of women and is attempting to inform all women that they have the power and must stand up for themselves.…
Agrippina the younger is recognized as one of the most ambitious women in history who encompasses a great desire for power, wealth and supremacy. The Julio Claudian period was solely a patriarchal society, but this didn’t mean women could not hold any influence. It is in this period we see ambitious women such as Agrippina attaining power through men. Agrippina chose specific individuals with influential talents; she formed political allies with them in the positions of power that would ultimately pave the way to her own desires and ambitions centered mostly around the promotion of Nero, and what Tacitus describes as “a vigorous, almost masculine despotism.”…
Lavinia in Titus Andronicus is one instance where you can hardly separate her from her architype. Her architype is so deep rooted in her that she is hardly an independent character at all. Lavinia’s architype is Philomena, from Boo 6 of Ovid’s Metamorphoses, someone you would not want to be compared to. The first mention of Philomena is used for no more than to praise her virtue and beauty. However, by Act 2, they are fully entwined, as both girls were raped. Philomena is beautiful but innocent, and attracts the unwanted attention from her brother in law, Tereus. Tereus rapes her and then to prevent her from telling anyone what happened, he cuts out her tongue. Philomena however, weaves a tapestry explaining her story and sends it to her sister to expose Tereus. The characters in Titus Andronicus are aware of this story and When Lavinia is raped, Chiron and Demetrius, cut of Lavinia’s hands as well. This shows that Shakespeare not only took inspiration from this sources but copied the entire plotline. He does pay respect to his source when Lavinia borrows a copy of Ovid’s Metamorphoses from her nephew in order to reveal to her family what happened.…
In Plutarch’s classic literatures, Plutarch gives us his view of women and the roles they played back in his time. He illustrates how caring and encouraging, how determined, powerful and manipulative women can be. But this is only relative to the roles that women play in their personal and social life. The first example of how Cornelia is illustrated as a caring mother, the read says she take “upon herself all the care of the household and the education of her children.” Also, Plutarch illustrates how women are encouraging is in “Life of Tiberius Gracchus”, there is one scene where the Roman citizens suggests that Tiberius’ mother, Cornelia, encouraged him to fulfill his civic duty. First of all, Cornelia’s role is to be Tiberius’ mother so we can only assume that she said this out of being a mother. I think what Plutarch is trying to imply is that women who were mothers supported their children dearly. Next, my example of how a Plutarch illustrates women being determined to get what they want is in Plutarch’s “Life of Marcus Brutus” and “Life of Antony”. In “Life of Marcus Brutus”, when Brutus’ wife Porcia asks what Brutus is up to, he does not tell her because of the importance of secrecy. Porcia then to gain Brutus’ trust, maimed herself to prove that Brutus could trust her. In this example here, Plutarch exemplifies the willingness and determination of women in love/ wife. He shows how women are attached to their husbands and how women can be strong to stand up for themselves. Also, towards the end of the story, when Porcia learns of Brutus’ death, she takes her own life by eating live coals. I think what Plutarch is trying to say is that women take their husbands very seriously and when a couple is married, maybe marriage links their lives together and deaths. In my third example, Plutarch shows how powerful and manipulative a woman can be. My example lies in the story “Life of Antony”, Cleopatra; the queen of Egypt manipulates Antony to fight war…
Dramatic comedy often sees the woman take on a role of insignificance. They become the prey, the desired possession and are not seen as equal beings to male characters. This has been apparent throughout history from the very birth of comedy. Plautus for example developed his comedy from the Greek's new comedy and so also inherited a bias against woman. Any female that did appear within his works fit effortlessly into one of several stereotypical categories; the puella or young maiden, the matrona or married woman, the meretrix or courtesan, the ancilla or handmaid, and the anus or old woman. Many are never seen, merely discussed and others are seen but do not speak and never are they the protagonist of the play. Within The History Boys, Alan Bennett introduces one meretrix who is never seen, two matrona who are also never seen and one ancilla who could be argued to be the one exemption from the tokenistic nature of the woman in the History Boys.[1: http://www.vroma.org/~araia/plautinewomen.html]…
Portia, Brutus’s wife, is a great example of a character who merely struggles to free herself. She is literally under the power of Brutus. In the play Julius Caesar, women are looked down upon. In other words, women are looked at and treated differently from men. Portia has an…
