Corrido and Conjunto
Relate each of the three music genres that developed on the Texas-Mexican border to its cultural background and the group associated with its widespread acceptance and dissemination. How did it change over time?
Corrido
The corrido has roots back to Spanish descendents in the 12th century. By the 15th century, the style was more developed; but the corrido really emerged after the Mexican-American War in 1846. This style became very popular in the late 19th and early 20th centuries in Mexico, and eventually Texas. The corrido showcased the change in the role of Mexicans in relation to Americans. Songs often spoke of events, tragedies, or conflicts. The songs were very racially focused and would often act as protest to the social prejudices that they faced. After World War II, the theme changed to cover the necessary changes in social structure. The reading “The New Chicano Heroic Corrido” by Jose Villarino discusses studies by Vicente Mendoza, the leading scholar in studies of the corrido. Mendoza finds that the subject of the corrido has constantly changed over time. He lists many topics that have been the focus of corrido music over the years: historical, revolutionaries, bravery, killings, political, robbers, jailing, rapes, persecutions, murders, evil, tragedies, horses, and a number of other categories. The reading also states, “Another category of corridos is that of focusingon women heroines instead of the traditional male heroes. One singer who made corridos popular was Lydia Mendoza. She is given credit for over 200 songs. She sang and accompanied herself by playing a 12-string guitar. Corrido used to just be sung a cappella, but she helped change this part of the culture of the corrido. * Basis was founded by Spanish descendents in 1100-1200 AD * Well developed by 15th century * Emerged after Mex-Am War (1846-1848) * Became very popular in late 19th, early 20th century in Mexico * Documented change in role of Mexicans
Corrido
The corrido has roots back to Spanish descendents in the 12th century. By the 15th century, the style was more developed; but the corrido really emerged after the Mexican-American War in 1846. This style became very popular in the late 19th and early 20th centuries in Mexico, and eventually Texas. The corrido showcased the change in the role of Mexicans in relation to Americans. Songs often spoke of events, tragedies, or conflicts. The songs were very racially focused and would often act as protest to the social prejudices that they faced. After World War II, the theme changed to cover the necessary changes in social structure. The reading “The New Chicano Heroic Corrido” by Jose Villarino discusses studies by Vicente Mendoza, the leading scholar in studies of the corrido. Mendoza finds that the subject of the corrido has constantly changed over time. He lists many topics that have been the focus of corrido music over the years: historical, revolutionaries, bravery, killings, political, robbers, jailing, rapes, persecutions, murders, evil, tragedies, horses, and a number of other categories. The reading also states, “Another category of corridos is that of focusingon women heroines instead of the traditional male heroes. One singer who made corridos popular was Lydia Mendoza. She is given credit for over 200 songs. She sang and accompanied herself by playing a 12-string guitar. Corrido used to just be sung a cappella, but she helped change this part of the culture of the corrido. * Basis was founded by Spanish descendents in 1100-1200 AD * Well developed by 15th century * Emerged after Mex-Am War (1846-1848) * Became very popular in late 19th, early 20th century in Mexico * Documented change in role of Mexicans