This part begins with Raskolnikov waking up after committing his crime still fully dressed on his sofa with his pockets full. He is horrified to have been so careless and he puts all the pledges he took into a hole in his wall. He then searches his clothes for any traces of blood and removes a sock as well as some frayed edges of his trousers that have blood drops on it. He is then summoned to the police station where he finds out that his landlady is behind it due to his overdue rent. At the station, he faints after hearing some cops discussing the murder of the old lady. He soon returns home having decided to hide the evidence and after debating whether or not to throw it in the river, he hides it in a junkyard under a large stone. He then…
• “Sickness and Delirium”- Ch. 5 Raskolnikov’s guilt previously symbolized by blood, now is symbolized by sickness and delirium; Porfiry Petrovich indirectly accuses Raskolnikov of crime by accusing him of spreading his “illness” and of being “sick” and “delirious”…
As well as assisting him when he is vulnerable, Razumikhin sticks with Raskolnikov when he is full of pride, and remains by his side even when he is violently pushed away. Though he is not confided in, he is completely trusted, and in this way is a true confidant: listening to Raskolnikov and advising him when he needs it, and remaining loyal throughout Raskolnikovs search for redemption. He never rejects his friend, not even after Raskolnikov confesses his guilt. It would have been all too easy for Razumikhin to look down on him once Roskolnikov is marked a murderer, to scorn him and forget him when he is sent to Siberia for seven years of hard labor. He does not. When one leaves their heart open to the people around them, they can gain a better understanding and love for humanity itself, seeing not just the bad or the good, but both. This true acceptance and the ability to keep an open mind and heart is vital, not just to a successful life, but to a happy one. Dostoevsky creates a man who is conflicted, filled with turmoil and guilt, and then creates his counterpart, a man who can lead Raskolnikov towards ultimate…
After his confession, Raskolnikov experienced the physical punishments for his actions; however, far more painstaking was his previous punishment as he suffered the loss of a conscience battle upon the self realization that he was after all just an "ordinary man" or that, even worse so, if he was indeed an "extraordinary" one, that his theory had been an invalid waste of time. In a subconscious effort to protect his lifelong work, he confessed, thus admitting to ordinariness, yet preserving the credibility of his…
Dostoevsky does not let the reader understand, until later on in the novel, that Raskolnikov had been thinking and planning out this evil for long period of time. Raskolnikov believes of himself be a sort of Napoleon figure in his community and that his action of murder will set people free from the suffering of their poor lives. But the opposite occurs, Raskolnikov does not become free from his suffering, he begins to face a fast descent into a psychotic break. Dostoevsky is trying to show the readers that you cannot combat suffering with sin and evil tendencies. Raskolnikov chose the easy way out; he chose to go against God and take matters into his own hands and ultimately suffers even more in his life because of…
He counted the “seven hundred and thirty [steps] exactly” (8) which take him from his home to Alyona’s, this precise number conveys that Raskolnikov had already planned the murder much time before it actually took place. To execute his plan Raskolnikov visited Alyona to pawn a watch, as he walked in he “took... everything in the room” (10) in detail and examined the location of his future murders. After making a deal with Alyona, Raskolnikov observes that she keeps her keys in her “right-hand pocket” (11) and one of the keys is “three times the size” (12). With these details Raskolnikov concluded the bigger key must belong to a “box or chest” (12) These observations were made minutes upon entering Alyona’s house, this illustrates Raskolnikov’s obsessive state of mind as he also thought “it’s the details that matter more than anything else” (8) suggesting he had every detail planned before Alyona’s murder. But, his plan did not consider Lizaveta, the unexpected guest which was killed minutes upon arriving and spotting her dead sister. After murdering Lizaveta “Raskolnikov began to lose his nerve completely” (98). Raskolnikov’s eye for details helped him construct a plan to murder Alyona but when his plan did not end as he expected he committed a crime by unjustifiably killing Lizaveta. Contrarily, in part three…
