In "Where are you going, Where have you been?", Connie starts out as most teenage girls seemingly would - she wants to be more daring, to appear older, to experience more of the world. She sneaks away from childish pursuits, to the teenage or adult world, to drink and kiss boys rather than shop for school clothes, to see movies in a steamy car instead of in a theater. She talks of being beautiful as if it were her only good grace - beauty, to her, is the ultimate goal. She wants to be older, and more beautiful, and this is her downfall. Her foolishness, and her naivety is what appeals to Arnold Friend in the first place. Arnold Friend, a stranger, appeals to her early on in the story. He is older, more powerful, and smarter. She is frightened, of course, but intrigued, and it is her yearning for the adult world, and the adult life, that, in the end, causes her downfall. She is suckered in by the convincing conman who uses his words to appeal to her weaknesses. She is tricked into being what Arnold wants her to be by his smooth words and his façade of confidence. She's toyed with, played for the naïve fool she is, who is far too young for the world she wants to be a part of. Only at the very end of the story does she begin to realize what she has gotten herself
In "Where are you going, Where have you been?", Connie starts out as most teenage girls seemingly would - she wants to be more daring, to appear older, to experience more of the world. She sneaks away from childish pursuits, to the teenage or adult world, to drink and kiss boys rather than shop for school clothes, to see movies in a steamy car instead of in a theater. She talks of being beautiful as if it were her only good grace - beauty, to her, is the ultimate goal. She wants to be older, and more beautiful, and this is her downfall. Her foolishness, and her naivety is what appeals to Arnold Friend in the first place. Arnold Friend, a stranger, appeals to her early on in the story. He is older, more powerful, and smarter. She is frightened, of course, but intrigued, and it is her yearning for the adult world, and the adult life, that, in the end, causes her downfall. She is suckered in by the convincing conman who uses his words to appeal to her weaknesses. She is tricked into being what Arnold wants her to be by his smooth words and his façade of confidence. She's toyed with, played for the naïve fool she is, who is far too young for the world she wants to be a part of. Only at the very end of the story does she begin to realize what she has gotten herself