Females instead of being given their own unique name such as in our day, were instead given the feminine version of the family name. For example, in the case of Gaius Julius Caesar his daughter would have the name Julia, and if he had a second daughter she too would be named Julia. Gender as in most societies in this time period carried over to politics. Only men were allowed to hold political office and vote and suffice it to say a women’s power depended on the position of her husband. However, there were circumstances in which women were able to play a backstage role in politics as shown by Livy in the stories of the Tarquin kings and Tanaquil who had a profound influence on the reign of her husband and was even able to determine his successor Servius after Tarquin’s murder. This is reiterated with the story of Tullia and the murder of her husband, sister, and king in order to promote her former brother in law now husband to the position of king (Livy 1, 47). However, this type of influence on political events by women was not typical, in fact rape in this society was even seen as eventually leading to good things as evident by the stories of Rhea Sylvia, Lucretia, and Virginia in Livy’s…
Recently I had the opportunity to attend to a Greek comedy called the lysistrata at Whatcom Community College. The show really connected to similar themes in our curicculum of IDS 161. In the opening scene of Lysistrata, it enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this clichéd, housewife character. Lysistrata is not only angered because the women won't prioritize war and the peace of their country, but she is ashamed that the women won't stand up to the stereotypes and names that their husband's give them. Lysistrata tells Kleonike, "I'm positively ashamed to be a woman", and Kleonike proudly admits, "That's us!" As the play procedes and lysistrata puts her mind to work, she requests that the women use their attractiveness to make the males want them sexually, Lysistrata encourages the women to play to their stereotype and exploit the sexual, idealized female. Like a man, with her plan for a sex strike in mind, Lysistrata examines women for their sexual potential.Therefore, women not only begin to see each other with male…
Women in the Elizabethan age were extremely repressed and discriminated against. Most would not have gone to school or received any type of formal education. They were not allowed to vote, own property, or freely voice their opinions. They were seen as the property of a man, subject to his wants, needs, and not allowed to have their own; men held extremely stereotypical views of their female counterparts that helped them justify the way they treated them. Shakespeare exposes many of these injustices and biases in his stage plays, which are still commonly read and performed today. In Much Ado About Nothing, Claudio moves from seeing women (specifically Hero) as goddesses and wives to adulterers, and then back again to his original views.…
In ancient Greece women were viewed as many things. They were not viewed as equivalent to males by any means. Women were portrayed usually as submissive domestic, and controlled. They played supporting or secondary roles in life to men, who tended to be demanding of their wives, but expected them to adhere to their wishes. In the tragedy Medea, written by Euripides, Medea plays the major role in this story, unlike most Greek stories with women playing only minor roles, but she also demonstrates many behavioral and psychological patterns unlike any other Greek women. In Euripides' Medea the main character, Medea, Displays many traits that breakdown traditional Athenian misogyny by displaying her as proactive in taking her revenge, having cruel and savage passions, and being a very manipulative women.…
In recent history, a focal point of attention has been placed on the issue of Women's Rights and an increased role for women in society. One would think that the spirit of most of these sweeping social reforms can be traced back to ideas in Ancient Rome, but after reading Roman literature, I have come to realize that the role of women in ancient roman life was an incredibly small one. It seems that in ancient Rome, women were seen as equal, but were anything but in practice. In the stories of Lucretia and Verginia, both women aren't really a key part of the story, but rather just a problem or inciting incident of the story. One could see this to an extreme degree in the story of Verginia, where in the text Verginia says next to nothing the…
In William Shakespeare's Hamlet, the roles of women are dependent on men. There are only two women in the play who have a direct relationship with Hamlet. Ophelia, who looked up greatly towards Polonius, Laertes who has a great influence on her life as well as Hamlet. The other female role is Gertrude, Hamlets mother always trying to impress the men in her life not only her son but previous marriages. As these women are the most important female characters in the play it is first shown through Ophelia.…
The theme of Power has been used for many, many years. Power has been used from the olden days up until now and will continue being used into the future. Power isn’t always just used; it is also abused quite often. People who are abused by another’s power typically tend to have the desire to have power over others. In the play The Taming of the Shrew, William Shakespeare uses the theme of power relationships amongst many characters. The theme of power is used, abused, and subverted throughout the play in many relationship including Petruchio and Katherina, Bianca and Lucentio, and Baptista and Katherina.…
The female characters of the novel are portrayed as lesser than the male characters. At the beginning of the story, Miller introduces Patroclus’s mother. Patroclus’s father, a king, agreed to marry her only because “her father’s fortune would go to her husband” (Miller 1).…