Conflict is the true test of an individual’s internal strength and understanding, encountering conflict can evoke an individual to reassess their values, morals and beliefs’, staying true is the best way to deal with the animosity. It is through this that social order can deteriorate into conflict and anarchy with disturbing ease; it is a fear of difference and is not always easy to distinguish the innocent from the guilty in contesting situations. Conflict can be the struggle between the protagonists or antagonists against nature, contradictory emotions or opposing forces, manipulating an individual to fulfill the desire of one’s unmeasured flame. Applying a prevailing and emphatic depth into the concept of internal and external conflict, the texts Othello composed by Shakespeare and 1984 devised by George Orwell, attracts the audience to see, feel and experience the compelling turmoil’s that erupt. The consequences of racial discrimination, the contrasting of a democracy and a totalitarian society, reality and derealisation, along with the animosity and momentum to seek revenge and justice, to enhance the audiences understanding and interpretation of these conflicts.
Jealously is the obsession and anxiety, the arena possed into a phantasm of internal conflicts, a web of a world dictated by negative emotions, insecurities and fears, infecting an epidemic upon a victim’s identity and true morals to deal with a repugnant conflict. Shakespeare evokes the delusion of jealously through the luminary Othello, over the anticipated phantasm of Desdemona’s and Cassio’s infidelity. The shrewd Iago develops an art work of conflict to erupt, this is highlighted within, "O, beware, my lord, of jealousy! It is the green-eyed monster, which doth mock the meat it feeds on." The prime instigator of conflict is internal insecurity and fear, the obsession of jealously corrupts Othello’s psychological sanity. The symbolism represents Othello’s dismal interior