In Tolstoy’s excerpt, “How Minute Changes of Consciousness Caused Raskolnikov to Commit murder”, Tolstoy explains that the changes in Raskolnikov’s consciousness were minute, yet caused colossal consequences. Raskolnikov’s change of…
Raskolnikov’s guilt stems from the confliction of his humanity with the atrocity that he committed when he murdered “‘the old pawnbroker woman and her sister Lizaveta with an axe and robbed them.’” (Dostoevsky 526). Raskolnikov was motivated not only by his greed and lust for money, but by many other factors. Raskolnikov was “crushed by poverty” (Dostoevsky 1) and was barely able to buy food. Another motivation for Raskolnikov was his idea that he is a “superman” and that he was allowed, even supposed, to harm others and kill for the good of society. These factors: greed, hunger, the idea of “supermen” etc. all contributed to the fall of Raskolnikov.…
Throughout Crime and Punishment, Raskolnikov goes through a continual evolution of emotional instability, while never ceasing to hold onto the pride which leads to all of his problems throughout the book. Before the murders were committed, Raskolnikov showed immense pride by believing he was entitled to murdering the older women. This turned to regret at the murders, and eventually into varying levels of remorse and disgust in his acts. The book ends with him finally being reborn from this and plans out a happy life with the women of which he has fallen in love. This complex rollercoaster of emotions through the book provides a near perfect foil for Meursault’s emotional state throughout The Stranger. Through seemingly tragic events such as…
In a contemporary society where crime takes place we expect the state authority to dispense justice in the form of punishment to maintain social solidarity. There are many forms of punishment that can be given to an offender, each with their own functions for the offender and society itself.…
Guilt has had, and always will have a variety of influences on people, and in Crime and Punishment, Raskolnikov physically shows remorse in different situations. Raskolnikov is constantly paranoid and anxious which demonstrates his extreme shame, without him having to actually confess his guilt. For example, Raskolnikov “…was aware of a terrible disorder within himself. He was afraid he could not keep himself under control.” (Dostoyevsky 91). As readers, we see his shame progress…
In the book “Crime and Punishment”, Dostoevsky explores the path of Raskolnikov who has faced many difficulties and obstacles throughout his life. He commits murder and is faced with the long and extremely painful journey of seeking redemption. Raskolnikov believes that by the law of nature, men have been divided into two groups of “ordinary” and “extraordinary”.…
Raskolnikov is obsessed with his "superman theory". He is constantly trying to prove that he is part of the 10% of extraordinary people in the world. He wants to become an eminent figure such as Napoleon. At first he believed that the murders he committed would make him part of this elite class. Once he realized that he had made mistakes during the crime he began to question his theory. After much frustration he decided to go to the scene of the crime. This gave him a rush that made him feel invincible. He believed that this would prove if, or if not he was "super". Once he realized that he wasn't part of this class, he suffered a mental breakdown. This pushed him to confess his crime to Sonya. She helped him rationalize his crime and admit his guilt. The outcome of this conversation was that it helped him admit his fate.…
“Curse it all!’ he thought suddenly in a fit of uncontrollable fury. ‘Damn the new life!” (Dostoevsky, 108). Both before and after committing the murders, Raskolnikov becomes overwhelmed with hatred and pessimism that result in a nihilist existence.…
There is a thin line between good and evil. “Great men smash laws, smash old ways, in order to create new ones, great men are not afraid to by criminals,”( Raskolnikov). In Fyodor Dostoyevsky’s legendary Russian novel Crime and Punishment, Rodion Romanovitch Raskolnikov (Rodya, Rodenka, or Rodka), commits murder for the idea that great men can break laws and get away with it. Never afraid to tackle the complex topics of humanity, Dostoyevsky plays the role of “Devil’s Advocate” and directs the reader to contemplate their personal perception of what is good and what is evil. I’m going to further dissect and state personal opinions on Raskolnikov’s theory, as well as show the correlation between Pre-20th Century Russian Literary works and what is essentially Russian about Russian Literature.…