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Corruption In Matriark Theatre

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Corruption In Matriark Theatre
When greeted in a grungy foyer of Project 107‘s back area, it seems an unlikely place for Matriark Theatre to present their original work, GODFACE, a parody of the corruption and scandal of the Western World’s current political landscape. But it works, it really works.

With current election results still in limbo, and international show pony, Donald Trump dominating political landscapes, Matriark Theatre’s fast-paced political satire brings new life to our current democracy. Peeling through the manipulation, control and power that ensues in all political campaigns.

Emily McGowan, who plays the passionate and intelligent Pippa, a young outsider from the wastelands beyond, invites us into this dystopian world of GODFACE, a city populated by half animal, god-like creatures. As Pippa delves into this mysterious world, we watch as she is consumed by political campaigns as this Holy city begins an election to elect a new ‘Prime God’. Her main rivals Swansea and ‘New God’, test Pippa’s moral and ethical standing, pushing her to her limits. …show more content…
There is an accuracy in which the writers; Robert den Engelsman and Murray Lambert’s script reflect our feelings of politicians and their maneuvers to achieve their goals. Scott Parker’s direction brings energy to the stage and his choices entice the audience to view the absurdity of political life. A ridiculous ‘dance-off’, whereby these characters compete for votes, is uncannily similar to the antics our current politicians during their political campaigns, ‘kissing babies’, and ‘hugging grandmothers’, in hope to win
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