She was born on September 10, 1890 in Rome, Italy. Schiaparelli was the niece of the famous Giovanni Schiaparelli who discovered canals on the planet Mars. After graduation, she attended the University of Rome where she studied philosophy. Schiaparelli published a book of sensual poetry, the book shocked her parents and sent her to the convent because it was so controversial. She did not like this one bit, so she planned to go on a hunger strike at just 22 years old and was released. As soon as she was out she ran off to London and became a nanny. In her free time she went to museums and attended lectures. At one of these lectures is where Schiaparelli actually met her husband, Count William de Wendt de Kerlor. Eventually they moved to New York and had a daughter together, Maria Yvonne Radha de Wendt de kerlor also known as Gogo Schiaparelli. While in New York, Schiaparelli started to sell French fashions at a New York boutique owned by Gaby Picabia. Working there, Schiaparelli made connections like Marcel Duchamp and Man Ray.…
17th century, France is under King Louis XIII who was a very powerful leader that heavily influenced fashion. Louis was famous for wearing his heels that always had a red heel, he wore heels constantly due to his short height. Due to the attempted uprising during his childhood, Louis wanted to keep the nobility poor and by doing so he would have many events, dances, and galas to they would spend large amounts of money to keep up to date with the fashion. England during this time was having political troubles, dividing the country, and also dividing the fashion. Puritans were those who didn’t believe in the luxury items and did not support the king. They wore drab, sad colors, hats with tall crowns and narrow brims, and the men wore their hair…
She was one of the first American artists to practice pure abstraction. During this year, she also mailed some of her drawings to a friend in New York City who showed them to Alfred Stieglitz, he would become her husband in 1924. Stieglitz who was an internationally known photographer and art dealer exhibited her work in 1916. In 1918, he convinced her to move to New York and devote all of her time to her work. There she completed many of her now famous paintings that show the highly industrial environment around her such as “City Night and New York—Night” (Who Is Georgia O'Keeffe?…
How has the artist used unexpected materials and/ or methods to shock, invite, enhance or challenge the viewer?…
Orange Juice, an innocent orangutan surrounded by corruption. She wanted to find her kids, she was not meant for the environment that she arrived in, which is why she had to die. When first read, the death can look pointless and a mistake, but there is a purpose.…
1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…
Artists throughout time are subjected to changing their practice due to context and issues within this time period. Artists that center around performance art, who use shock to convey their artworks, are subjected to change. Changes within the world inspire artists to create artworks that reflect these evolving aspects. Different developments in terms of practice have changed the world that we know. Advancements with technology, science and environment have influenced performance artists such pioneers in performance art Yves Klein, Stelarc and Ron Mueck who creates life like figures artworks that in their own way perform for the audience. These influences have shaped the performance artists practice, Klein’s use of monochrome art to represent the empty space surrounding the earth; the void, by using his own mix of the colour blue; Klein creates artworks to represent the empty space in the environment. In Klein’s later years he began to work with naked female models to create body prints. Likewise to stelarc’s use of incorporating technology within the body to make a hybrid or cyborg to reflect of what humans will become in the future, Stelarc looks at the body’s ability to expand or be altered as well as the mental capabilities of being fused with the cybernetic world. Technology has had a dramatic influence on Stelarc’s practice. Mueck creates life like sculptures often altering the size of the figures. Mueck’s use of creating grotesque, eerie life like sculptures shocks the audience, sometimes thinking that they would be real if they were the proper size ratio. Mueck’s art work ‘Dead Dad’ shocked audiences into believing that there could have been a real dead man lying on the floor. If the artwork were to be resurrected, friends and family would recognise the sculpture straight away, and to the…
Describe how you might contribute to a lesson given to a group of seven year old children learning to play percussion instruments…
It doesn’t fit the norm, it’s rusty, it’s in your face, but it is art. It’s the type of art you have to deal with, art that forces you to reevaluate you view of art every time you pass it. Richard Serra is quoted as saying “I don't think it is the function of art to be pleasing, art is not democratic. It is not for the people." This leads me to believe he knew exactly what he wanted his audience to feel and he accomplished that goal if only for a short amount of time. I believe the general public coined his style “shock art” because it wasn’t the norm. I assume that at the very least forced people to feel something and in the end isn’t that what all art is about and what all artists want. To be noticed not just applauded for how well you can color in the lines but how you can move and sway the masses into feeling with your work and…
Scape' is rapidly becoming more popular than ever in contemporary art, which I believe is due to its diversity and the ability it gives artists to escape' into their own worlds; real or not and represent it, in their own unique way.…
Each and every day there is an animal that walks within the shadows of humans. It often goes unnoticed by most humans, but their population is growing at alarming rates. Many wildlife biologists have said that this animal is the new top predator in the United States. That animal would be the Coy-wolf - a new four-legged hybrid cross between the Western Coyote and the Eastern wolf. With adaptive instincts from the early generations of the Western Coyote and the large skeletal and frame size of the Eastern Wolf, the Coy-wolf is a very new and dangerous species. Rather than preying on smaller animals like a coyote would do, the coy-wolf has the ability to target animals like deer, young moose, and other mid sized animals. With the ability to learn…
Sandro Botticelli followed a different path than many artists and painters of his time, which in turn gave him a unique edge. Instead of basing his work on the ideas of light and shade, he incorporated the element of line, into many of his works of art, and he also relied heavily on drawing beforehand. This and his inclusion of classcism, individualsim, and his own play on realism are the aspects that set Botticelli apart and made him unique during the Early Renaissance period.…
As time goes by, fashion has had o very big influence on people´s personality features, clothing has become what. Over the 50’s and 80’s decades, it was suffered as many changes as the history its self has had. The main point on this essay is to compare or contrast the 80’s and 50’s fashion tendencies, and representative trends.…
His designs balances tradition and innovation through the image of an iconic femininity that is both classic and chic (Steele, 389). The common factor in all of Valentino’s designs, are that his technical precise tailoring, bows, ruching, and draping along with the famous Valentino red. Valentino is known for all these key features put together in such a way that it expresses his company’s distinctive quality and look. Valentino’s fabrics are printed with flowers, dots, and his own initial (Steele, 389). His designs are described as a kind of beautiful memory, a modern reference to a different time (Steele, 388). His designs offer simplicity but eloquence, for example the iconic gold V on his handbags became an essential for the elegant woman of the time. The influence and impact of his work can be verified with examining the social status of his clientele, “In 1968 he designed Jacqueline Kennedy’s dress for her wedding” (Steele, 389). Other important and influential clients included Paola di Liegi, Princess Margret, princess Grace of Monaco, and many other well-known women. Valentino lengthened hemlines and introduced folk and gypsy motifs in the early 1970s. Throughout the 1970s his designs alternated between slender suits and harem pants coupled with maxi coats. “His 80s collection were characterized by sarong skirts gathered on the hip, draped garments,…
Heller, Nancy G. Why a Painting is Like a Pizza: a Guide to Understanding and Enjoying Modern Art. Princeton: Princeton University Press, 2002. Print.…